Joan retallack (99 Ergebnisse)

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Paperback. Zustand: Good. In Bosch's] enchanted garden no color line is drawn.--Commentary 106, Art Treasures of the Prado, 1954Poetry. Art. Joan Retallack's BOSCH'D--fables, moral tales & other awkward constructions is passionate, transgressive and, albeit obliquely, optimistic that we can (but only with creative buoyancy) exhume a sense of viable futures for all species on this planet. The first of many BOSCH'D aphorisms states the opening condition this way: Humor without gravitas passes through the mind with little effect; gravitas without humor is death. With that, Retallack takes on the paradoxical, hence generative, dystopian logics she calls our projectile legacies--misogyny, racism, undaunted colonialism, and more. It's where her playful and grave poetics of the poethical wager revs up. As the sun at noon illustrates all shadows, Hieronymus Bosch illuminated a beautiful and grotesque biosphere (see Fig. x) that, along with tender sensuality and ubiquitous love, was riddled with human follies and trespasses we've come to identify as the Anthropocene. Bosch'd (verb. trans.) does not yet appear in our lexicons. For some of its implications, we present this erudite, searching, and great-humored book.I've encountered few imaginations as consistently delightful and nourishing as Joan Retallack's, even fewer that can match her range of exploration from book to book. In BOSCH'D, instructional notations lead to paradox, and mathematical sketches add up to koans, and yet throughout the book, the political and philosophical implications are absolutely exigent. In Retallack's gnomic propositions, poetry becomes almost all that we could ask of it.--Forrest GanderThis proliferation of angels, and angles, and spectra, and scenes, and singing is all but too beautifully blur to blurb. It defies its own collection. You have to ride, or hide, in an untied thought balloon to read it. It's so beautiful, with so much thought inside, and so loco, so such a little crazy in all its other languages, so off and errant but also so on the spot and dug in and garden'd, so unalone and shared and redshifted, so non-solo'd and so alter'd, that it becomes an altar, its music of alterity holding a delightful cultivation of flown that we can ground in, though it's also so nonlocal, so shar'd in the general speech, that even in the preparation of its table of contents, as if it were a piano on which bizarre things have been painted as the coming of froth, BOSCH'D blindsides despair. Who is Genre Tallique anyway? Bud Powell? An owl? Wow --Fred MotenMay language be always in motion, biomimetic, hers. Retallack's radical intelligence is balm-like, in no small part for the restlessness and fluidity of its humor. Reading BOSCH'D I think of Stevens' precept that 'the poem must resist the intelligence almost successfully.' Must has gotten musty and, yet, out of the delirious entanglements of the poem and reason, Retallack's verse emerges, always victorious: 'We are not designed to perceive most of what surrounds us or to fully understand the rest.' Anthropocentric reason keeps leading us nowhere and very well may be the epitome of our foolhardiness. In their refusal to perpetuate 'past-perfected-present-participling legacies, ' Retallack's poems invariably know better.--M nica de la Torre.…

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

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Paperback. Zustand: New. Joan Retallack offers a book of forms, like the medieval Book of Hours, intended to draw readers into a meditative experience of time, space, language, the many humors of chance and design, as they intersect and leave their traces on the page. All of civilization to date, all of history is after all aftermath, afterthought, afterimage. The language graphics of AFTERRIMAGES lay claim to the fragility-the gift, the terror, and the whimsy-of the remnant that all images are. Their playful nature is born of the conviction that the present tense-tense, tensile with immanent futurity-must extend itself toward the unintelligible and unknown. This is the frontier where the image hovers on the edge of its own transfiguration, the threshold where poetry can take place. …

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Paperback. Zustand: New. Joan Retallack offers a book of forms, like the medieval Book of Hours, intended to draw readers into a meditative experience of time, space, language, the many humors of chance and design, as they intersect and leave their traces on the page. All of civilization to date, all of history is after all aftermath, afterthought, afterimage. The language graphics of AFTERRIMAGES lay claim to the fragility-the gift, the terror, and the whimsy-of the remnant that all images are. Their playful nature is born of the conviction that the present tense-tense, tensile with immanent futurity-must extend itself toward the unintelligible and unknown. This is the frontier where the image hovers on the edge of its own transfiguration, the threshold where poetry can take place. …

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Zustand: New.

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softcover. Zustand: Fine copy. 1st. 8vo, 346 pp., Edited & with an introduction by Joan Retallack., Poets for the New Millennium series.

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Paperback. Zustand: New. Revised ed.
Sprache: Englisch
Verlag: leave books, Buffalo, NY, 1994
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- Signiert
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In den WarenkorbSoft cover. Zustand: Near Fine. 22pp. Stapled stiff card wraps, corners very slightly splayed. Warmly inscribed by Retallack on title page. Inscribed by Author(s).

- Hardcover
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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Paperback. Zustand: New. This selection of Gertrude Stein's work is taken from the period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a 'continuous present,' an effort which parallels many of the most important technological and scientific developments of her era - from moving pictures to Einstein's revision of our understanding of space and time.Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative 'reading poesis' for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.…

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First Edition. First edition. Softcover. 360 pages. The text of a long conversation between John Cage and Joan Retallack. A near fine copy in wrappers with some very light wear.

Verlag: Poetry in Review Foundation, New York, 1983
- Softcover
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In den WarenkorbSoftcover. Zustand: Near Fine. First Edition. Magazine. Octavo. 313pp. Perfectbound. Black and white illustrations. Light edgewear, near fine. Notable contributors include Seamus Heaney, Ross Feld, Helen Vendler, Sandra Gilbert, Vernon Young, Joan Retallack, Wright Morris, Richard Howard, Eliot Weinberger.…
Weitere Bilder- Softcover
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Paperback. Zustand: New. Revised ed.

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Zustand: Fair. Signed Copy . Signed/Inscribed by author on front endpage. Dampstained.

- Hardcover
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Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…
Verlag: Washington DC: Edge Books (1993)., 1993
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In den WarenkorbFirst edition. 63 pp w/sources. Very good plus in illustrated wrappers.

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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780520248069. …

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Zustand: New. A selection of the works of the author taken from the period between 1905 and 1936, when he was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence various arts. Editor(s): Retallack, Joan. Series: Poets for the Millennium S. Num Pages: 360 pages, 15 b/w photographs. BIC Classification: DNF. Category: (P) Professional & Vocational. Dimension: 209 x 144 x 21. Weight in Grams: 400. . 2008. 1st Edition. Paperback. . . . .…

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Paperback. Zustand: New. Writing on texts by authors as varied as Gertrude Stein, Niels Bohr, and Mother Goose, Joan Retallack' s book Procedural Elegies/Western Civ Cont' d/ disrupts the world of statements with worlds of inquiry. Each poem is an ecologically modeled operation powered by a quasi-systematic principle that is open and ever-changing. "In such a landscape there is no closure; these poems are sites for response, investigation, contemplation and delight." - Jena Osman.…

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.