john taylor arms (31 Ergebnisse)

hardcover. Zustand: Good.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good.

hardcover. Zustand: Good. minro wear creasing staining pages yellowed.

27 pages. Paper covered boards; Paper is almost completly tron off spine, otherwise sound and clean copy.

paperback. Zustand: Good. Harbor Gallery Staplebound. Tight and clean.

Hardcover. Zustand: Very Good. 10 x 12 in. Paper boards. B&W plates. Condition is VERY GOOD ; covers have water stains at lower ends, spine has a little damage. Binding tight and text bright and unmarked. Art. Stax.

Hardcover. Zustand: Very Good. First Edition. First Edition, 2nd Printing (1955). Not price-clipped. Published by The Macmillian Company, 1937. Octavo. Hardcover. Book is very good with previous owner's label on front flyleaf. Dust jacket is very good with stains on dust jacket.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Tenth edition. Very good in an about Very good dust jacket. Corners slightly rubbed. Shelf rubbing to dust jacket Edges of dust jacket have minor tears.

Zustand: Good. Good condition. No Dust Jacket (plants, flowers, flower arranging) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Zustand: Very Good.

Paperback. Zustand: Very Good. First Edition. New Haven, CT: Wiliam Edwin Rudge, 1940. September 1940 issue of this quarterly magazine of the graphic arts, including tipped on color illustrations and some color paper samples. Discusses items of interest to the printing trade. Softcover in very good condition with only light edgewear, some uneven fading to the covers, binding firm, pages clean and unmarked. First Edition. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

Hardcover. Zustand: Very Good. P. & D. Colnaghi & Co December 1929 Binding: Hardcover.

Softcover. Zustand: Near Fine. Single issue. Stapled wrappers. [16]pp. Wrappers lightly age-toned, near fine. Contributions by William Shakespeare, Paul N. Siegel, Walter L. Meyers, George Herbert, Sheldon P. Zitner, Edwin B. Benjamin, John Donne, Walter Gierasch, Thomas Gray, Rene Rapin, L.C., Samuel Taylor Coleridge, Louise Schutz Boas, Francis Thompson, Arthur Dickson, George G. Williams, and Dan G. Hoffman.

Hardcover. Zustand: Very Good. Illustrated by Arms, John Taylor (illustrator). First Edition. Spine sunned. Light wear to boards. Previous owner's inscription to front pastedown ; With 51 reproductions of etchings and drawings by John Taylor Arms. A beautiful early style coffetable book. ; B&W Illustrations; 4to 11" - 13" tall; 179 pages.

Unknown. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: very good(-). John Taylor Arms (illustrator). Illustrated throughout in black and white. xv, 179 pages. 4to, blue buckram. New York: Macmillan, 1929. Fairly heavy sunning and wear around edges, text block evenly toned, internally clean. A very good(-) solid copy.

Taschenbuch. Zustand: Neu. Neuware - 'Churches of France' offers a profound exploration of the architectural splendor and historical significance of the sacred monuments that define the French landscape. This work delves into the intricate beauty of the nation's ecclesiastical heritage, ranging from the majestic Gothic cathedrals of the north to the Romanesque treasures of the southern provinces. Through detailed descriptions and sensitive observation, the text captures the essence of these stone structures, highlighting the delicate balance between structural engineering and artistic expression.The work examines the evolution of religious architecture across centuries, providing context for the cultural and spiritual movements that shaped the construction of these iconic landmarks. Particular attention is paid to the interplay of light and shadow, the complex geometry of vaulted ceilings, and the symbolic power of sacred spaces. By focusing on the structural details and the atmosphere of these buildings, 'Churches of France' serves as a timeless tribute to the craftsmanship and devotion of the builders. This volume is an invaluable resource for enthusiasts of architecture, art history, and French culture, inviting readers to appreciate the enduring legacy and aesthetic brilliance of France's most revered religious sites.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware - 'Churches of France' offers a profound exploration of the architectural splendor and historical significance of the sacred monuments that define the French landscape. This work delves into the intricate beauty of the nation's ecclesiastical heritage, ranging from the majestic Gothic cathedrals of the north to the Romanesque treasures of the southern provinces. Through detailed descriptions and sensitive observation, the text captures the essence of these stone structures, highlighting the delicate balance between structural engineering and artistic expression.

Hardcover. Zustand: Very Good. No Jacket. Condition: Very Good; Hardcover, no dustjacket as issued. One of 1000 copies issued. Green cloth. 319 pages. A Catalogue Raisonne. The book is in Very Good condition with clean covers and pages, sharp corners and a tight, square binding. Light wear only. Photos upon request.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. HILL TOWNS AND CITIES OF NORTHERN ITALY 1932 56 PLATES BY ARMS & ARMS. Staying with the illustrated travel books about Italy, I am pleased to offer yet another (and there will be many more) , titled: Hill Towns and Cities of Northern Italy with Text by Dorothy Noyes Arms with fifty-six reproductions of etching, aquatints, and drawings by John Taylor Arms. This large hard cover book (9 x 11 ¾ inches, 217 pages with the plates and their captioned tissue-guards not included in the count) was published by The Macmillan Company of New York dated 1932 and the First Printing of the First Edition. The book is bound in light burgundy boards with gilt titles on cover and spine. Condition: This book is in very good condition. The hard covers are clean and bright, and their gilt titles too. Inside the book is unmarked except for a neat book plate of a former owner on the front endpaper. The interior pages, plates and tissue-guards are clean and bright throughout. Both hinges are intact, and the binding is tight and sound. This book is not ex-library or a remainder.

Zustand: Good. 8vo. c. 30pp. Very good. Black and white plates, color cover.

University of Wisconsin - Madison., 1975. Essay by Ben L. Bassham. Exhibition catalog with list of lenders. Descriptive catalog of the complete etchings of John Taylor Arms. 8mo. 74 pp. Paperbound.

Hardcover. Zustand: Fine. No Jacket. A Sportsman's introduction by Gifford Pinchot, and an Etcher's introduction by John Taylor Arms. Unpagenated, 60 plates (8 color), quarto (4to), hardcover, gilt stamped cloth, limited to 1500 numbered copies of which this is 871. Generally a clean solid book, small stain on the front cover lower right. Inventory #36091-1.

Hardcover. Arms, John Taylor (illustrator). First edition. 179 pages. 29.5 x 22.5 cm. With fifty-one reproductions of etchings and drawings by John Taylor Arms. Reproductions are brilliant and with lettered tissue guards. Wide text margins, interior contents clean, fresh and bright. Orig. aquamarine boards front cover and spine lettered in gilt. Fine in original printed dust wrapper. Spine of latter spotted.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. Illustrated by John Taylor Arms (illustrator). First Edition. 6 lbs Color Illustrations; 217 pages; 56 full page etchings, aquatints and drawings. 9 X 12". Publisher's salmon cloth. Spine somewhat darkened, contents clean and unmarked. DJ chipped with 2" loss ar upper left corner. Clipped DJ.

The total edition was 356 examples of which 53 were destroyed. 8 1/2 x 9 3/4", 15 x 20 inches matted. A very detailed etching typical of the meticulous style of Arms, renowned for his prolific printmaking, specifically of Gothic architecture. Julian P. Boyd was a librarian (1940-52), and later history professor at Princeton University. His preservation work regarding the site of the Battle of Hastings led to his appointment of honorary Commander of the Order of the British Empire. His scholarship of The Papers of Thomas Jefferson, edited from 1944 until his death, have been deemed most influential, and have set a new standard for reliability and accuracy in historical editing. Signed in pencil in lower right corner "John Taylor Arms 1947". Inscribed in pencil in lower left corner "To J. From John Taylor Arms, 1948", very slight foxing to matte else fine condition 8 1/2 x 9 3/4", 15 x 20 inches matted The total edition was 356 examples of which 53 were destroyed.

Zustand: Fine. In envelope. Second State. Second State. Signed lower right "John Taylor Arms, 1949 ". 19 x 14-1/2 inches. Signed lower right "John Taylor Arms, 1949 ". 19 x 14-1/2 inches. Signed.

No Binding. Zustand: Near Fine. John Taylor Arms studied to be an architect, and his eye is well trained to the formalities of landscape and perspective. But it is the obsessive, meticulous details in this etching that give the piece a real sense of place. Arms was noted for using a sewing needle and a magnifying glass to etch his plates. The place is Bibury, England, a small town in Gloucestershire. Arms eloquently writes about the power of old places; beautiful peaceful places; to heal a communities ravaged by war. We offer a pencil signed etching by Arms which was the Print Club of Albany selection for 1947-1948. The plate size of "The Old Order" is 5 ¼" x 7 ¾", printed on a sheet of white wove paper measuring 7 ¾" 10 ½". It is signed at the lower right and dated 1948 in graphite. At the lower left is marked "II". John Taylor Arms(1887-1953) was born in Washington DC. He studied law at Princeton, but finished his education at MIT with a degree in architecture. After serving in the Navy during WWI, Arms devoted his time to making original etchings, he published his first works in 1919. His work is in collection at the Metropolitan Museum, The New York Public Library, The Library of Congress, the British Museum and the Bibiotheque Nationale, Paris. Condition: There are three small pieces of adhesive tissue on recto along the top margin, as issued by the Albany Print Club, otherwise the print is in fine condition. Signed by Illustrator(s).

No Binding. Zustand: Very Good. In this effusive two-page typed letter signed, Arms goes on at great length about the gift of prints that artist/friend, Eugene[?] has given to him. "I honestly believe your work and your friendship have been the most powerful influences for good in my life, and if I have done anything worth-while it is because of an inspiration largely derived from you." Arms signs "Your devoted friend, John," signs a postscript "John," and has made two manuscript corrections in his hand. John Taylor Arms (1887-1953) is primarily known for his printmaking/etching prowess. He served as president of the Society of American Graphic Artists and was a member of the National Academy of Design. Typed on two 12" x 8 1/2" sheets of letterhead imprinted: "Mill Stones' Studio of John Taylor Arms Greenfield Hill Fairfield, Conn."  Condition: Fold lines with a short separation at the right margin of page two repaired on verso with archival tissue/tape. Otherwise very good. Signed by Author(s).