john wolseley (19 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

paperback. Zustand: Very Good. profusely illustrated (illustrator). Catalogue for the exhibition 'Lost & Found The Adventures of Two Artists in the State Library of Victoria' Keith Murdoch Gallery 18 November 2005 - 12 February 2006; follows artists Peter Lyssiotis and John Wolseley as they seek out rare treasures from the library's collection; includes a chapter on Lyssiotis' artists book 'A Gardner at Midnight: Travels in the Holy Land'; introduction by Clare Williamson. . 24pp. 21.5 x 23.5cm. Very Good.

Zustand: New. In.

Wolseley, John (illustrator). Oblong format, paperback,223 pp.,illustrations by John Wolseley. Painter John Wolseley and poet Barry Hill follow flight paths and habitats of birds, from the Victorian Mallee to the forests of South East Asia, to Japan and the South of France. Sometimes, as the painter says, its almost as if I am looking at the earth with a birds eye view, the birds suggest new ways of telling stories about the earth. This is a dazzling book, a conversation between two venerable artists in love with birds. In a world of endangered nature, they celebrate joy. They write: When a bird arrives in our midst, its presence signifies at least one clear thing: that it is not too late, not yet.

Softcovers. Zustand: Very Good - See Description. First Edition. No stated date but understood to be 1972. First edition. 12 'Broadsides' consisting of 1 or 2 sheets that create 4 or 8 pages when folded. "Despite its name, SWAA/BROADSIDES 1 is not launched in a spirit of belligerence. It aims to be an alert and lively forum for information, opinion, discussion, controversy and participation in the arts in the south west, encouraging and constructive confrontation between the artist, his patrons (public and private) and the public." Contents are: Ken Campbell - The thing is, it seemed like it might be a good life; DaSilva Puppets - Peter and the Wolf cut-out puppets; Peter Maxwell Davies - Working towards an Opera; Ronald Duncan - Canto 53 from MAN, part four; Neil Dunn - Extract from ! Want; John and Sue Fox - On the streets and beaches; Denis Goacher - Rainald's Pet, Richard Hawkins - Presenting Contemporary Music; Jane Howell and the Northcott Theatre Company - Both the establishment and the rebels against the establishment; John Moat - The Arvon Foundation; Mike Westbrook - Songs from TYGER; John Wolseley - Plant Poem No 10. The 'broadsides' are contained in a white card folder with black titling on the front and details of the contributors on the inside of the front cover. The folder is in very good condition with shelf wear and some soiling. The top corners of the folder have some creasing and there are staple and tape repairs to the top and bottom of the pocket joint on the rear of the folder. The individual 'broadsides' are in very good condition. There is no inscription.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 176 pages. Heavy 4to. Fine copy about this internationally renowned artist. In the two decades after he arrived he travelled extensively throughout Australia, examining in great detail many aspects of its environment. In the whole process of Wolseley's art making there is the quality of fluidity, where the environment is invited to intrude, where the sense of time is more in keeping with conditions in the field rather than those in the studio. Wolseley's attitude to the environment falls within the broad parameters of 'geopiety', a personal reverence for the earth and planet. This is the first monograph devoted to his work. ***This book weighs 1.5 kg and may require additional postage if sent out of Australia.***.

Launceston, Tas. : Queen Victoria Museum and Art Gallery ; Melbourne : University of Melbourne, Museum of Art, 1996. Quarto, illustrated wrappers, pp. 24, illustrated. Price list from Rex Irwin Gallery enclosed.

Melbourne : Australian Galleries, 2007. Exhibition catalogue, quarto, folded card, pp. [6], illustrated.

Melbourne : Ralities Gallery, 1982. Exhibition invitation card, octavo, folded sheet, pp. [6], illustrated, artist's statement, biography.

Melbourne : University Gallery, University of Melbourne, 1988. Quarto, illustrated wrappers, pp. 44, illustrated. Signed and inscribed by John Wolseley.

Melbourne : University Gallery, University of Melbourne, 1988. Quarto, illustrated wrappers, pp. 44, illustrated. Loosely enclosed, a large quantity of related ephemera, including news cuttings, interviews, articles and catalogues.

Edited by Will Stubbs and John Wolseley.Canberra, A.C.T. : National Museum of Australia, 2018. Folio, illustrated wrappers, pp. 207, illustrated. Two artists, two completely different approaches, but one abiding passion -- to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wawa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land. 'I made this painting after eating bundjuu [bush orange] ? I was thinking about how we used to eat when I was a child ? I was thinking about nowadays ? and about the rubbish that our children eat.' And so Mulkun Wirrpanda, a senior elder of the Dhudi-Djapu clan, resolved to paint the traditional food plants of her Yolnu community to safeguard this knowledge for future generations. The suite of bark paintings she created is the subject of this lavishly illustrated catalogue for the National Museum of Australia's new exhibition, Midawarr/Harvest: The Art of Mulkun Wirrpanda and John Wolseley. Providing a natural counterpoint to these works is a vast and beautifully detailed scroll by renowned landscape painter John Wolseley. The supporting text draws on the wealth of Yolnu botanical knowledge, describing the food and medicinal plants featured in the paintings and how they are collected, prepared and used.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fine. First Edition. North Ryde, Craftsman House/ G& B Arts International, 1998. Quarto, 176 pages with numerous full-page illustrations (most in colour). Papered boards slightly marked; an excellent copy with the fine dustwrapper. 'John Wolseley is one of Australia's most respected artists and is represented in all major public collections of art. [This] is the first monograph to be devoted to his work' (dustwrapper blurb). A related postcard is loosely inserted. Provenance: pioneering desert field archaeologist Professor Mike Smith AM (1955-2022), with his small ownership label on the front flyleaf.

Zustand: Good. Folio. 28 x 43.5cm.; 17 3/8 x 11 1/2 in. Contemporary roan with aging. [.[6], xxviii, 210, 75, [1], 88, [20] pages, [12] plates (11 folded) .Bound with A View of the Monuments.With Their Epitaphs Exactly Imitated. (1714), Appendix in Historiam Ecclesiae Cathedralis S. Pauli. (1715), and A Brief Historical Account of the Cathedrals of York, Durham, and Carlisle. (1715). Full leather, spine with raised bands, gilt, and gilt-titled red morocco label, all edges red speckled. Large folio; With engraved portrait frontispiece by Wenceslaus Hollar, list of subscribers, errata, printed marginalia, decorated initials and woodcut ornaments, indices, and final page advertising books printed for Bowyer; (41) total engravings throughout, including many double-page. Condition report: Boards scuffed, with edgewear including significantly rubbed corners, cracking at joints with more severe cracking at front joint, leather chips to lower board; spine with crack, loss of bands, and small leather losses mostly at head and tail; bookplates on front paste-down, both paste-downs with slight separation from boards, first free endpaper attached to paste-down, second free endpaper partially detached and with small losses, writing on title page, hinge cracking; some pages toned, with scattered light foxing and areas of grime, occasional closed tear; (2) leaves (To the Reader and The Life of Sir William Dugdale) with large corner damp stain (and on different paper), small repairs at inner margin of frontispiece recto, Areae Ecclesiae Cathedralis double-page plate with tears and repaired by being pasted to verso and recto of two blank leaves; pages generally extremely clean and crisp; a good to very good oversize volume with fascinating and detailed illustrations.Conforms with the Getty's copy: "A view of the monuments", (p. [59]-210) has separate title page with imprint date 1714; "Appendix in Historiam Ecclesiae Cathedralis S. Pauli", (p. [1]-75) has separate title page with imprint date 1715; "A brief historical account of the cathedrals of York, Durham and Carlisle", (p. 1-88) has separate title page and an imprint date of 1715.Engraved frontispiece portrait of Dugdale by Wenceslaus Hollar; other illustrations by Hollar or John Harris.Pagination error: p. 164 misnumbered p. 194; p. [51]-[52] duplicated in pagination; p. 117-118 omitted in pagination.Includes index.References: ESTC T148705.; OCLC Number / Unique Identifier:3817602: Prefixed by list of subscribers, errata and binding directions. Includes: "A view of the monuments . with their epitaphs . London, 1714": pages [59]-135; "Appendix in Historiam ecclesiæ cathedralis S. Pauli . Londini, 1715": 75 p.; "A brief historical account of the cathedrals of York, Durham, and Carlisle . By Sir William Dugdale . London, 1715": 88 p. (erroneously considered as Dugdale's work by the editor, cf. DNB, by Sir T. Herbert and others. Each with a separate titlepage, and pagination, but signatures continuous.List of books printed for Bowyer on final page.Illustrations: frontispiece portrait of Dugdale, views and architectural details of St. Paul's Cathedral.

Third edition. Two vols. Photogravure portrait frontispiece to each, and eight other similar plates in all, six plans, one of them folding, illustrations to text, title-page vignettes. 8vo. Some browning, particularly to the title pages, otherwise very good in the original red cloth, gilt, a little rubbed and sunned at the spines. xviii, 388; xviii, 450pp. London,

Edited by Will Stubbs and John Wolseley.Canberra, A.C.T. : National Museum of Australia, 2018. Folio, illustrated wrappers, pp. 207, illustrated. Two artists, two completely different approaches, but one abiding passion -- to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wawa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land. 'I made this painting after eating bundjuu [bush orange] ? I was thinking about how we used to eat when I was a child ? I was thinking about nowadays ? and about the rubbish that our children eat.' And so Mulkun Wirrpanda, a senior elder of the Dhudi-Djapu clan, resolved to paint the traditional food plants of her Yolnu community to safeguard this knowledge for future generations. The suite of bark paintings she created is the subject of this lavishly illustrated catalogue for the National Museum of Australia's new exhibition, Midawarr/Harvest: The Art of Mulkun Wirrpanda and John Wolseley. Providing a natural counterpoint to these works is a vast and beautifully detailed scroll by renowned landscape painter John Wolseley. The supporting text draws on the wealth of Yolnu botanical knowledge, describing the food and medicinal plants featured in the paintings and how they are collected, prepared and used.