Joel morley (21 Ergebnisse)

Softbound. Zustand: Very Good. Quarto, stapled paper covers, 24 pp. Bleicher, David (illustrator).

Soft cover, missing wraps. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

[168] pp.; 30.6 x 23 cm.; sewn bound; black-and-white & color; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 16 - August 10, 1986. Essay by Christopher Knight. Introduction by Richard Koshalek. Artists include John Ahearn, Carl Andre, Richard Artschwager, Jennifer Bartlett, Jean-Michel Basquiat, Jonathan Borofsky, Richard Bosman, Troy Brauntuch, Scott Burton, Larry Clark, Peter Drake, Eric Fischl, Dan Flavin, Bryan Hunt, Mark Innerst, Neil Jenney, Donald Judd, Ellsworth Kelly, Anselm Kiefer, Rex Lau, Barry LeDoux, Robert Mangold, Brice Marden, Agnes Martin, Michael McClard, Malcolm Morley, Robert Moskowitz, Elizabeth Murray, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Joel Shapiro, Cindy Sherman, Frank Stella, Cy Twombly, and Terry Winters. Includes exhibition checklist. Very Good. Rubbing of cover edges with 1.5 cm. dog-ear to bottom right corner of recto and 2.7 cm. crease to bottom left corner of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

hardcover. Zustand: Fine.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket.

hardcover. Zustand: Fine.

Zustand: New. 2025. hardcover. . . . . .

Hardback. Zustand: New. This book connects the First and Second World Wars. It uses oral histories and Mass Observation material to explore men's attitudes to Second World War enlistment and the relationship they perceived between military service and masculinity, and how these were influenced by understandings of the First World War. Locating the cultural legacy of First World War in the subjectivities of men who participated in the Second World War demonstrates the breadth of sources that informed men's understandings of the First World War in interwar Britain. Its cultural legacy was omnipresent and diverse, and informed young men's attitudes and service preferences, but it reinforced Edwardian conceptions of wartime masculinity as often as it undermined them. Two decades after the First World War ended, they remained resilient in the subjective understandings of men who grew up in the Great War's shadow.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 352 pages. 6.42x1.02x9.45 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. This book connects the First and Second World Wars. It uses oral histories and Mass Observation material to explore men's attitudes to Second World War enlistment and the relationship they perceived between military service and masculinity, and how these were influenced by understandings of the First World War. Locating the cultural legacy of First World War in the subjectivities of men who participated in the Second World War demonstrates the breadth of sources that informed men's understandings of the First World War in interwar Britain. Its cultural legacy was omnipresent and diverse, and informed young men's attitudes and service preferences, but it reinforced Edwardian conceptions of wartime masculinity as often as it undermined them. Two decades after the First World War ended, they remained resilient in the subjective understandings of men who grew up in the Great War's shadow.…

Hardcover. Zustand: Brand New. 320 pages. 8.51x5.44x8.50 inches. In Stock.

Buch. Zustand: Neu. Neuware - National service was a defining feature for a generation of young men in post-war Britain. Around 2.3 million of them were called up between the end of World War Two and 1963, when conscription ended. However, national service was forgotten almost before it had ended, a process aided subsequently by professional historians who have been reluctant to assess its longer-term influence on British social and political history.Based on original oral interviews with well over one hundred men, this book explores the ways in which compulsory military participation reverberated in the memories of interviewees long beyond the end of conscription, and how these early military experiences shaped their later life stores. Unlike existing accounts that tend to rely on memoirs written by officers, or else oral interviews that concentrate narrowly on the details of military service, this study focusses instead on men from working-class backgrounds and it situates national service in the context of the life course and the wider transformations that have occurred in British society since conscription ended. In so doing, the work shines new light on important areas of current scholarly interest and historiographical concern, including the changing meaning and experience of class, masculinity, and citizenship, as well as the complexities of popular memory.…

Hardcover. Zustand: Brand New. 352 pages. 6.42x1.02x9.45 inches. In Stock.

[unpaginated]; 24 x 22.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. Parallel texts in German and English, including interview between Peter Ludwig and Wolfgang Becker. Includes biographies and exhibition chronologies. Artists include Eva Aeppli, Hans Peter Alvermann, John de Andrea, Arakawa, Allan D'Arcangelo, Richard Artschwager, Dieter Asmus, Jo Baer, William Bailey, Robert Bechtle, Saskia de Boer, Christian Boltanski, K.P. Brehmer, Peter Brüning, Rafael Canogar, Mario Ceroli, Dan Christensen, Christo, John Clem Clarke, Chuck Close, Ron Cooper, Alan Cote, George Deem, , Rolf-Gunter Dienst, Donald Eddy, Erro, Wojciech Fangor, Robert Filliou, Gérard Gasiorowski, Juan Genoves, Franz Gertsch, Piero Gilardi, Domenico Gnoli, Ralph Goings, Robert Graham, Gotthard Graubner, Sante Graziani, Nancy Stevenson Graves, Renato Guttuso, Ira Joel Haber, Duane Hanson, Jann Haworth, Paul Harris, Michael Heizer, Alex Hay, David Hockney, Robert Indiana, Alfred Jensen, Allan Jones, Howard Kanovitz, Alex Katz, Ellsworth Kelly, Konrad Klapheck, Alfred Leslie, Barry Le Va, Roy Lichtenstein, Richard Long, Lee Lozano, Walter De Maria, Richard McLean, Rune Mields, Jacques Monory, Nicholas Monro, Malcolm Morley, Robert Morris, Peter Nagel, Bruce Nauman, Lowell Nesbitt, Siegfried Neuenhausen, Ansgar Nierhoff, Pino Pascali, Pavlos, Philip Pearlstein, Walter Pichler, Michelangelo Pistoletto, Tom Phillips, Mel Ramos, Robert Rauschenberg, Gerhard Richter, Klaus Rinke, Dieter Rot [aka Dieter Roth], Dieter Rot [aka Dieter Roth], George Segal, Richard Serra, Leon Polk Smith, Robert Smithson, Keith Sonnier, Bernard Schultze, Lawrence Stafford, Lewis Stein, Curt Stenvert, Nikolaus Störtenbecker, Sidney Tillim, Joe Tilson, Cy Twombly, Dietmar Ullrich, Bernar Venet, Jan Voss, Wolf Vostell, John Walker, Andy Warhol, Robert Watts, Tom Wesselmann, Stefan Wewerka, Doug Wheeler, Lambert Maria Wintersberger, Peter Young, Jim Dine, Alain Jacquet, Jasper Johns, Kenneth Noland, Martial Raysse, James Rosenquist, Dieter Rot [aka Dieter Roth], and John Salt. Fair / Good. Tearing of spine edges measuring 4 cm. and 6.3 cm. with additional rubbing. Light rubbing and scuffing of lenticular covers. Yellowing and dusting of text block edge.1.8 cm. dog-ear to endpaper and light bumping of top right corner of pages. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Reckoning with Notation: The Drawings of Pollock, Newman and Louis Kenneth Baker Some Place Enormously Moveable The Collaboration of Arakawa and Madeline H. Gins Robert Creeley Long Walks Nancy Foote Malcolm Morley: Talking About Seeing Klaus Kertess Suzanne Harris: The Energy of Time Ted Castle In the Streets of China Joel Meyerowitz Working in the Streets of Shanghai and Guilin Charles Simonds The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss Lucy R. Lippard Crowds Joel Meyerowitz Souvenir Cards Kate Keller (untitled) Jean C. Pigozzi Disquieting Norms Max Kozloff COLUMNS FEATURES REVIEWS NEW YORK Ronny H. Cohen on Robert Barry Ronny H. Cohen on Charles Biederman J. Hoberman on Alfred Hitchcock J. Hoberman on Ken Jacobs Jeanne Silverthorne on Alex Katz Jeanne Silverthorne on Jo Baer and Bruce Robbins Jeanne Silverthorne on Peter Blume Lucy R. Lippard on Beverly Naidus Stuart Morgan on Vito Acconci Stuart Morgan on Robert Morris Stuart Morgan on Dennis Oppenheim Hal Foster on Lucio Pozzi Hal Foster on Mary Miss Joan Casademont on Sarah Charlesworth Joan Casademont on Laurie Anderson Judith Lopes Cardozo on Ernest Trova Douglas Blau on Peter Saari Shelley Rice on Mimi Smith Shelley Rice on William Mortensen Shelley Rice on Frames WASHINGTON AND SAN FRANCISCO Colin L. Westerbeck, Jr. on Rosalind Solomon and Richard Avedon SAN FRANCISCO Hal Fischer on Susan Felter Hal Fischer on Suzanne Hellmuth and Jock Reynolds DAVIS Hal Fischer on S.E. Ciriclio LOS ANGELES Christopher Knight on John Okulick LONDON Adrian Searle on Colin Cina Adrian Searle on Noel Forster Adrian Searle on Michael Craig-Martin MILAN Isabella Puliafito on The Other Half of the Avant-Garde.…