joan a davis (18 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. With remainder mark. (cooking).

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Brand New. original edition. 208 pages. 9.25x7.50x0.50 inches. In Stock.

Perfect Paperback. Zustand: Brand New. 286 pages. 9.02x5.87x0.79 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - 336 Crochet Tips ! A book for the intermediate crocheter ? The book is divided into 24 short chapters, and answers can be located quickly under each chapter's title. ? There are more than 336 solutions to various crochet challenges ? Learn to read an American and International crochet patterns ? Understand the different hook manufacturers with The International Hooks Chart ? Increases & Decreases won't be a problem any longer with simple guidelines ? Each chapter's title gives instant notification of which kind of technique the crocheter is looking for. ? The book is sized so it easily slips into the crochet kit as a carry-along reference. ? Now crocheters won't have to spend hours looking in every book they own to find out how to crochet one technique.

Paperback. Zustand: Brand New. reprint edition. 787 pages. 11.25x8.75x1.50 inches. In Stock.

60 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1987 issue of Journal. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors.and were created especially for the magazine." -- from the introduction. Each artist provided a single page for individual artists' projects. COntents include: "Local/International," edited by Muntadas and Mar Villaspesa, featuring Agustin Parejo School, Joan Rabascall, Victoria Gil, Federico Guzman, Ana Busto and Rafael Agredano; "Chicago Artists," edited by Hudson, featuring Kay Rosen, Mark Pederson, David Sedaris, Jeanne Dunning and Johnny Pixchure; "German Artists," edited by Stuart Regen, featuring Imi Knoebel, Andreas Shulze, Jiri Georg Dokoupil, Walter Dahn and Rosemarie Trockel; "London Artists," edited by Andrew Graham-Dixon, Greg Hilty and Kate Macfarland, featuring Hannah Collins, Anthony Wilson, Richard Wilson, Helen Chadwick and Kate Whiteford; "Los Angeles Artists," edited by Colin Gardner, featuring Larry Johnson, Douglas Huebler, Alexis Smith, David French and Mitchell Syrop; "Eight Artists Respond to a Photo," edited by Dorit Cypis, featuring Paul McMahon/Leeny Sack, John Schlesinger/Reese Williams, Valerie Ellis/ Marion McClinton and Adriana Angel/Morgan Thomas; "New York Artists," edited by Susan A. Davis, featuring Susan Davis, Beje LaRico, Michael N. Ballou, Aura Rosenberg and Barbara Broughel; "French Artists," edited by Catherine Arthus-Bertrand, featuring Dominique Gonzalez-Foerster, Gilles Mahé, Ernest T. and Felice Varini; "Pirri Mantegna Petroiusti Roma," edited by Caterina Borelli, featuring Alfredo Pirri, Gianfranco Mantegna and Cesare Petroiusti and "Artists in Vienna," edited by Peter Pakesch, featuring Heimo Zobernig, Herbert Brandl, Gerwald Rockenschaub, Markus Geiger and Otto Zitko. Very Good / Fine. Light rubbing of covers and spine edge with 1.3 cm. area of gentle bumping to verso. Contents clean and unmarked.

Softcover. Zustand: Gut. Originalausgabe. 125 Seiten Dieses Buch untersucht die Möglichkeiten, den Konsum bewusster zu gestalten. Es behandelt die Abschiednahme von Verschwendung und die Wiederentdeckung von alltäglichem Bedarf. Autor*innen wie Ralph Nader analysieren, wie wir durch Verzicht und nachhaltige Praktiken unsere Lebensqualität ohne Konsumverlust verbessern können. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-162-7/8-00458592 Sprache: Deutsch Gewicht in Gramm: 122.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.