Joanne lukitsh (31 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Zustand: Good.

Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Phaidon, 2001. Octavo. Paperback. Book is like new with black publisher dot on bottom page ends.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good.

Paperback. Zustand: Brand New. 128 pages. 6.25x5.50x0.50 inches. In Stock.

Zustand: Good. Light bumps/wear at edges/corners of cover. Some storage marks/scratches to cover and parts of text blocks. Pages excellent and unused.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. Scratches to the cover, some dirt marks also. The content is clean and readable throughout.

Zustand: New.

Zustand: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. In English.

Trade Paperback. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; Good or Better trade paperback, 16mo.

Zustand: Very Good.

Paperback. Zustand: Brand New. 248 pages. 9.21x6.14x1.00 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. ix, 230 pages : illustrations (some colour) ; 30 cm. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011. Summary:"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing, ' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail . This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description.…

Zustand: New. &Uumlber den AutorJuliet Hacking is Subject Leader for Photographic Studies at Sotheby s Institute of Art, UK. Joanne Lukitsh is Professor of History of Art at Massachusetts College of Art and Design, USA.

Taschenbuch. Zustand: Neu. Neuware - Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualized for art and re-contextualized for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic' Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the book examines the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.…

Hard cover. Sewn binding. Cloth over boards. With dust jacket. 230 p. Contains: Illustrations, black & white, Illustrations, color. Audience: General/trade. Very good in very good dust jacket. Near Fine in a near fine jacket in mylar.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Dust jacket in protective clear mylar.

First Edition. First edition and first printing. Hardcover. 560 pages. A biographical examination of this important British photographer. Features a foreword by Deborah Gribbon a, preface by Weston Naef and additional text by Julian Cox, Colin Ford, Joanne Lukitsh and Philippa Wright. Includes 60 color and 1329 duotone images. A tight near fine copy in a near fine dust jacket with some light wear. A valuable reference on Cameron. This is a heavy and oversized book and will require extra shipping.…