John gilling screenwriter (4 Ergebnisse)

Vintage pressbook for the French release of the 1966 British film. Text in French. The locals in a small Cornish village live in fear of attack by a gigantic, man-eating snake creature. Actress Jacqueline Pearce was the only Hammer actress to play two monsters: the snake-woman in this film, and a zombie in Hammer's 1966 film "The Plague of the Zombies." Shot on location in Surrey and Berkshire. 6.5 x 10 inches, folded twice and measuring 19 x 10 inches when unfolded. Very Good plus, lightly rubbed. Johnson and Del Vecchio, p. 268-270.…

Vintage studio still photograph from the US release of the 1966 film, showing Jacqueline Pearce in costume as The Reptile, attacking Jennifer Daniel. Provenance stamp and annotations in manuscript pencil on the verso. Newcomers in a small Cornish village discover that the locals are plagued by mysterious ailments and even deaths that resemble snakebite poisoning. Shot on location in Berkshire and Surrey. 10 x 8 inches. About Near Fine. Johnson and Del Vecchio, p. 268.…

Vintage borderless reference photograph from the 1967 film, showing actor Eddie Powell as The Mummy, carrying actress Elizabeth Sellars. With a provenance stamp on the verso. A team of archaeologists revive an Egyptian pharaoh, who subsequently seeks retribution for the violation of his tomb. The third in Hammer Films' Mummy cycle, preceded by "The Mummy" (1959) and "The Curse of the Mummy's Tomb" (1964), and followed by "Blood from the Mummy's Tomb" (1971). The final Hammer film to be produced at Bray Studios before the company's 1967 relocation to Elstree and Pinewood Studios. Set in Egypt. 7 x 9.5 inches. Very Good plus.…

Four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso, noting the film's German title, "Die brennenden Augen von Schloss Bartimore." A small village in the early twentieth century is terrorized by Megaera the Gorgon, a monster so hideous that even glancing at her face turns humans to stone. Set in eastern Europe. Two photographs 10 x 8 inches, two photographs 9.25 x 7 inches. Very Good plus, lightly faded in portions. Johnson and Del Vecchio, Hammer Films: An Exhaustive Filmography, pp. 241-242.…