john michelson (23 Ergebnisse)

Zustand: Good. Leonard Nimoy (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

123 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz and "The Americans," by E.E. Smith. Very Good. 8 mm. black ink mark on recto near spine. Bumping of top and bottom right corners of covers and contents. Light yellowing of covers and pages. Contents clean and unmarked.

Hardcover. Zustand: Very Good. No Jacket. 15 b/w photographic plates and various line drawing illustrationsin the text (illustrator). 1st Edition. Firmly bound black cloth boards, some foxing on the end papers.

131 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H.D. Buchloh; "'Nostalgie de la Boue,'" by Rosalind Krauss "Capital Effects," by Jonathan Crary. Cover: Window display, Bonwit Teller, New York, 1961. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Zustand: Very Good. No Jacket. Sergei Eisenstein; Alfred Hitchcock; John Huston; Fred Zinnemann; Akira Kurosawa; Orson Welles; Federico Fellini; Robert Benton; Terry Gilliam (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

142 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow and "The Richter-Scale of Blur," by Gertrud Koch. Good. Light yellowing of covers with spotty ocher spotting to recto and light soiling of verso with rubbing to corners. 12.2 cm. dog-ear to table of contents, light yellowing of page edges. Contents otherwise clean and unmarked.

Wrappers. Zustand: Bueno. 1st ed. 18.5x23.5. 125pp. Wrappers. Good. Sol LeWitt, Robert Rauschenberg, Gerhard Richter and Edward Ruscha. Essays: Annette Michelson, Gnosis and Iconoclasm: A Case Study of Cinephilia / Jean-Louis Comolli, Mechanical Bodies, Ever More Heavenly / Malcolm Turvey: Jean Epstein's Cinema of Immanence: The Rehabilitation of the Corporeal Eye / John Culbert, Slow Progress: Jean Paulhan and Madagascar / Parveen Adams, Bruce Nauman and the Object of Anxiety. English.

Zustand: New. 2020. paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: As New. No Jacket. 1st Edition. Periodical Softcover illus. pp142. Articles Susan Buck-Morss on Walter Benjamin, Brigitte Werneburg on Ernst Junger, Diedrich Diederichsen on Spiritual Reactionaries after Reunification, Huyssen on Kiefer in Berlin, Peter Osborne on Richter, Desa Philippi on Interpretation, Thomas Crow on photographs, Gertrud Koch on Richter. Condition As New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. Editor(s): Michelson, Grant; Jamieson, Suzanne; Burgess, John. Num Pages: 285 pages, 9, 9 tables and graphs. BIC Classification: KCF. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 153 x 224 x 20. Weight in Grams: 468. . 2008. New edition. Paperback. . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Zustand: New. This volume contains a selection of papers which go back to a conference on new employment actors, held at the University of Sydney in November 2006. The book contends that employment relations must be broadened to examine the new actors and processes and t.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume contains a selection of papers which go back to a conference on new employment actors, held at the University of Sydney in November 2006. The book contends that employment relations must be broadened to examine the new actors and processes and the role these play in the regulation and experience of work. It demonstrates this in the context of recent developments in Australia. In addition, the contributions evaluate the extent to which new employment actors either reinforce or replace the activities of the more established trade union, management, and state-based actors. It is argued that an inclusion of these new actors and processes is a more comprehensive way of understanding and explaining industrial society in the 21st century.

Taschenbuch. Zustand: Neu. New Employment Actors | Developments from Australia | John Burgess (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2008 | Peter Lang | EAN 9783039114610 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Hardcover. Zustand: Brand New. 224 pages. 9.21x6.14x1.00 inches. In Stock.

Hardcover. Zustand: Near Fine. 1st Edition. Xiv, 487 Pp. Clean Pages, Slightly Aged, In A Modern Sturdy Blue Cloth Binding, Spine Gilt, By Tassinari Bros. Of Indian Orchard, Ma. Light Wear. Two New Hampshire Institutional Stamps. Simon Newcomb (1835 -1909) Was A Canadian-American Astronomer, Applied Mathematician And Autodidactic Polymath. Newcomb Visited Paris, France In 1870, Already Aware That The Table Of Lunar Positions Calculated By Peter Andreas Hansen Was In Error. While In Paris, He Realized That, In Addition To The Data From 1750 To 1838 That Hansen Had Used, There Was Further Data Stretching As Far Back As 1672, And Newcomb Used The "New" Data To Revise Hansen's Tables. In 1878, Newcomb Started Planning For A New And Precise Measurement Of The Speed Of Light, Using A Refinement Of The Method Of Léon Foucault. A Letter From Albert Abraham Michelson Began A Long Collaboration And Friendship. In 1880, Michelson Assisted At Newcomb's Initial Measurement, But Michelson Left To Start His Own Project. Miichelson Published His First Measurement In 1880 (Reprinted Here), But Newcomb's Measurement Was Substantially Different, And, In 1883, Michelson Revised His Measurement To A Value Closer To Newcomb's. In 1881, Newcomb Discovered The Statistical Principle Now Known As Benford's Law, Formulating The Principle That, In Any List Of Numbers Taken From An Arbitrary Set Of Data, More Numbers Will Tend To Begin With "1" Than With Any Other Digit. In 1891, Within Months Of Seth Carlo Chandler's Discovery Of The 14-Month Variation Of Latitude, Now Referred To As The Chandler Wobble, Newcomb Explained The Apparent Conflict Between The Observed Motion And Predicted Period Of The Wobble, As Due To Elasticiity; He Used The Variation Of Latitude Observations To Estimate The Elasticity Of Earth, Finding It To Be Slightly More Rigid Than Steel. He Wrote On Economics And His Principles Of Political Economy (1885) Was Described By John Maynard Keynes As "One Of Those Original Works Which A Fresh Scientific Mind, Not Perverted By Having Read Too Much Of The Orthodox Stuff, Is Able To Produce From Time To Time In A Half-Formed Subject Like Economics." He Was Credited By Irving Fisher With The First-Known Enunciation Of The Equation Of Exchange Between Money And Goods Used In The Quantity Theory Of Money. His Reputation Suffers From His Hostility To C. S. Pierce, And Also From Newcomb's Disbelief In The Possibility Of Manned Flight. (Source: Wikipedia). Albert A. Michelson (1852-1931) Performed Early Measurements Of The Velocity Of Light With Amazing Delicacy And In 1881 He Invented His Interferometer For The Purpose Of Discovering The Effect Of The Earth's Motion On The Observed Velocity. In Cooperation With Professor E.W. Morley, And Using The Interferometer, It Was Shown That Light Travels At A Constant Speed In All Inertial Systems Of Reference. The Instrument Also Enabled Distances To Be Measured With Greater Accuracy By Means Of The Length Of Light-Waves. At The Request Of The International Committee Of Weights And Measures, Michelson Measured The Standard Metre In Terms Of Wavelength Of Cadmium Light. He Invented The Echelon Spectroscope And During His Wartime Service In The Navy He Performed Research Work On Devices For Naval Use - He Developed A Rangefinder Which Was Adapted As Part Of U.S. Navy Equipment. On His Return To Civilian Life, Michelson Became More Interested In Astronomy And In 1920, Using Light Interference And A Highly Developed Version Of His Earlier Instrument, He Measured The Diameter Of The Star Betelgeuse: This Was The First Determination Of The Size Of A Star That Could Be Regarded As Accurate. He Was The First American To Receive The Nobel Priize For Physics. (Nobel Lectures, Physics 1901-1921, Elsevier Publishing Company, Amsterdam, 1967). With 1985 Purchase Receipt Of Space Scientist Richard E. Bateman From Astronomy Book Dealer Paul Luther.

36 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 12 - December 23, 1987. Organized by Jimmie Durham and Jean Fisher, featuring artwork by Pena Bonita, Jimmie Durham, Harry Fonseca, Marsha Gomez, Tom Huff, G. Peter Jemison, Jean LaMarr, Alan Michelson, Joe Nevaquaya, Jolene Rickard, Susana Santos, Kay Walkingstick, and Richard Ray (Whitman). Video program organized by Emilia Seubert and Dan Walworth featuring films by Arlene Bowman, Victor Masayesva, Jr., Chris Spotted Eagle, Asiba Tupahache, The Ute Indian Tribe, and a film directed by Rick Weise, written by Gerald Vizenor, and produced by Gail Johnson. Texts by Susan Wyatt, Jean Fisher, Jimmie Durham, Paul Smith, Emilia Seubert, Arlene Bowman, Chris Spotted Eagle, Asiba Tupahache, Larry Cesspooch, and Gerald Vizenor. Includes artist and filmmaker biographies and visual artist's exhibition histories. Good. Rubbing and scratching of covers with 2 mm. loss to top left corner of verso and light bumping of top right corner of recto. Contents clean and unmarked.

Softcover. Zustand: Near Fine. Magazine, "The Potluck Issue." Quarto. 111(13)pp. About fine in lightly rubbed wrappers. Magazine with a 55-page transcription from a symposium featuring James Dickey, Howard Nemerov, Gregory Corso, Jack Gilbert, John Simon, and Theodore Weiss, held at the YMHA Poetry Center in New York on February 2, 1964. Additional contributions from Norbert Blei, Edward Ben Elson, Robert Chute, Stanley Cooperman, Douglas Blazek, Linda Chown, Ray Crabtree, Harvey Feinberg, A.A. Fox, Richard Grossinger, Joan White, Hugh Know, Loren Loverde, Joan Michelson, Sol Newman, Bernie Pyron, Rock Proktos, Ed Ochesier, and Clayton Bailey.

[unpaginated]; 24 x 18 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. Hess, Ellen H. Johnson, Max Kozloff, Philip Leider, Annette Michelson, Pierre Restnay, Barbara Rose, Robert Rosenblum, William S. Rubin, William Seitz, Alan Solomon, Leo Steinberg, Calvin Tomkins, Yoshiaki Tono. Features year by year indexing of all exhibitions held in the gallery with dates and installation photographs. Including shows by Richard Artschwager, Lee Bontecou, John Chamberlain, Nassos Daphnis, Edward Higgins, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Larry Poons, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Frank Stella, Cy Twombly, Andy Warhol and others. Warhol's contribution to catalogue is a collage of photographic portraits of included artists. Fine. Covers and contents clean and unmarked. This copy lacking the bellyband.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.