johnson vance (18 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. 212 pages. Light wear, a couple stains, pages a little yellowed; name inside; a good sound binding. Good overall. The jacket has some chips, tears and stains. "A nostalgic story, told by Toby himself-the best loved character in America's traveling tent shows." Illustrator: . Quantity Available: 1. Category: Biography & Autobiography; Inventory No: 200368.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: New. In.

Paperback. Zustand: Brand New. 24 pages. 8.50x8.50x0.06 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: Brand New. 220 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 230 pages. 9.00x6.00x0.52 inches. In Stock.

Original Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Unclipped dust jacket.

Softcover. Zustand: Fine. First edition. Stapled wrappers. 22pp. Fine. Contributions by Cynthia Lovelace, Judith Johnson Sherwin, Eugene Vance, John R. Nash, Gerard Delaney, Robert Mezey, W.B. Yeats, Wallace Stevens, Alarik Skarstrom, James E. Swan, John Haag, and Kim Kurt.

Taschenbuch. Zustand: Neu. Neuware - Vance Johnson is both author and subject of many of his poems. He began writing poems after reading Shakespeare. The Sonnets of Shakespeare appealed to him. He felt the romance in them would help his game! He memorized Sonnet #116. He had a great deal of success associated with this technique.

Zustand: New. &Uumlber den AutorVance T. Holliday is a professor at the School of Anthropology and Department of Geosciences at the University of Arizona, where he is also executive director of the Argonaut Archaeological Research Fund.

Single Issue Magazine. Zustand: Good. Illustrated by Fransioli, Thomas Jr.; Rackow, Leo; Keller, Roswell;Darling, Gilbert; Chase, Francis; O'Halloran, Tom; Davis, Floyd; Grusstar,Gordon; (illustrator). First Edition. 78 pages. Articles: Get Off Route 25 - Charles F. Kettering teaches that a great challenge lies off the traveled highway; Young Man; The Life and Times of Sears, Roebuck (part 1 of 4); Collier's Sectional All-Star Teams; The King's Man - Charlie Campbell is considered a top unofficial 'ambassador' to the US; West from Fifth Avenue - article with sensational photos of Collier's new Manhattan headquarters and their million-a-day Ohio press; Payoff in Berlin (conclusion of "My 4-years war with the reds). Fiction: Cinderella Rides Again (part 1 of 5); The Ward Heeler and the Lady; Shooting Party; Don't You Cry for Me; Fifty of the Blue; Valley of the Tyrant. Includes these nice ads: Studebaker trucks (inside front cover); Bell telephone; Congress Playing Cards - featuring Mme. Lilly Dache; Zenith tvs, radios and phonographs; Columbia motorcycles; Good Year; Elgin watches; 1950 Ford cars; Samsonite luggate (color centerfold); Pall Mall cigarettes; Movie "Prince of Foxes"; New York Central Railroad; Schlitz beer; Blatz beer - featuring Pat Harder, 1948's most valuable player/star fullback of the Chicago Cardinals; Budweiser; Camel cigarette ad on back cover features Fred Astaire. Average wear. Unmarked. A sound vintage copy.; Folio - over 12" - 15" tall; Collier's - The National Weekly Magazine, December 3, 1949 Get Off Route 25 - Charles F. Kettering teaches that a great challenge lies off the traveled highway; Young Man; The Life and Times of Sears, Roebuck (part 1 of 4); Collier's Sectional All-Star Te.

Zustand: Very good. - A correspondence between Samuel Chamberlain and Fridolf Johnson consisting of 4 Typed Letters Signed by Samuel Chamberlain, three of which are written on his personal 11 inch high by 8-1/2 inch wide stationery with the artist's name and address attractively printed in rust brown at the top, and the fourth on 7 inch high by 5-3/8 inch wide stationery with only the artist's address printed at the top. Another letter typed by Chamberlain is unsigned. The correspondence also includes an Autograph Letter Signed by the artist's wife on the 7 inch high by 5-3/8 inch wide stationery, and 7 retained carbon copies of Fridolf Johnson's letters on yellow paper. Also included is Fridolf's Boston Yacht Club bill and 7 original photographs by Chamberlain of boats and yachts at harbor.In the retained copy of an initial letter dated Sept. 14, 1964, Fridolf Johnson writes to Chamberlain that "Mr. Norman Kent, our editor, has been interested for some time in getting together an article on you and your work to appear in a future issue of AMERICAN ARTIST. We are planning on a 6-page feature story to be illustrated with perhaps fifteen examples of your work." Chamberlain replies the very next day in a typed letter signed, dated Sepember 15, 1964, that he is very honored and that the days which Fridolf has suggested for an interview are quite convenient. He goes on to write that "Marblehead has no acceptable hotels, but through a good friend of ours, Mr. Devereux Chesterton, I can reserve a room for you and Mrs. Johnson at the Boston Yacht Club, which is only a short walk from our house." Fridolf Johnson replies on September 21st. Included in the archive is Fridolf's bill for his room at the Boston Yacht Club. On October 6, 1964, Fridolf writes to inform Chamberlain that the article will be delayed by a month so that he can do it justice and proclaims that "Heidi and I are still talking about our visit to Marblehead". In appreciation, Fridolf has apparently included his little chapbooks as a gift: "The Mermaid Press sends you a few of its more ambitious productions. 'Wonder of Wonders' is my latest, and I hope it will be the first of a long series of chapbooks on Mermaids". In a typed letter signed dated October 23, Chamberlain replies that "We were absolutely charmed by those little books, especially 'Nasty Nancy'. I showed it to my little neighbor, Anne, aged nine, and she was totally enthralled. My good wife is also talking about that beautiful foie gras from Alsace which arrived in the mail this morning." As Fridolf had borrowed some of the artist's etchings and photographs for the article, Chamberlain goes on to let him know that it's fine for him to keep those until the article goes to print. On October 24th, Chamberlain's wife, Narcissa, writes to Heidi Johnson (Fridolf's wife) thanking her for the pate de foie gras and expresses her appreciation for the little Mermaid Press books, concluding "What a fine eye and hand your husband has". On December 4th, Fridolf informs Chamberlain that "At last I finished the article. When the copy arrives, I'd appreciate your sending me any important corrections that I could insert in the galleys." and on December 7th "Here is a carbon of the typescript." Pleased with the copy, Chamberlain replies on December 9th: "Thank you so much for your letter and for the enclosed manuscript, which I think is perfectly splendid. As you request, I am also including the engraver's proofs with caption material indicated on each." On January 25th, 1965 Fridolf writes that he is sending back the prints and expresses his hope to visit Marblehead again. Chamberlain was apparently quite pleased with the article, writing on February 7th that "I have heard from several old friends, former students, and even war-time sidekicks, as a result of your story. Everyone seemed to be vastly pleased, and I am grateful to you once again for your kindness." In August of 1967, the New York Times also published an article on Samuel Chamberla.

Cloth. Zustand: Near fine. Zustand des Schutzumschlags: fine. First edition of To Heal and to Build: The Programs of President Lyndon B. Johnson inscribed to future Secretary of State, Cyrus Vance. (illustrator). First Edition, First Printing. Octavo, xiv, 506pp. Blue cloth, title stamped in gilt and red. Stated "first edition" on copyright page, with no later printings noted. Top edge dyed yellow, faint sunning to top quarter of cloth, a near fine example. In the publisher's fine dust jacket, retail price of $8.95 on front flap, bright illustrations. This copy is signed by the president on the dedication page: "To Cyrus Vance / Who through the years has done much more than his share to put this together. With my admiration & gratitude / Lyndon B. Johnson / May 28, 1968." An exceptional association copy. Secretary of State Cyrus Vance (1917-2002) served as the Deputy Secretary of Defense under President Lyndon B. Johnson from 1964 to 1967. During this period, Vance played a key role in overseeing the U.S. military's involvement in the Vietnam War, though he privately expressed reservations, and eventually resigned from his post. Vance was also the primary negotiator during the Panama Canal Zone disputes and helped de-escalate the Cyprus crisis in 1967. This foreign diplomatic experience led to his nomination as President Carter's Secretary of State in 1977. Signed.

[1] pp.; 35.7 x 12.7 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer / announcement published in conjunction with show held May 10 - 31, 1957. Artists include Calvin Albert, Rhys Caparn, Rudolph Condon, Ralph Dorazio, Mary Frank, Sidney Geist, Sidney Gordin, Vance Hunt, Alice Johnson, Allan Kaprow, Gabriel Kohn, Herbert Lent, Israel Levitan, Marguerite, Edgar Negret, Louise Nevelson, Blanche Phillips, James Rosati, Avram Schlemowitz, Carol Cook Smith, George Spaventa, Richard Stankiewicz, Jim Steinhardt, George Sugarman, Lou Trakis, Ruth Vodicka, Wilfrid Zogbaum. Very Good. Hand addressed mailed copy, folded in three as issued, with mailing marks and wear including torn closure sticker and gentle bend to lower left corner when folded. Light discoloration of paper due to the age of the paper, otherwise Fine.