josef budko (6 Ergebnisse)

Zustand: Good. Location:402 281pp. Large 8vo. Decorated cover, heavy foxing to endpapers and pages leading to title page which is also foxed , lst forty pages bottom corner water stain not affecting text, parchment-type paper is bright and clean, leaving the woodcuts looking almost as new as when they were printed., cover worn 402.

4°. 34 nn. Bll. OHLwd. m. Pergaminumschlag. Mit 12 Holzschnitten. Die Abbildungen dieser allgemeinen Ausgabe sind in Heliogravüre reproduziert. Das Titelbild ist ein Originalholzschnitt von Joseph Budko. Einband etwas gebräunt und fleckig. Erste Blätter etwas stockfleckig, übrige nur gering fleckig.

Hardcover. Zustand: Fair. First Edition. Hardback. Large 8vo. Bound in half vellum (or parchment?) with green and brown papered covers. Hebrew text. Jewish influenced woodcuts (14 small and four full size) by Josef Budko. Some wear and fading to covers, with slight foxing and occasional stains, overall near very good.

Hardback. 1st Edition. Original illustrated boards, 8vo, [43] Hebrew + [42] German pages. With 39 woodcut historiated initials and lithograph etchings. Yaari 1913; Yudlov 2821. Joseph Budko (1888-1940) , was a "painter and graphic artist. Budko, who was born in Plonsk, received a traditional Jewish education. In 1902 he went to study at the art school in Vilna. In 1910 Budko moved to Berlin where he learned metal-chasing and also studied at the Museum of Arts and Crafts. In Berlin Budko met Hermann Struck who taught him the technique of etching. Eventually he also took up woodcutting, lithography, and painting. In 1933 Budko settled in Palestine. In 1935 he became the director of the reopened New Bezalel school of arts and crafts. Budko stressed the teaching of graphic design and utilized the ornamental value of the Hebrew letters. Budko's subject matter was determined by the Jewish environment in which he grew up and to which he returned in Jerusalem. Budko developed a style that combined the personal with the Jewish, being a synthesis of Jewish tradition and modern art. He also revived the spirit of Jewish book illustration, adapting it to modern design. Among the books he illustrated are the Haggadah, and he designed many bookplates. " (EJ 2007) "Joseph Budko?s Haggadah, 1921, skillfully integrated the Hebrew text with illustrations. Budko was thought to be withdrawn and outwardly cold, but his art was warm in a style that permitted a melding of tradition with modernism, slavery with redemption. His [illustration of a] faceless Jew trudges alone through history from a callous past to an unknowable future, moving over a snow-lined path, half-frozen, but determined and defiant. No signs or wonders for him - he knows he must make it on his own. " (Harris, "The way Jews lived: five hundred years of printed words and images, p. 353) . SUBJECT(S): Haggadot -- Texts. Haggadot -- Illustrations. Seder -- Liturgy -- Texts. Judaism -- Liturgy -- Texts. Judaism -- Liturgy Seder -- Liturgy. OCLC: 1048006051. Spine neatly rebacked. Corners bumped, text block is very clean and in excellent condition. Good+ Condition Overall (BK) (HAG-27-9-LGGBCCX).

Kl.8°, o. P. (42 Bl.), 7 Abb., OLwd. m. OU, OU am Rücken min. gebräunt, sonst tadellos. EA dieser Ausgabe. 600 gr. Schlagworte: Judaica, Illustr. Bücher - allgemein.

Hardcover. Zustand: Gut. Format 8°. 42 nicht gezählte Blatt. Schwarzes Original-Leinen mit goldgeprägtem Deckeltitel und goldgeprägter Rückenvignette und Kopffarbschnitt. Buchdeckel besonders am unteren Rand etwas fleckig. Kopfschnitt etwas angestaubt. Innen ein gutes und sauberes Exemplar. Erste öffentliche Ausgabe. Schöner breitrandiger Druck von Otto von Holten mit sehr schönem Schriftbild und den 7 Original (?)-Holzschnitten von Josef Budko. Erschien bereist 1924 als Privatdruck. Vorliegende Ausgabe mit dem Druckvermerk des Privatdruckes. WG 2, 20 (für Arno Nadel); Sennewald 24, 1 für den Privatdruck; Freimann-Sammlung (PDF).