joel sternfeld (114 Ergebnisse)

Zustand: New. 170 pp., paperback, brand new, still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Zustand: Very good. Paperback. Unpaginated. Lightly rubbed , else very good in publisher's French fold wraps.

First Edition. First edition. Softcover. 87 pages. Published on the occasion of a show at White Box in New York that ran March 22 through April 27, 2002. Features essays by Alexander Stille and Stefania Galante. Includes color images by Sternfeld of the protesters, all taken during the G8 summit in Genoa. A fine copy in French style wrappers.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. 1 v (unaged) Illus. (Mostly Col.).

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. First edition. Softcover. 120 pages. Special issue published in the wake of the September 11, 2000 attacks. Features poetry by Billy Collins, Stuart Dybek, James Hart, and others. Includes images by Joel Sternfeld, Taryn Simon, Doug and Mike Starn, Mary Ellen Mark and others. A near fine copy in wrappers with some very minor wear. Internally a clean copy.

First Edition. First edition. Softcover. Spring 2002. 120 pages. Features an excerpt from Seamus Heaney's book " The Cure at Troy" The highlight of this issue is Michael Cole's interview of Helen Levitt with some of her photographs as well. Also features poems by Stanley Plumley, April Bernard, fiction by David R. Means and a portfolio of photographs by Joel Sternfeld. A clean very near fine copy in wrappers.

First Edition. First edition. Softcover. Issue features numerous color and black and white images by Alec Soth, Frank Gohlke, Robert Kelly, Victor Schrager, Stephen Shore, Jem Southam, and Joel Sternfeld. Also includes the text of a conversation between Shore and Tim Davis. A fine as new copy in wrappers. One of the better issues of this terrific magazine.

Hardcover. Zustand: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Front cover board display light staining. Pages are clean and unmarked. Binding is secure. Secure packaging for safe delivery.

Zustand: Fine. First edition. First printing of this work published in conjunction with an exhibition curated by Sternfeld, featuring work by William Wegman, David Wojnarowicz, Anselm Kiefer, Joseph Beuys, Christiane Baumgartner, Bruce Nauman, and many others. 11'' x 10''. Original pictorial boards. Pictorial endpapers. 160 pages. Color plates throughout.

Paperback. Zustand: Brand New. 01 edition. 112 pages. 6.50x9.50x0.75 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 2nd Edition. Fine copy in hardcover with fine jacket. Photography.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition. Softcover. 44 pages. November 1977. Includes 8 color images by Joel Sternfeld along with the cover image as well. Also includes black and white images by Mark Cohen and Larry Fink. A near fine copy in wrappers with some very minor wear. A terrific issue.

Tapa dura. Zustand: Muy bien. Primera edición. MUY BUE ejemplar. 31 pp.

Soft cover. Zustand: New. 1st Edition. First edition, first printing. Soft cover. Laminated wrappers., contained in a photographically illustrated cardstock slipcase. Photographs by Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld. Forewords by Paul Wombell and Michael Kirkwood. Essays by Thomas Weski, Johanna Burton, Okwui Enwezor and Brian Wallis. Design by Spin. 100 pp., with 19 four-color and 13 black and white plates (and additional illustrations) finely printed on heavy coated paper by Graphicom Italia. 9-1/8 x 6-5/8 inches. Published on the occasion of the 2004 Citigroup Photography Prize exhibition at The Photographer's Gallery, London, and the Museum Kunst Palast, Düsseldorf. New in publisher's shrink-wrap. Presents work by the four finalists for the 2004 competition, won by Joel Sternfeld. From the publisher: "From a list of over 80 nominations, the Jury has selected four finalists whose work has made a significant contribution to the medium of photography in the past year. This year the shortlist of Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld brings together a group of photographers whose influence resonates through contemporary practice. Now in its eighth year, the Prize has become one of the most prestigious international arts awards. Past winners of this £20,000 Prize include Richard Billingham, Andreas Gursky, Boris Mikhailov and Rineke Dijkstra. In 2003, Juergen Teller, one of the most successful photographers of the last decade, won for his collection of work, Märchenstüberl. The jury of the Citigroup Photography Prize 2004 have chosen the work of four photographers who may not be well-known to the general public, but have been some of the most influential artists working in documentary photography. Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have made important bodies of work that have been a major influence on generations of photographers who came to prominence in the 1980s and 1990s. They are in many respects 'photographers' photographers' who have not yet received the public recognition that their influence or work warrants.".

Zustand: Very good.

First edition. 95 S. : überw. Ill. Zustand: Wie neu, original eingeschweißt, aber einmal um die Welt gereist (USA und zurück). - Ein kleines Wunderwerk ist dieses Büchlein, dessen Wert man erst wirklich schätzen kann, wenn man seine Entstehungsgeschichte in dem Dokumentarfilm von Gereon Wetzel und Jörg Adolph "How to Make a Book with Steidl" erlebt hat!! ISBN: 9783865219169 Sprache: Englisch Gewicht in Gramm: 359 12° quer (13x23cm), weinrotes Gewebe mit Goldprägung.

Soft cover. Zustand: Very Good. 1st Edition. Series of colour photographs of American landscapes associated with acts of violence. Full page reproductions with facing page text. Minor rubbing to covers. No marks or fading to inside pages. Not ex-library. Not a remainder. Binding is firm. s88.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Near Fine. FIRST. A NEAR FINE FIRST EDITION IN PAPERBACK.

Hardcover. Zustand: Near Fine. 1st Edition. Hardcover with gray boards and tipped-in photograph to front. Color illustrated throughout. Clean, unmarked, and square. Oblong 4to.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Good condition softcover book with slight discolouration to cover by daylight - does not affect contents/pages.

Zustand: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Zustand: As New. Prima edizione (First Edition). Un testo di Jonathan Crary. Fotografie a colori di Joel Sternfeld . Cm 13x23,5. pp. 96. . Perfetto (Mint). . Prima edizione (First Edition). . Come Parigi e le sue gallerie commerciali erano il simbolo del XIX secolo così Dubai e i suoi meravigliosi centri commerciali potrebbero esserlo del nuovo millennio. Il flâneur baudelariano è sostituito dal phoneur, un vagabondo cablato che usa il cellulare per mandare messaggi, chiamare e accedere a internet, mentre scatta immagini digitali al volo. Se le sale giochi erano siti rappresentativi del primo capitalismo, allora forse i parchi giochi postmoderni per lo shopping di Dubai sono esempi del capitalismo avanzato. Con questo in mente, quando Joel Sternfeld ha visitato questi centri commerciali nel 2008, li ha documentati con l'oggetto feticcio del consumatore moderno, l'iPhone. Nel processo, raggiunge un'unità molto particolare di forma e contenuto; l'oggetto che incapsula lo spirito di un'epoca è usato per documentare quell'epoca. A Dubai, Joel Sternfeld usa la fotocamera del suo iPhone per superare le immagini dei mass media dell'Emirato come una Disney World sul Golfo Persico, e trovare una componente umana. Book.

paperback. Zustand: As New. Prima edizione (First Edition). Estratti di giornali. Fotografie a colori di Joel Sternfeld . Cm 15x22,5. pp. 112. . Perfetto (Mint). . Prima edizione (First Edition). . "Le generazioni future si chiederanno di noi, abitanti della Terra, quando il clima ha cominciato a cambiare. Se i mari si alzano e allo stesso tempo l'acqua potabile scarseggia, vorranno sapere quali prove scientifiche c'erano e cosa abbiamo fatto in risposta ad esse. È difficile immaginare un momento del passato senza un'immagine, così sono andato a Montreal nel 2005 per fotografare i partecipanti all'undicesima conferenza delle Nazioni Unite sul cambiamento climatico". I risultanti 53 ritratti a colori dei partecipanti alla conferenza costituiscono il cuore di questo libro. I primi piani a mezzo busto si inseriscono in una tradizione di ritrattistica che risale al Rinascimento, ma l'ansia su ogni volto sembra qualcosa che solo la modernità e l'avvento del collasso ecologico potevano produrre. Un testo raccolto da giornali e riviste e presentato sotto forma di trasmissioni radiofoniche fornisce una cronologia del cambiamento climatico come si è verificato negli ultimi 20 anni. . Book.

Zustand: Good. Used, some outer edges have minor scuffs, cover has light scratches, some outer pages have shelf wear, book content is in very good condition.