John c welchman (106 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. : Este libro explora la relación entre el texto, el sonido y la imagen en la obra de John Baldessari, uno de los artistas conceptuales más influyentes del siglo XX. A través de una selección de pinturas, fotografías, videos y obras mixtas que abarcan desde 1970 hasta 2007, se examina la importancia de la música en su producción artística. El catálogo incluye obras destacadas como el video de 1972 "Baldessari Sings LeWitt", donde musicaliza reflexiones teóricas sobre el arte de Sol LeWitt, así como obras menos conocidas y recientes. EAN: 9783865602480 Tipo: Libros Categoría: Arte y Cultura|Historia Título: John Baldessari: Music Autor: Christina Vegh| Stefan Gronert| John C. Welchman Editorial: Verlag der Buchhandlung Walther Konig Idioma: en, de Páginas: 144 Formato: tapa blanda.…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very good +. A critical history of appropriation as an artistic paradigm. Pictorial wraps. Includes index. Illustrated in black and white. Light edgewear, some creasing to corners.

First Edition. First edition. Hardcover. Exhibition catalog for a show that ran March 1 through July 19, 2009. Text in English and German. Features a foreword and essay by Martin Hentschel and additional essay by John C. Welchman. Includes numerous color illustrations. A fine copy in illustrated boards. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap slit open to verify edition.…

Paperback. Zustand: Fine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung. This anthology of essays, images and dialogues exploring contemporary art's engagements with risk--physical, social, political and aesthetic--brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS). Some content there was so intense that it came with a warning label: "Contains graphic depictions of violence, nudity and bodily functions. No one under the age of 18 years will be admitted." "The Aesthetics of Risk" showcases conversations between Catherine Opie and Douglas Crimp, Paul McCarthy and Kristine Stiles, and presentations including "Aestheticizing Risk in Wartime: The SLA to Iraq." Featured artists include Brock Enright and Steve Kurtz. Featured critics and commentators include Jane Blocker of the University of Minnesota, independent curator Rachel Greene, Richard Shiff of the University of Texas at Austin and Stiles, Professor at Duke University. Editor John C. Welchman is professor of modern and contemporary art history and theory at the University of California, San Diego, and the editor of the most recent title in this series, "Institutional Critique and After.".…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9780300065305.…

Paperback. Zustand: Brand New. In Stock.

First Edition. First edition. Hardcover. 304 pages. Published in conjunction with an exhibition that ran February 17 through May 5, 2013 at the Orange County Museum of Art and then traveled to two other locations for additional dates. Essays by Dennis Szakacs, Michael Darling, Jeffrey Weiss, and John C. Welchman. Also features the text of a conversation between Jackson and Hans Ulrich Obrist along with a chronology and contributions by Fatima Manalili, David Mather, Andrew Berardini, and Alberta Mayo. Includes numerous color illustrations. A fine copy in boards. No dust jacket as issued.…

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Zustand: Very Good. 99 pp., Paperback, small tear to bottom of spine, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Paperback. Zustand: Brand New. In Stock.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Exhibition Catalog: 15 pp.; 4to; wrappers with translucent paper jacket which shows a 1" closed tear at rear top corner; black & white and color illustrations.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9783905770964.

Zustand: Good. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9783905770964.

Zustand: New.

Hardback. Zustand: Fine. First Edition. Hardback. 8vo. pp 278. Original publisher's brown and white cloth, lettered brown on spine and on front cover. Illustrated throughout. ISBN: 9078454520 About fine.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 160 pages, 30 b/w illustrations. - The book offers a creative and original overview of the SoCal art scene from 1990 to the present. "Inside" examines new initiatives from within the institutional or commercial sectors of the art world; "Outside" discusses developments situated outside of this more sanctioned sphere, whether in alternative spaces, art/music crossovers, or the public domain; "New Locations" takes on innovative art-related activities in sites, such as the Southern California deserts and San Diego-Tijuana border that are relatively remote from the culturally dominant LA basin; "Endpapers" rounds out the book with short presentations by five artists and critics whose independent thinking and constructively targeted polemic has helped shape art-world discourse in Southern California in recent years. …

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 280 pages, 53 b/w illustrations - 12 essays about the comedic in art. Philosopher Simon Critchley and art historian Janet Whitmore discuss the modern origins of comedic genres and some of the key theoretical articulations of laughter and witby Freud, Bergson and othersand the special zone of outlandish humor demarcated by the cabarets, café concerts and ephemeral publications of Montmartre in the 1880s and 1890s. John C. Welchman focuses on John Baldessari, one of the fountainheads for the new permissibility of humor in art in the 1960s as the hegemonies of modernist seriousness withered away, while performer, playwright and former V-Girl, Jessica Chalmers, and writer and curator, Jo Anna Isaak, discuss the relation between comedy and gender. Finally, artist and writer David Robbins reports on his decade long investigation into the comedy in objects, as video, performance and installation artist Michael Smith reflects on his hilariously awkward and regressive journeys with alter persona "Mike.".…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 300 pages, 16 b/w illustrations - Edited and introduced by John C. Welchman, The "Aesthetics of Risk" is based on the third SoCCAS symposia, held at the J. Paul Getty Museum. The anthology collects 16 essays and conversations about the nature and consequences of risk in and out of the art world, beginning with the premise that the modern subject is caught up in an ever-expanding network of predictive and proactive stratagems for the management of risk. Discussion includes general issues in the relation between risk and modernity (John C. Welchman, Gerda Reith); a case study from the Occupied Territories in the Middle East (Neve Gordon and Dani Filc); Andy Warhol's films (Douglas Crimp); several arenas and strategies for activist practice (Keiko Sei and Chris Hill, Critical Art Ensemble); social and aesthetic contexts for performance art in the UK (Chrissie Iles) and the US (Jane Blocker); experimental video in Brazil in the 1970s (Elena Shtromberg), and recent work in the US (Glenn Phillips). It also features interviews with Catherine Opie, Brock Enright and Paul McCarthy; a text by Henry Flynt; discussion of Barnett Newman, Bridget Riley, and Richard Serra (Richard Shiff); of recent art in Mexico City (Gabriela Jauregui); and of the technological reconstitution of risk (Jordan Crandall).…

Zustand: New. pp. 457 62 Illus.

[86] pp. ; 16 x 11.5 cm.; glue bound; die-cut; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue designed by Joseph Kosuth for show curated by Cornelia Lauf held March 4 - 11, 1989, to benefit Squat Theatre. Includes texts by Raquel DaRosa, Clegg & Guttmann, Braco Dimitrievic, Paul Magriel, John C. Welchman, and interview between Lauf and Paul Magriel. Show included works by Alan Belcher, Werner Büttner, Sarah Charlesworth, Braco Dimitrievic, Lili Dujourie, Clegg & Guttmann, Kosuth, Roy Lichtensetin, Glenn O'Brian, Claes Oldenburg, Michelangelo Pistoletto, Eran Shaerf, Wolfgang Staehle, Haim Steinbach, Jon Tower, Ben Austrian, Charles Thomas Bale, Nicholas Alden Brooks, George Henry Hall, William Michael Harnett, Gasparo Lopez, John Peto, Henri Robbe, Tobias Stranover. Exhibition installation design by Annabelle Selldorf, and Martin Zimmerman. Very Good. Dog-ears on several interior pages and slight rippling of glassine. Clean and unmarked. …

Wrappers. Zustand: Fine Condition. 28 pages. Slim, small format paperback exhibition catalogue. Text in English. Minimal shelfwear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff printed gray covers and published on the occasion of the exhibition held from May 9-June 14 2008.…