jones david illus (15 Ergebnisse)

hardcover. Zustand: Fine. Illus. by Wendy Jones (illustrator). 1st. 8vo, 592 pp., Introduction & notes for the American cook by Karen Hess. Fine copy in very good dust jacket.

hardcover. Illus. by Wendy Jones (illustrator). 1st. 8vo, 592 pp., First printing of the new American edition with a foreword by Marion Cunningham & introductory notes by Brinna B. Sands., A few small spots on the fore-edge, else about fine. Nearly fine copy in fine dust jacket.

hardcover. Zustand: Fine copy in fine dust jacket. Illus. by Wendy Jones (illustrator). 1st. 8vo, 592 pp., Introduction & notes for the American cook by Karen Hess.

Zustand: Very Good. 1960. Hardcover. Good copy in original cloth covers. Tear on FFEP. Light nicks, remains a good copy. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Good. Good hardcover. No DJ. Some of the pictures are colored. Covers show edge wear with rubbing/light soiling. Binding is tight, hinges strong. Book slightly shelf-cocked.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Very Good. 1960. Hardcover. Good copy in original cloth covers. Tear on FFEP. Light nicks, remains a good copy. . . . .

Zustand: Very Good. 1970. Hardback. One volume from the 'Books That Have Changed Man's Thinking' series. Fine in fine quarter leather bindings, highly decorated gilt titles to spine, and elaborate gilt decoration to front cover. Covers showing very light shelfwear. Decorated end papers. Lightly toned, a little spotting to edges, text and illustrations crisp and clear and remains a fine copy. . . . .

Zustand: Very Good. 1970. Hardback. One volume from the 'Books That Have Changed Man's Thinking' series. Fine in fine quarter leather bindings, highly decorated gilt titles to spine, and elaborate gilt decoration to front cover. Covers showing very light shelfwear. Decorated end papers. Lightly toned, a little spotting to edges, text and illustrations crisp and clear and remains a fine copy. . . . . Books ship from the US and Ireland.

Booklet. Zustand: Very good +. Zustand des Schutzumschlags: Fair. The Ariel Poems No. 13. 4 p. 19 cm. Colour frontispiece. Paper covers in green paper jacket. Jacket split in two parts, held on by flaps. Stain to bottom front. Tiny ink stamp on illustration page. Other booklets in series listed at rear.

hard cover. Zustand: fair. no jacket. Large-paper edition, printed on English hand-made paper. Limited to 400 copies. This is no.255. Red paper covered boards, gilt lettering to front board. Signed by Roy Campbell. b/w illus.on half title page. A colored plate. (15)pp. Front board sl.damp stained and sl.spotted. Rear board sl.damp stained. Spine faded. [f1317-171425]. signed.

Zustand: Very Good. Zustand des Schutzumschlags: Very Good -. Waltham Saint Lawrence, UK: The Golden Cockerel Press, 1926. First Thus; Limited Edition of 400 copies, this being #396. Octavo. 225 pp. Woodcut frontispiece. Restored illustrated dust jacket (details below). Cream and brown boards lettered in gilt. Dust jacket restored by prior owner in archival backing with fill-ins and coloring to previous extensive chipping and wear; extensive coloring along spine with a bit of a crude sheen as a result of backing; current wear/split along front fold, though jacket remains intact. Boards show light edgewear with a touch of soiling along top edge. Binding is sound and pages unmarked.

folio. pp. iv, 16, [1]. 10 wood engravings. original red cloth. A fine uncut copy (light wear to foot of spine). broadside with wood engraving loosely inserted. First Edition, Limited to 275 numbered copies.

Hardcover. Zustand: Fine. No Jacket. Special Edition. Published by Clover Hill Editions, London in 1977. Number 'XXX1' of only 80 special copies, printed by Will Carter at the Rampant Lions Press on Barcham Green handmade paper, watermarked 'Clover Hill' (made for Douglas Cleverdon in 1936). The BOOK is in Fine condition, bound in quarter-morocco and marbled boards. Illustrated with ten wood engravings by David Jones, this title is considered by many to be the artist's most significant work. These engravings were initially printed in the Golden Cockerel edition in 1927. Jones, however, felt that the some of the delicacy of his wood engravings had been lost, as the paper was not properly dampened by the Press as they hurried to meet a deadline. According to the Publisher's Note by Douglas Cleverdon, Jones acquired the ten blocks in order to ensure that they would not be reprinted without his approval. In 1977, Jones agreed to 'Clover Hill Editions' reprinting the book using his original blocks, in the manner that he originally intended. In this present edition, the illustrations are at once dark, clear, and retain their minute detail in the fine lines. This copy also contains a separate portfolio of the ten wood engravings printed on Japon. In the portfolio, the images are printed directly from the blocks onto the Japon, revealing even greater clarity in Jones's work. The engravings are all in Fine condition. The book and portfolio are housed in the publisher's original linen slipcase with a printed paper label on the spine. Loosely inserted are the complete four publisher's Prospectii : The original prospectus only referring to the standard and special copies : A further one referring to the publication of seven 'Copies on Vellum' : The third referring to twenty five limited sets of prints on Japon and finally the fourth prospectus, which refers to all three formats and the sets on Japon. A very handsome production. More images available on request. Ashton Rare Books welcomes direct contact.

Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. The sole UK printing published by St. Dominic's Press, Ditchling in 1930. The BOOK is in near Fine condition. This is number '1' of a total edition size of only 240 copies. Light pushing at the spine ends and some tiny rubs to the rear panel and upper edge spine cloth. Tiny amount of spotting to the text-block. Free from inscriptions and erasures. Publisher's errata page present. Batchlor & Sons hand made paper printed on the Stanhope Press. Full page wood-engraving 'The Bride' and title page decoration by David Jones. In 'A Survey of the Engravings of David Jones' page 19, Cleverdon wrote ' To the end of his life, David was particularly fond of this engraving'. It was a remaking of a failed first illustration for 'The Ancient Mariner' in which he had wanted to evoke a nun taking the veil. He set off whites and greys against 'very small areas of solid black'. In one Romanesque window, apparently echoing the curves of the bride's breasts, appears the hart of Psalm 42. Dilworth also points out that her high forehead is Petra's but her groom is the Saviour with whom Jones identified. (Cleverdon E200: Taylor and Sewell A201 : Dilworth, David Jones pp1178). Protected in a loose Mylar archival cover. Very scarce.

1st edition. Pale blue card covers in fine condition, likewise the contents. With David Jones's illustrations, the first in colour. An Ariel Poem, undated but 1954, in very nice condition.