johnson nunnally (45 Ergebnisse)

Zustand: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 281 pages; Description: xiii, 281 p. , 16 p. Of plates ; 25 cm. Subjects: Johnson, Nunnally --Correspondence. Screenwriters --United States --Correspondence. 1 Kg.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First Edition, First Printing. Published by Knopf, 1981. Octavo. Book is very good with colored pencil notation on front flyleaf. Dust jacket is very good with price-clipped on front flap and 1-inch tear to back top left corner. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Very good. - Octavo, cloth, in dw. Lightly bumped; very light spotting to cloth; dw lightly rubbed. 281 pp. plus colophon. B&W illustrations. Near fine. First edition.

Hardcover. Zustand: Good. 23 febfiled in backroomjacket shows wear.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 282pp. Quarter-bound in black cloth over black paper-covered boards, copper initials on front, copper titles on spine; fore text block edge untrimmed. 8vo. Some rubbing to top front edge. Text block edges just starting to fox. Internally neat, clean, bright and tight. Dust jacket has very light shelf wear, price clipped. A selection of more than 120 letters that the brilliant moviemaker and screenwriter wrote to his famous friends and colleagues. Foreword by Alistair Cooke.

Zustand: Good. Original gold lettered half cloth, dust jacket, illustrated with some photographs in b/w, uncut, 8vo.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First edition. Very good or better in very good dust jacket. 1 inch tear on bottom of dust jacket slight chipping on dust jacket's spine, shelf-rubbing.

Vintage full-color still British front-of-house card from the UK (country of origin) release of the 1967 film. Based on the E. M. Nathanson novel, about a group of paratroopers who cause hell for German generals on the day prior to D-Day. John Cassavetes was nominated for a Golden Globe, and Lee Marvin won a Golden Laurel award. 8 x 10 inches. Very Good, with creasing overall, with a rubber-stamp on the verso.

Five vintage full-color British front-of-house cards from the UK release of the 1959 US film. Based on the Romain Gary novel, "The Colors of the Day" (1953), about a man who helps his wife achieve Hollywood stardom, even though he knows virtually nothing about women. Considered to be one of Nunnally Johnson's greatest flops. 8 x 10 inches. Brief corner creases overall, else Near Fine.

Softcover. Zustand: good. Eugene Iverd (illustrator). First edition. April 26, 1930 issue. Cover design by Eugene Iverd. Features include: "In Sunny Crime Land" by Harry Leon Wilson; "Man Afraid" by Ben Ames Williams; "Children Can't Understand" by Everett Rhodes Castle; "Practical Faithful" by Olga Moore; "The Longest Wy Round" by Katherine Newlin Burt; "Bright Like a Canary" by Brooke Hanlon; and much more. Corner wear, right-side edge with liquid stain. 11" - 13¾". Magazine/Periodical.

1/4 Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. First Edition; First Printing. First edition/first printing in Near Fine condition, traces of sunning to board edges in Fine dust-jacket. From the collection of Betty Anderson, legendary art director of publisher Knopf in the late 20th century as evidenced by her (small and unobtrusive) inventory number; This book is a compilation of letters written by Nunnally Johnson between 1961 and 1974. Johnson is best known for her novels and short stories, but her letters are full of wit and humor. The letters cover a variety of topics, from her thoughts on writing and life to her relationships with family and friends. The letters are well-written and provide a fascinating look into the life of one of literature's most acclaimed authors.; 8vo.

Zustand: Good. Black and White Glossy Photograph, 5" X 7", VG+.

Seven vintage full-color British front-of-house cards from the UK release of the 1957 US film. Based on Edward Chodorov's 1955 play, about a bored housewife who seeks therapy from an emotionally unstable psychiatrist. Tony Randall's film debut, the same year he'd star in "Will Success Spoil Rock Hunter," with Jayne Mansfield. 8 x 10 inches. Faint, short creases overall, else Near Fine.

Vintage studio still photograph from the US release of the 1960 Italian film. Based on Bruce Marshall's 1953 novel "The Fair Bride." A Catholic clergyman resigns from priesthood because of the church's support for the Nationalist rebels in the Spanish Civil War. When Loyalists begin attacking churches and clerics, the former priest tries to hide with the help of a cabaret singer and a war correspondent. Set in Spain, shot on location in Viterbo, Sicily, and Rome, Italy. 10 x 8 inches. Very Good plus.

Vintage studio still photograph from the US release of the 1960 Italian film. Based on Bruce Marshall's 1953 novel "The Fair Bride." A Catholic clergyman resigns from priesthood because of the church's support for the Nationalist rebels in the Spanish Civil War. When Loyalists begin attacking churches and clerics, the former priest tries to hide with the help of a cabaret singer and a war correspondent. Set in Spain, shot on location in Viterbo, Sicily, and Rome, Italy. 10 x 8 inches. Near Fine.

Three vintage reference photographs from the 1959 film. Photographs housed in a brown paper envelope, presumably as issued. Based on the 1953 novel by Romain Gary. A man tries to help his wife achieve Hollywood stardom, even though he knows virtually nothing about women. Considered to be one of Nunnally Johnson's greatest flops. Set in Hollywood and France. Two photographs 10 x 8 inches, one photograph 8 x 10 inches. Near Fine.

Collection of 16 vintage photographs from the 1949 film, nine studio still photographs and seven promotional photographs of Paul Douglas, Linda Darnell, and Celeste Holm. Based on the story "Two Can Sing" (originally titled "Career in C Major") by James M. Cain, a story originally serialized in American magazine in 1938, then published in the 1943 collection "Three of Kind" (along with "Double Indemnity"). Leonard Borland (Douglas) indulges his wife Doris (Holm) in her ambition to becoming an opera star, renting her a concert hall, where he meets real opera singer Celia Carver (Darnell), who discovers Leonard has a wonderful baritone voice. 8 x 10 inches. Uniform fading on most, otherwise Near Fine.

Hardcover. Zustand: Fair. Illustrated by (dj) Haenigsen (illustrator). First Edition. (lacking the original dust jacket, but encased in a COLOR PHOTOCOPY of same; see 2nd image posted with this listing) [well-worn book, with heavy soiling to covers and edges of text block, front hinge cracked, fraying to spine ends, random ink notes on both endpapers, etc. and etc.]. Fourteen short stories in a somewhat Ring Lardner/Damon Runyon-ish vein, by the noted Georgia-born Hollywood screenwriter/producer/director and native wit. The stories were all published in various magazines, including The Saturday Evening Post and The Smart Set, between 1925 and 1931. (Dozens more of Johnson's early stories remain uncollected, if that gives anybody any ideas.) NOTE again that this book bears a COLOR PHOTOCOPY of the original dust jacket, to serve the dual purpose of protecting the book from further wear and enhancing its appearance on the shelf; its presence has not been factored in to our pricing.

Broschiert. Quart. 104 S. Broschur mit Spiralbindung im Schuber. Sprache: Englisch, Mit zahlr. schw.-w. Abb. Papier qualitätsbedingt gebräunt, Schuber etwas lichtrandig und oben mit kl. Fehlstelle, sonst gutes Exemplar dieser fragilen Ausgabe. LMEX.

Softcover. Zustand: fair. First edition. Large quarto. 104pp. Black and tan wrappers in spiral binding with original illustrated slipcase. Back wrapper detached but present. Some creasing, chipping, wear and discoloration to wrappers. Heavy chipping and tearing to slipcase. Spine split on slipcase. "Will Connell is that rarity - a photographer whose sense of humor extends to his own work. "In Pictures" is its own proof of the use to which he has put his gifts. Connell shows how wide the abilities of the camera are when a thorough technician, a penetrating mind, and the all important satirical impulse are blended in one talent capable of dissecting a national institution with its own instruments of torture.ground glass, shutter and lens." Illustrated with full page b/w photographs. Slipcase in poor, wrappers in fair, interior in very good condition.

First Draft script for an unproduced television movie. Based on John Steinbeck's 1939 novel of the same title and adapted from the screenplay by Nunnally Johnson for the 1940 film. During the Great Depression and dustbowl era, a family of tenant farmers living and suffering in Oklahoma and forced to move west, abandoning their home. They end up in California, with many other "Okies" like them, searching for a new future. Peter Knopf is a Emmy-nominated writer, best known for his work on "Posse" (1975), "Peter and Paul" (1981), and "Not My Kid" (1985). Set in Oklahoma and California. Green titled wrappers, noted as First Draft on the front wrapper, dated April 12, 1974. Title page present, dated April 12, 1974, noted as First Draft, with credits for novelist Steinbeck, screenwriter Knopf, screenwriter Johnson, and producer Stanley Hough. 131 leaves, with last page of text numbered 127. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound with two gold brads.

Softcover. Zustand: Very Good. Final Draft Screenplay. Mimeographed sheets bradbound in blue studio wrappers. Modest wear to the extremities, very good. The 1935 film, based on a Darryl F. Zanuck story, was directed by Roy Del Ruth, and featured Dick Powell, Ann Dvorak, and Fred Allen. Very scarce. Ex-Carter Burden.

Softcover. Zustand: Good. Final Screenplay. Mimeographed sheets bradbound in blue wrappers. Front wrap damaged, thus overall good, internally fine. The 1935 film was directed by Stephen Roberts and featured Ronald Colman, Joan Bennett, Colin Clive, and Nigel Bruce. Very scarce. From the Library of Carter Burden.