John thomas crawford (33 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: New.

Paperback. Zustand: New.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Very Good. No Jacket. 4th edition ; 422 p. : ill. (some col.) ; 28 cm. ; ISBN: 0895822024; 9780895822024 ; LC: RC86.7; Dewey: 616.0252 ; OCLC: 21967044 ; pictorial flexible paper wrappers ; Contents: Basic life support -- Wounds and fractures -- Medical emergencies -- Environmental emergencies -- Psychological emergencies and disasters -- Stabilization and transfer. ; test sheet removed from front ; color photographs illustrated methods ; VG. Book. …

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Soft cover. Zustand: Fine. 1st Edition. 1 score (214 pages) ; 28 cm ; ISBN 9780073325026, 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I(1910)2. Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13)3. Claude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no 109 from Mikrokosmos, vol 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements For String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917)17. Charles Ives, "The Cage," from 114 Songs (1906)18. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)19. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)20. Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53)21. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)22. Anton Webern, Piano Variations, op. 27, II (1935-36)23. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)24. Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)25. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)26. Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)27. Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)28. Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)29. Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)30. John Cage (1912-1992), Winter Music (one page) (1957)31. Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965)34. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968)35. George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)36. Steve Reich (b. 1936), Violin Phase (1967)37. Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76)38. Arvo Pärt (b. 1935), Cantus (1977)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel's Hail (2000) ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ángel Roig-Francolí (born 1953) is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta (Five Pieces for Orchestra), commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE. Sheet music.…

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Zustand: New.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: New.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 276 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Third Edition. 12mo, vi, 481 pp. Fair; bound in contemporary leather with a few small surface marks, some wear to spine edges and tears to corners; binding to front cover and first few pages slightly compromised, else tight; discoloration and light foxing to pages throughout; ex-library copy with bookplate to front pastedown. MF consignment. NOTE: Shelved in Rockville Annex, Aisle A, Top Shelf. 1354747. Special Collections - Upstairs.…