jonathan bollen (22 Ergebnisse)

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Paperback. Zustand: Brand New. 246 pages. 8.26x5.82x0.56 inches. In Stock.

Paperback. Zustand: Brand New. 266 pages. 8.26x5.82x0.56 inches. In Stock.

Hardcover. Zustand: Brand New. 240 pages. 8.25x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 266 pages. 8.26x5.82x0.83 inches. In Stock.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorJonathan Bollen lectures in drama at Flinders University in Adelaide. Adrian Kiernander is Professor of Theatre Studies at the University of New England in Armidale, New South Wales. Bruce Parr has taught theatre stu.

Hardcover. Zustand: Brand New. 300 pages. 9.00x6.00x0.56 inches. In Stock.

Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Touring Variety in the Asia Pacific Region, 1946-1975 | Jonathan Bollen | Taschenbuch | Transnational Theatre Histories | xvi | Englisch | 2021 | Springer | EAN 9783030394134 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Aviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the 'jet age' of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Aviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the 'jet age' of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy.

Taschenbuch. Zustand: Neu. Neuware - How are masculinities enacted in Australian theatre How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men's experiences of war and migration Men at Play explores theatre's role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays - from Dick Diamond's Reedy River, Ray Lawler's Summer of the Seventeenth Doll, Richard Beynon's The Shifting Heart and Alan Seymour's The One Day of the Year to David Williamson's Sons of Cain, Richard Barrett's The Heartbreak Kid, Gordon Graham's The Boys and Nick Enright's Blackrock.The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book's contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Robert Rosenblum on Tom Wesselmann," by Robert Rosenblum; "Passages: Thomas Lawson on Gretchen Bender," by Thomas Lawson; "Books: Keith Sanborn on Guy Debord," by Keith Sanborn; "Film: James Quandt on 'Cinévardaphoto,'" by James Quandt; "On Site: Carol Armstrong on the Barnes Foundation," by Carol Armstrong; "Media: Christopher Bollen on Courtroom Drawings," by Christopher Bollen; "News: Steven Henry Madoff on the Walker Art Center," by Steven Henry Madoff; "Top Ten," by Kehinde Wiley; "Please Recycle: The Art of Kelley Walker," by Tim Griffin; "Russian Front: The Moscow Biennale," by John Kelsey; "1000 Words: Spencer Finch," by Daniel Birnbaum; "Artist Curates: Personal Affects," by T.J. Wilcox; "Vocational Education: An Interview with Lucrecia Martel," by Amy Taubin; "Openings: Hans Op de Beeck," by Martin Herbert. Reviews by Jack Bankowsky, Isabelle Graw, David Deitcher, Lynne Cooke, Barry Schwabsky, Michael Wilson, Jan Avgikos, Donald Kuspit, Martha Schwendener, Nell McClister, Johanna Burton, Elizabeth Schambelan, Frances Richard, Karen Rosenberg, Suzanne Hudson, Brian Sholis, Jeffrey Kastner, Jonathan Raymond, Tom Breidenbach, David Carrier, Michael Odom, Glen Helfand, Bruce Hainley, Jan Tumlir, Christopher Miles, Maxine Swann, Pablo Llorca, Filippo Romeo, Giorgio Verzotti, Marco Meneguzzo, Guitemie Maldonado, Sabine B. Vogel, Astrid Wege, Jennifer Allen, Michael Archer, Rachel Withers, David Spalding. Cover: Kelley Walker.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Robert Storr on Al Held," by Robert Storr; "Books: Michael Hardt on 'Afflicted Powers,'" by Michael Hardt; "Books: T.J. Clark on Retort," by T.J. Clark; "Film: Andrew Solomon on 'Ballets Russes,'" by Andrew Solomon; "Film: Amy Taubin on Chantal Akerman," by Amy Taubin; "Architecture: Aaron Betsky on Herzog & de Meuron," by Aaron Betsky; "Performance: Steven Henry Madoff on the Festival d'Avignon," by Steven Henry Madoff; "Tech: Michelle Kuo on Robert Whitman," by Michelle Kuo; "Top Ten," by Cathy Wilkes; "Man Without Qualities: The Art of Michael Krebber," by Daniel Birnbaum, John Kelsey, and Jessica Morgan; "Tent Community: Art Fair Art," by Jack Bankowsky; "1000 Words: Mike Kelley," by John C. Welchman; "Lost in Translation: Sound in the Discourse of Synaesthesia," by Christoph Cox; "Only Connect: The Art of B. Wurtz," by Bruce Hainley; "A Certain Slant of Light: The Films of Hou Hsiao-Hsien," by James Quandt; "Portrait of an Image: A Portfolio by Roni Horn," by Lauren Sedofsky; "Openings: Michael S. Riedel," by Daniel Birnbaum; "Openings: Matthew Monahan," by Elizabeth Schambelan. Reviews by Anne M. Wagner, John Miller, Barry Schwabsky, James Meyer, Elizabeth Schambelan, Jeffrey Kastner, Claire Barliant, Martha Schwendener, Johanna Burton, Brian Sholis, Jan Avgikos, Michael Wilson, Suzanne Hudson, Emily Hall, Lisa Pasquariello, Domenick Ammirati, Jenifer P. Borum, James Yood, Nord Wennerstrom, Jonathan Raymond, Ellen Berkovitch, Maria Porges, Michael Ned Holte, Bruce Hainley, Christopher Miles, Maria Gainza, Elizabeth Janus, Giorgio Verzotti, Cathryn Drake, Jeff Rian, Hans Rudolf Reust, Astrid Wege, Jennifer Allen, Wolf Jahn, Martin Herbert, Emily Speers Mears, Caoimhín Mac Giolla Léith, and Philip Auslander. Cover: Michael Krebber.