John ittmann (27 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Illustrated paper covers; minimal wear; 4to,9 3/4" to 12" tall; illustrated throughout; no internal markings; 80 pages.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Fine. Fine condition, like new. 80 pages, 54 illustrations (34 color), quarto, soft cover. Published in conjunction with an exhibition held at the Philadelphia Museum of Art between January 24 - April 5, 1998. Inventory #10279.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very good. Paperback. 32pp. Lightly rubbed overall, else very good.

Zustand: Good. n. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: New. No Jacket. 1st Edition. Yale University Press, 2011. First printing. Very fine. A pristine copy, new and unread, still in original shrink-wrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011. Measures 8.25x11 inches. Presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Cheret and Leonetto Cappiello. YALE.…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Cover. Zustand: Very Good. This is a very good softcover copy with just light cover wear. Completely clean inside and out. The spine is not creased, binding firm. This catalog was prepared to accompany the traveling exhibition that opened at the Baltimore Museum of Art from November 10, 1984 to January 6, 1985. Exhibition and catalog curated by Victor Carlson and John Ittmann. Illustrated mostly in black & white, some color plates. 165 illustrations. Includes biographies of the artists. Bibliography. Glossary of French engraving terms. Essays by George Levitine, Richard Campbell, David Becker and Mary Myers. 11" high X 9" wide, 371 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 91 pages, halfcloth - This catalogue marks the second installment of works acquired by the Museum since 1988, when the Museum first exhibited printmaking, drawing, and photography from the collection. Featured in this volume are acquisitions that stretch the established boundaries of composition or imagery, either through the use of centuries-old techniques or new technologies of the camera and the computer. Discussions of each work, contributed by Museum curators, and color reproductions are supplemented by brief biographies of the thirty-five artists featured in this most recent look at a unique collection of contemporary art.…

Zustand: Good. 371 pp.; color frontispiece, black and white illustrations. 4to. Near fine in wraps.

Zustand: Good. 371 pp., 165 illustrations. Includes biographies of the artists, a bibliography, a glossary of French engraving terms, and additional essays by George Levitine, Richard Campbell, David Becker and Mary Myers. As new in wraps.

Zustand: Sehr gut. 91 S.mit zahlr.Abbildungen; Original-halbleinenband; Quer-4°. Gutes bis sehr gutes Exemplar. (In Englisch).

Zustand: New. pp. 432.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 432 pages. 11.50x9.75x1.75 inches. In Stock.

University of Washington Press / Philadelphia Museum Of Art, Philadelphia, 2001. Hardcover (clothbound) with dust jacket. 28,5 x 23 cm. With illustrations in color and b/w. 176 pages - AS NEW [Art Art / international artist [Buitenlandse Kunstenaars] ].

Zustand: Very Good.

Zustand: Very Good. First Edition, First Printing. Minimal wear to cover. Pages clean and binding tight. Hardcover. Celebrated for his explorations of the process of painting and the "idea" of painting, Rudolf Stingel (b. 1957) combines minimalist, conceptual, and performative practices to create unexpected spaces. This highly anticipated book, the premier critical survey of Stingel's career to date, accompanies the Italian-born artist's first solo museum exhibition in the United States. Employing a palette of a wide range of materials, Stingel reflects upon fundamental questions facing painting authenticity, meaning, hierarchy, and context. By transforming the materiality, process, and perception of paintings, Stingel's work alters the viewer's perception of and physical encounter with the artwork and invites the viewer to participate in or collaborate in a new and deeper understanding and appreciation of art. For example, by carpeting Grand Central Station (Plan B, 2004), he transformed the station hall itself into a work of art that viewers had to occupy to experience and that fashioned its own audience from travelers forced to traverse it. His full range of work, including his recent portraits and self-portraits, is represented in this handsome volume. With important contributions by Whitney curator Chrissie Iles and Reiner Zettl,Rudolf Painting 19872007is the first book to examine the broader implications of the artist's creative practice in contemporary society. Stingel's full range of work is represented in this volume. With important contributions by Reiner Zettl and Whitney curator Chrissie Isles, this book is the first to examine the broader implications of the artist's creative practice in contemporary society.…

°°° FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL. - Somewhat used: topedge spotty, bottom-sharpcorner bumped, corners of the cover rubbed; used but still useful copy. isbn 0912964235.