John rohrbach (74 Ergebnisse)

Zustand: Very Good.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Very Good. A career-spanning examination of the work of Robert Bergman and its place within the history of American art   This unprecedented publication offers a detailed analysis of Robert Bergman?s psychologically penetrating art across the breadth of his career. Shaped by the vocabulary of painting as much as photography, Bergman?s often wrenching, beautifully evocative photographs tumble headlong into the emotional, physical, and mental struggles of living, challenging us to look deeply within ourselves and to reconsider how we relate to strangers. Long heralded by luminaries across different disciplines?including the author Toni Morrison, art historian Meyer Schapiro, and social activist Peter Gabel?Bergman?s images offer a counterpoint to contemporary society?s preoccupations with identity, division, and complaint.   Introducing the underground legend to a new generation, this volume presents the first full survey of Bergman?s work from the mid-1960s to the present, including many previously unpublished images, and essays from art historians, artists, and academics that contextualize the circumstances of Bergman?s life and work and examine how his pictorial representations resonate with the human experience.   Distributed for the Amon Carter Museum of American Art.…

First Edition. First edition. Softcover. 52 pages. Text by Barbara McCandless and John Rohrbach and with select entries Helen Plummer. Includes images by Richard Avedon, Alvin Langdon Coburn, Karl Struss, Paul Strand, Edward Steichen, Walker Evans, Paul Outerbridge, Jr., Aaron Siskind and numerous others. A very near fine copy in wrappers.…

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

softcover. Zustand: Fine copy. 1st. 8vo, 62 pp., With an essay by W. Powell Cottrille. Well-illustrated (illustrator).

First Edition. First edition. Oblong softcover. 175 pages. Retrospective monograph published in conjunction with a traveling exhibition. Features text by John Rohrbach with additional essays by Gohlke and Rebecca Solnit. Includes numerous color and black and white photographs and an index. A near fine copy in French style wrappers.…

First Edition. First edition and first printing. Hardcover. A retrospective monograph on the photographs of Laura Wilson taken over the course of more than three decades. Features an essay by John Rohrbach. Includes 11 color and 107 dutone illustrations. A clean and tight very near fine copy in gray cloth boards and in a very near fine dust jacket.…

First Edition. First edition. Oblong softcover. [32 pages.] Features an essay by John B. Rohrbach and a foreword by Michael A. Weinstein. A collection of color photographs. A clean near fine copy in photo illustrated wrappers.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Fair. Capturing the world in color was one of photography's greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston's photographs at the Museum of Modern Art, did the art world embrace color. By accepting color's flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color's integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers' initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography's documentary foundations with the creative flexibility of painting. Sylvie P nichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.…

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. A good reading copy. May contain markings or be a withdrawn library copy.

Soft cover. Zustand: Very Good +. Edition Not Stated. 4to - over 9¾" - 12" tall.

Second printing. Oblong hardcover. 175 pages. Retrospective monograph published in conjunction with a traveling exhibition. Features text by John Rohrbach with additional essays by Gohlke and Rebecca Solnit. Includes numerous color and black and white photographs and an index. A fine copy in cloth boards and in a very near fine dust jacket.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: As New.

Zustand: As New. Unread book in perfect condition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition. Oblong softcover. Features an essay by John B. Rohrbach along a foreword by Michael A. Weinstein. A collection of color photographs. A fine copy in photo illustrated stapled wrappers. Signed and inscribed by Crane in on the verso of the front cover in the year of publication. A very nice copy as the recipient was a Chicago photographer. Surprisingly uncommon. Signed.…

First Edition. First edition. Hardcover. Exhibition catalog for a show that ran May 18 through August 10, 2025. Retrospective monograph on Robert Bergman. Edited John Rohrbach, Features text contributions by Will Heinrich, Andrew Solomon, and Stanley Wolukau-Wanambwa. Includes 83 color and 12 duotone images. A fine copy in cloth boards with color image inset into the front cover and black and white image inset into the rear cover. No dust jacket as issued.…

Zustand: As New. Unread book in perfect condition.