john bachmann (26 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Pamphlet. [1], 12 p.; 21 cm. VG, stapled, in orig. maroon wrapper.

gebundene Ausgabe. Zustand: Gut. 175 S. Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Altersbedingte Anbräunung des Papiers und Einbandes. Text in ALTDEUTSCHER SCHRIFT. Sprache: Deutsch Gewicht in Gramm: 215.

Loose Leaf. Zustand: New. Reproduction. Original title: Preacher chair in Fribourg Cathedral in Switzerland German: Pfarrerstuhl im Freiburger Dom in der Schweiz French: Chaise de pasteur à la cathédrale de Fribourg en Suisse Spanish: Silla de predicador en la Catedral de Friburgo en Suiza High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1839). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: View of the Mont Blanc from the valley of Chamonix German: Blick auf den Mont Blanc aus dem Tal Chamonix French: Vue du Mont Blanc depuis la vallée de Chamonix Spanish: Vista del Mont Blanc desde el valle de Chamonix High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1841). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: View of the inn of Rigi Kulm German: Blick auf das Gasthaus Rigi Kulm French: Vue de l'auberge de Rigi Kulm Spanish: Vista de la posada de Rigi Kulm High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1841). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

8°, Pappband. Zustand: Gut. John Howe; Anne Yvonne Gilbert; Tomislav Tomi?; Helen Ward (illustrator). 80, 5 ohne Schutzumschlag, Ringbindung, kaum Gebrauchsspuren am Einband und Block, Block sauber und fest, Sticker Teil komplett Sprache: Deutsch Gewicht in Gramm: 300.

Zustand: Gut. gr8°, Pappe ohne Schutzumschlag 64 Seiten kaum Gebrauchsspuren am Einband und Block Block sauber und fest ISBN: 9783760726003 alle Teile ohne Beschädigung Sprache: Deutsch Gewicht in Gramm: 300.

Zustand: Wie Neu!!! Zahlr. Fotos.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2001. Tome 9. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2001. Volume 9. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: gut. Corporate Governance, Shareholder Value & Finance: "Meilensteine im Management / Milestones in Management (Bd. 9/Vol. 9)" In deutscher Sprache. pages.

3 Bde. Gr.-8°. VIII, 383 S., 1 Bl., 334 S., 1 Bl., V, 348 S. Mit 155 fein kolorierten, lithographierten Tafeln von W.E. Hitchcock und R. Tremley nach J.J. und J.W. Audubon. Dunkelblaue Kalbslederbde. der Zeit mit goldgepr. Rückenschild und schlichter Rückenvergoldung. Audubon's Quadrupeds "is a breathtaking accomplishment. The most naturalistic depiction of American mammals ever done" (Legacies of Genius, 128).- John James Audubon gilt mit Recht als der beste amerikanische naturwissenschaftliche Maler. Seine Bilder zeichnen sich durch genaue Beobachtung des Tierverhaltens und der natürlichen Umgebung aus. Die Anmut und Lebendigkeit seiner Darstellung haben diese Lithos zu intimen Genrestücken von Tier und Landschaft werden lassen.- Die Lithographien basieren auf den Tafeln der Folio-Ausgabe von 1845-54. Es liegt hier die seltene erste Oktavausgabe, hrsg. von V.G. Audubon vor, Band I im zweiten Druck der ersten Ausgabe.- Audubon bereiste ganz Nordamerika, auch Mexiko, Californien und Texas, sowie die britischen und russischen Territorien und arktischen Regionen. Aus diesem Gebiet stammen auch die hier behandelten Arten. Langjähriger Mitarbeiter Audubons war der protestantische Geistliche John Bachmann, der hier den meisten Text geliefert und auch als Mitherausgeber fungiert hat. 1831 hatte Audubon Bachmann mit seiner Familie für einen Monat in Charleston besucht, was der Beginn ihrer gemeinsamen Arbeit war. Die Familien wurden vereint als Audubons zwei Söhne Bachmanns Töchter heirateten.- Komplettes, sauberes und gut erhaltenes Exemplar des berühmten Werkes. Text minimal gebräunt, einige wenige Tafeln mit leichten Fingerflecken, wenige Textblätter mit Trockenstempel, Spiegel gestempelt, Gelenke restauriert.- Nissen ZBI 163. Sabin 2368.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. 1st ed., 1st printing ; 265 pages illustrations 27 cm OCLC 584166 LCCN 72095704 LC TL711.S8 S9 Dewey 797.54 ; blue cloth with silver lettering ; no dustjacket ; SIGNED presentation by Bill Sweet on front endpaper ; Contents: How does one get into this crazy business? -- The Linco days, boy, did we sell gasoline -- The busy years -- Some good old boys and good old planes -- Danny Fowlie, the Picabacks and sundry other tales -- The fabulous Gee Bees, ours and others -- The post war years -- Open that chute, Jack -- The day t he air shows stopped -- Johnny Skyrocket and his Vampires -- Bat men and other strange birds -- Dick McPherson, who flew through houses -- Ernie Simmons and his private air force -- The happiness boys -- Dome tales from the fabulous fifties -- Oversas and back for thirty dollars -- The day it rained rattlesnakes in Okeene -- My 16 years with Harold Krier -- Haold Krier, the recent years ; FINE. Signed by Author(s). Book.

Zustand: Gut. Kinderbuch, Bilderbuch, Fremdsprache, Fremdsprachenunterricht Kinderbücher, Jugendbücher ohne Seitenangabe schönes Kinderbuch / Bilderbuch / Beschäftigungsbuch; zweisprachig (dt., engl.); zum Lesen und Lernen; reichhaltig farbig illustriert; gut erhalten An staatliche Einrichtungen und Institutionen, auch an Bibliotheken, versenden wir im Inland gern auf Rechnung. Sprache: Deutsch Gewicht in Gramm: 505 ca. 30 x 21 cm, gebundene Ausgabe.

Taschenbuch. Zustand: Neu. Ich bin hochsensibel - und du? | Eine Kirchgemeindegruppe macht sich auf | John Bachmann (u. a.) | Taschenbuch | 70 S. | Deutsch | 2025 | Books on Demand GmbH | EAN 9783695185009 | Verantwortliche Person für die EU: Books on Demand GmbH, Überseering 33, 22297 Hamburg, bod[at]bod[dot]ch | Anbieter: preigu.

hardcover. Zustand: Sehr gut. 192 Seiten; 9783858813701.2 Gewicht in Gramm: 2.

Softcover. Zustand: sehr gut. Originalbroschur. 4°. 836-843 SS. mit 1 Figur und 8 Tabellen. ausgeschiedenes Bibliotheksexemplar. leicht Gebrauchs- u. Lagerspuren. gebräunt. sehr guter Zustand. Reprinted from The Astronomical Journal", Vol. 80, No. 10. Reprint: Sproul-Observatory, Nr. 251. in englischer Sprache (in english).

Single Issue Magazine. Zustand: Fair. Penn, Irving (Cover); Cowley, Jack; Barr, Neal; Rubartelli, Franco; Avedon, Richard; Lichfield, Patrick; Rudling, Ewa; Waldeck, Alexis; Waldeck, Alexis; Bailey, David; Penati; Bachmann, Jacques; (illustrator). First Edition. 184 pages. Features: Vogue's Eye View - It's Fit to be Fit; Swinging Coats, Capes and Ponchos worn by Joan Whitney Meyer, Shawn Ryan, Penelope Tree, Cecile de Forey and Sharon Harts; The Fashion for mixing prints, textures, color; The Beautiful People of Hawaii - Mr. and Mrs. Jack Lionel Warner, Princess Ira Furstenberg, Mr. and Mrs. John Carl Warnecke, Duc and Duchess de Crussol d'Uzes, Geraldine Chaplin and Tina Chen; Jean Shrimpton and Penelope Tree dress for the beautiful life in Hawaii; Long, languorous jerseys for evening; Lauren Hutton - hooked on crochet; The Enticers, 1970 - On TV; The Band. The Best?; Moroccan Wake-Up - the John Paul Getty, Junior, House in Marrakesh; Twexercises - new fitness routine for husbands and wives with Leigh Taylor-Young and Ryan O'Neal; Dozens of gorgeous ads; and much more. Somewhat above-average external wear. Binding intact. Unmarked. A sound vintage copy.

Soft cover. Lithograph with original hand color, 17 ¼" x 22 ½" sheet, 27 ½" x 33" framed. Excellent condition. In her pioneering study on the compositions of John Bachmann, Elen Deming (2000) emphasizes the intermediary position of his aesthetics between so-called pictorial views and aerial perspectives. By placing public landscapes in the foreground of his prints, Bachmann innovates this dual taxonomy, combining "the ideals of pastoralism and modernity in an urban American context." The visual juxtaposition of landscapes and city elements not only derives from the classical background of his European training, but also foreshadows the utopian urbanism of the late 19th century. Bachmann's "New York City Hall, Park and Environs" is a preeminent example of this pictorial strategy. Receding diagonals emphasize the landscaped space in front of City Hall while providing ample opportunities to depict the social activities (horses, carriages, flaneurs, etc.) on Broadway. The charming nonchalance with which city life is represented here owes to the popularity of Currier & Ives' commercial prints. As for the status of City Hall, it departs from the monumentality of the famous Hill engraving from the 1820s. Bachmann makes the Neo-Renaissance building integrate its surroundings seamlessly. This sense of urban idyll is also noted by Deak (1988) in her book on the visual history of the United States: "Along the broad thoroughfare moves a smart array of carriages, coaches, and fashionably-dressed pedestrians. The fountain playing in the imperfect triangle of City Hall Park had now permanently replaced the temporary one erected there during the Croton Water Celebration that took place there in 1842. Beyond the fountain is City Hall itself, admired by residents and visitors alike for its architectural splendor: a successful adaptation of French Renaissance and American colonial influences." Lit. Elen Deming: "The Country and the City: John Bachmann's Views of Manhattan & Central Park", in Landscape Journal 19 (2000), pp. 111-125. Gloria Deak: "Picturing America, 1497-1899: Prints, Maps, and Drawings Bearing on the New World Discoveries and on the Development of the Territory that is now the United States", Princeton 1988. John William Reps: "Views and Viewmakers of Urban America: Lithographs of Towns and Cities in the United States and Canada, Notes on the Artists and Publishers, and a Union Catalog of Their Work, 1825-1925", Columbia 1984. Isaac Newton Phelps Stokes: "The Iconography of Manhattan Island", New York 1915-1928. #10162F.

Zustand: gut. Kompendium Außerklinische Beatmung im Kindes- und Erwachsenenalter: 21. Jahrestagung der Deutschen Interdisziplinären Gesellschaft für Außerklinische . Beatmungsmedizin e.V. Hamburg 6.-8. Juni 2013 In deutscher Sprache. pages.

No binding. Zustand: Good. New York: Williams & Stevens, 353 Broadway, 1850. Tinted lithograph (21 ¾ x 30 ¼ inches) showing Union Square and Lower Manhattan, including Governors Island, parts of Brooklyn, Staten Island, and the Narrows. Backed on board and trimmed along lower margin, missing the publisher's line. Likely the RARE THIRD STATE of Bachmann's print: "The first state has the same imprint except that the publisher's line reads: 'Published by John Bachmann, 5 Rector St. N. York.' The print is otherwise identical except for a fine line framing the rectangle. Impressions of the Williams & Stevens issue exist with the date in the copyright line changed to 1850" (STOKES; see also REPS #2651). Landmarks include Grace Church (erected 1846-1847), Castle Garden (present-day Castle Clinton National Monument), and Castle Williams on Governors Island. REPS: "No finer artist of city views worked in America than John Bachmann. Unfortunately, there is no artist about whom less is known, for information concerning his life seems to be nonexistent. His name and its first appearance on a city view in 1849 strongly suggest that he was German and one of the many artists who came from that country in the middle and late 1840s as a result of political disturbances in their homeland.".

No binding. Zustand: Very good. New York: Williams & Stevens, 353 Broadway, 1859. Lithograph with original hand color (17 ¼ x 22 ½ inches sheet; 27 ½ x 33 inches framed), showing New York City Hall, Broadway, and Park Row (formerly Park Place). Composition loosely based on Nathaniel Currier's View of the Park Fountain & City Hall N.Y. (1846; Gale #6930). Unrecorded by REPS but listed as #178 in STOKES Supplementary List of Prints, Drawings, etca. and described by DEAK: "Along the broad thoroughfare moves a smart array of carriages, coaches, and fashionably-dressed pedestrians. The fountain playing in the imperfect triangle of City Hall Park had now permanently replaced the temporary one erected there during the Croton Water Celebration that took place there in 1842. Beyond the fountain is City Hall itself, admired by residents and visitors alike for its architectural splendor: a successful adaptation of French Renaissance and American colonial influences.".

Tinted lithograph, 21 ¾" x 30 ¼" sheet. Drawn by the elusive John Bachmann - a preeminent figure in the history of American lithography - this early view of Union Square looking South has all the characteristics of his later prints: the elevated and imaginary viewpoint, diagonal composition, and a high level of detail in depicting New York landmarks such as the newly erected Grace Church. Yet the artist proposes an individualistic touch. The ships, for instance, are disproportionately tall and while the lines recede towards the battery and harbor of New York there is no doubt about the mannerist elements of Bachmann's compositional choices. It is indeed the bold foreshortening and perspectival play that make "New York" a true collector's item. As for the historical context of the depiction, Stokes (1918) describes Union Square and the urban growth of Lower Manhattan thus: "Union Square was created under the Commissioners' Plan of 1807, on which it appears as 'Union Place', and extended from 10th to 17th Street. (.) An application to the Legislature resulted in the passage of an act, on April 5, 1832, enlarging Union Place to its present size. The iron fence and other improvements were added in 1835 and 1836, and the fountain was constructed in 1842 at the time of the completion of the Croton Aqueduct. (.) In 1835 Washington Square and the surrounding streets formed the most fashionable residential quarters of the town. By 1849 this centre of fashion had moved still farther north, and Union Place had become a beautiful residential area. In 'New York Past, Present and Future' Belden describes Union Place as 'surrounded by splendid private mansions, some of which are of costly magnificence, and its vicinity is the most fashionable portion of the city.'" Lit. John William Reps: "Views and Viewmakers of Urban America: Lithographs of Towns and Cities in the United States and Canada, Notes on the Artists and Publishers, and a Union Catalog of Their Work, 1825-1925", Columbia 1984. Isaac Newton Phelps Stokes: "The Iconography of Manhattan Island", New York 1915-1928. #10165B.

"Handcolored broadsheet lithograph (34 x 25 in.; 86.4 x 63.5 cm). Floated on a linen mat, glazed, and framed. ONE OF THE EARLIEST BIRD'S EYE VIEWS OF NEW ORLEANS by the consummate artist and lithographer, John Bachmann. Bachmann emigrated from Europe in the late 1840s, producing his first city view of New York in 1849, followed by thirteen others of various cities-including New Orleans-between 1850 and 1851, which are considered by collectors and curators to be among his most accomplished. "No finer artist of city views worked in American than John Bachmann" (Reps). He portrayed cities "from imaginary viewpoints far above even the loftiest office building or church steeple [He] may not have been the first artist to apply in America this method, long used in Europe, of depicting cities, but his consistent use of the technique must have helped popularize it as a way of revealing the whole city in some detail, not merely the portion visible from the artist's easel" (Reps). When the Louisiana Purchase was finalized, Jefferson ordered a careful inventory to see what the country got for its twenty-seven million dollar purchase. "With New Orleans, the United States came into possession of an excellent port, an area of abundant resources, fourteen hundred houses, a population of ten thousand 'two very expensive brick stores,' a government house, stables and garden, a military hospital, a barracks, a large lot adjoining the king's stores, a prison, a town house, a market house, an assembly room a public school for the 'rudiments of the Spanish language,' a cathedral church unfinished,' a charitable hospital, and 'an ill-built customhouse'" (Deák). The inventory of 1851 as depicted by Bachmann includes the United States Marine Hospital built in the Spanish style. Seen across the horseshoe bend of the Mississippi are the Cabildo and the Cathedral of St. Louis at Jackson Square now complete with its tall spire. Paddle-wheel steamers-including the Natchez, America, Magnolia, Creole, and Belle-Key-and sailing ships crowd the river in the foreground and the perspective view of the city recedes toward distant Lake Pontchartrain. REFERENCES: Deák, American Views, Prospects & Vistas (1978), pp. 94-95; Reps, Views & Viewmakers in America, 1151 and pp. 160-161".

Paris: Wild, c.1850. Tinted lithograph finished with hand colour. Sheet 530 x 720mm. Some restoration. A spectacular elevated prospect of Havana from the harbour. John Bachmann (1814-96) was born in Switzerland and worked as a lithographer in Switzerland and Paris before emigrating to America c.1847. He produced the first major series of bird's-eye views of American cities, including New York, Philadelphia, New Orleans and Boston as well as Havana.