Johnson herman c (4 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pamphlet. Zustand: Collectible; Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDOffprint. Offprints; Honeybees Aid Production of Alsike Clover Seed (1954)Minnesota Farm and Home Science, Vol. XI, No. 3; Protecting Pollinating Insects from Insecticides and Herbicides by Herman A. Scullen (1952) Agricultural Experiment Station Oregon State College, Corvallis; The Life History and Devopment of Rhipiphorus Smithi with Noes on their Phylogenetic Significance by E.G. Linsley, J.W. MacSwain, and Ray F. Smith (1952) University of California Publications in Entomology: Vol. 9, No.4 Plates 7-12, 3 Figures in Text; Pollination of Crimson Clover: 1952 Demonstration Results by W.C. Johnson and W.C. Nettles (1952) Cooperative Extension Work in Agriculture and Home Economics, The Clemson Agricultural College, and the United STates Department of Agriculture Cooperating; The Effect of DDT Dusting on Honeybees by Ray F. Smith, Je.W. MacSwain, E.G. Linsley and F.R. Platt (1949) Journal of Economic Entomology 41:(6) :960; Insect Pollinators of Alfalfa in California by E. Gorton Linsley (1946) Journal of Economic Entomology 39: (1) :18; The works included are in Very Good Shape, with occasional corrections in ink on a very few pages and a few names in ink on Cover sheets. The Six documents do show tanning to their pages. …

Soft cover. Zustand: Fine. 4th Edition. 4th ed ; 80 pages : illustrations ; 28 cm OCLC 42370499 ; photographic stiff paper wrappers ; February 22-24, 1991 ; Founded in 1988 by author, collector, and former high school English teacher Bruce Johnson, the Arts & Crafts Conference and Antiques Show has been recognized for more than two decades for its dedication to the education of the Arts & Crafts collector. Each February, the National Arts and Crafts Conference brings to The Omni Grove Park Inn & Spa the foremost authorities, authors, dealers, publishers, speakers, and craftspersons from across the country-all assembled yearly in one historic hotel for one landmark weekend. New collectors learn more here in one weekend than they can in an entire year anywhere else. Experienced collectors keep returning to renew treasured friendships and increase their knowledge and appreciation for the Arts & Crafts movement. ;The historic Grove Park Inn, now owned by Omni, is a perfect Arts & Crafts destination. Its interiors a tribute to the Arts and Crafts era of design, this Asheville historic hotel attracted the affluent and middle class of the early 20th Century with its reputation as a house of healing and comfort amidst the Blue Ridge Mountains. This tradition continues today as its one of a kind subterranean spa, its gorgeous sunset terrace views, and comforting natural interiors attracts visitors from all over, including many U.S. Presidents. Seminars and craft shows take place in Arts & Crafts-movement hotspots around the country. The one not to miss is the largest: a three-day conference and simultaneous antiques and juried contemporary crafts and furnishings shows, held in the Blue Ridge Mountains at the Grove Park Inn. At the shows, over a hundred antiques vendors and contemporary craftspeople fill multiple rooms and line the corridors of one wing; you'll see furniture, pottery, textiles, metalwork and jewelry, lighting, fine art But what makes this conference so special is its focus on education-deep learning. Hands-on workshops cover such things as embroidery and printmaking. Lectures are offered, and small affinity groups meet (pottery collectors, say, or people researching native plants in Arts & Crafts-era gardens). Opportunities run almost around the clock. House tours and walking tours are arranged.The skylit subterranean spa-"43,000 square feet of peace and quiet"-has mineral pools, therapeutic waterfalls, a lap pool with underwater music, eucalyptus steam rooms, fireside lounges with healthy snack options . . . and a full complement of treatments including European facials, body wraps, and massage. Dealers not only show their wares (both old and new) but also participate as lecturers and small group discussion leaders, generously sharing their knowledge with attendees, who range from entry-level to mature collectors. ; Contents: Architecture of the Arts & Crafts Movement / Wilbert R Hasbrouck -- George Ohr: The mad potter of Biloxi / Dr. Eugene Hecht -- Walt Whitman: Poet for the American Arts & Crafts Movement / A. Patricia Bartinique -- The best of the rest: Stickley Brothers, Lifetime & Other Mission furniture / Christian G. Carron The Grove Park Collection: An Arts & Crafts tour / Bruce E Johnson -- We grew from a school: Biltmore Industries / Bruce E Johnson -- Arts & Crafts textiles: Sorting out the tangled threads / Gillian Moss -- A new face at the Grove Park Inn / Bruce E Johnson ; magnifying glass from Capital Arts & Antiques is present in its slipcase ; small mark on front cover, else FINE. Book.…

Draft script for the 1969 film. Copy belonging to producer James H. Ware with his name and annotations, in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). Following the success of the James Bond series of the 60s, studios resurrected the Bulldog Drummond character, this being the second of the revamp after 1967's "Deadlier Than the Male." Drummond uncovers a plot where a criminal mastermind, aided by robots in form of beautiful women, will receive eight million pounds if an experimental plan doesn't launch on time. Set in Spain and London, shot on location in Catalonia, Spain and at Pinewood Studios in London. Orange blank wrappers with die cut title window in the British style. Title page present, dated May 1968, with credits for screenwriters David Osborn, and Liz Charles-Williams. 129 leaves, with last page of text numbered 127. Mechanical duplication, with salmon revision pages throughout, dated May 30, 1968. Pages Very Good plus, wrapper Very Good bound internally with two gold brads. …