joaillier (18 Ergebnisse)

Zustand: New. Editors: Ögel, Zeynep; Kibris, Baris Translator: 145 pages.

Hardcover. Zustand: New. 30x330 cm. (In the original album 31x37 cm.). Reprint edition. + 2 p. text in Turkish and English. In the original blue cloth box.

Orig. Foto auf Karton, ca. 21,5 x 27 cm, etwas fleckig im Himmel.

No Binding. Zustand: Very Good. A small original albumen print photograph by Sebah & Joaillier mounted on paper. Size: 6,5x8 cm.  Rare albumen print photograph mounted on a grey album paper taken by Sebah & Joaillier photograph studio of Constantinople, showing Syrian women and men in their traditional clothes.  In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year-old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," and others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s, Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].

Hardcover. Zustand: New. Reprint edition. + 48 p. text in Turkish and English. In the original red cloth box. New ISBN: 9786059194235 CATALOG: Photographs KEYWORDS: photography Istanbul - Constantinople Golden Horn Pera Ottoman culture.

Hardcover. Zustand: vg- to vg. First edition. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling, tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif (the national emblem of Turkey) on the back cover. Taken from the Galata Tower, in what is now the Karaköy neighborhood of Istanbul, this magnificent panorama displays the skyline and cityscape of Constantinople, as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs, mounted on heavy card stock, and bound together in accordion style (leporello), measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction, the viewer can see Galata (Karaköy) in the foreground, and from left to right, across the Bosporus to the Uskudar district (on the Asian side), and then across the harbor at the mouth of the Golden Horn, the Galata Bridge, and across to the Pérama neighborhood and the Faith district, where many famous landmarks of the city can be seen, including the New Mosque, Topkapi Palace, Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall. The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah (1823-1886), the studio was one of the earliest in the city (and all of Ottoman Turkey). By the 1870s Sebah had become among the most prominent Ottoman photographers, having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888, the firm was taken over by his 16 year-old son Jean (Pascal) Sebah, who then partnered with photographer Policarpe Joaillier (1848-1904). The firm was renamed "Sebah & Joaillier". Therefore, although this panorama is undated, it could not have been issued earlier than 1888; most likely sometime shortly thereafter, circa 1890. Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing, although the images are still quite clean and vibrant. Binding in very good, images in very good- to very good condition overall. * A slightly later version of the panorama from Sebah & Joaillier, simply titled "Constantinople" is comprised of 12 slightly smaller panels, instead of 10, and measures around the same size in total. Bibliographic refences: Jacobson, Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch, 2007; Özendes, Engin. "Photography in the Ottoman Empire"; Öztuncay, Bahattin. The Photographers of Constantinople. Aygaz, 2003.

Cartonné. In-4 (36,5 x 31,5 cm), format à l'italienne, dos en cuir, percaline chagrinée sur les plats biseautés, titre et décor doré (tour de Galata et tour de Léandre) au premier plat dont les bords sont biseautés, croissant de lune et étoile entourés de lauriers dorés au quatrième plat, sans date (circa 1888), 10 photographies sur papier albuminé, montées à la manière d'un leporello sur des panneaux en carton fort de 34 x 30,5 cm reliés par un morceau de toile pour former un panorama d'Istanbul d'environ 3,47 mètres de long ; mors légèrement fendus en queue, quelques épidermures sur le cuir au dos et sur les bords du premier plat, quelques traces sur les plats, zones décolorées au quatrième plat dont le cartonnage est un peu incurvé, par ailleurs assez bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Groß-quer-8°. 20 Blatt mit 40 Fotografien der Größe 17 x 12. Originalleinen mit Deckeltitel, (etwas beschabt und fleckig). Einsteckalbum mit Aufnahmen von Konstantinopel/Istanbul und einigen Personen- bzw. Personengruppenporträts. - Meist auf der Platte signiert, nummeriert und bezeichnet. - Pascal Sebah (1823-1886), gilt als einer der führenden Photographen des Osmanischen Reiches. - Teils minimal knittrig.

Oblong octavo 6 x 7 3/4 inches. Length - 70 inches. 10 albumen photographs mounted on thick card and bound in concertina folds, as issued. (Occasional spotting). Publisher's red grained cloth, upper cover tooled in gilt and lettered in French and Arabic. Complete in 10 sections. SEBAH, PASCAL (1823-1886) and J, JOAILLIER. A smaller version, probably published at the same time, of Panorama de Constantinople pris de la Tour de Galata. A photographic panorama offering a sweeping view of the city walls and seven towers, the great mosques of Sultan Ahmed and Santa Sophia, the 'Green Mosque' and Mosque of Oulon, the Golden Horn, tower of Galatea and the Bosphorus.

Couverture rigide. Zustand: Bon. in 8°, de 4ff. n.ch., XXXVpp. (dont l'errata) & 104 pp., ill. de 10 planches gravées h. t. de modèles des différentes tailles de diamants, avec un bandeau in t. par Cochin, cart. papier marbré moderne genre ancien, bon exemplaire grand de marge. Rare première édition française donnée par Chapotin St. Laurent d'après la seconde édition anglaise de 1751. Rédigé par un joaillier anglais ce traité resta pendant plus de 100 ans la référence pour l'évaluation des diamants. "Production des diamants, évaluation, grandeur, manière de les tailler, des brillants, de la taille des roses, de la taille indienne, diamants bruts, perfection des perles, évaluation.etc." Quérard Fr. Litt. IV p.223 - Brunet III. p.525 "Ouvrage estimé et qui devient rare".

Folio (368 x 292 mm). Containing 50 albumen prints of Constantinople (ca. 270 x 21 cm each). Red half morocco album with original giltstamped cloth covers; spine blindstamped. Fine period views of the city of Constantinople, by the respected photographic studio of Sébah and Joaillier, showing landscapes as well as monuments, street scenes with merchants, etc. Pascal Sébah (1823-86), a leading Constantinople photographer, was renowned for his well-judged compositions and for the excellent print quality achieved by his technician A. Laroche. His studio, founded in 1857, was continued under his brother Cosimi and his son Jean, later in partnership with Policarpe Joaillier. The studio continued to operate as long as the year 1952. - A representative and fine example of a high-quality album aimed at the 19th century's developing Middle Eastern tourist market.

Pas de couverture. Zustand: Bon. Rare dédicace multicolore sur une page de livre d'or de restaurant (L'Échiquier). Cannes, le 10 septembre 1993. + Photo (27x20 cm) Format : 24x17 cm. État : étiquette, voir scans svp. Authenticité garantie. Signé par l'auteur.

Hardcover. Zustand: Very Good. Original b/w photograph by Pascal Sebah. (30x20 cm). In Ottoman script. Slightly chipped on corners and margins, a stain on the descriptive text area. Otherwise a good photo.  Original print photograph from 'Les costumes populaires de la Turquie en 1873, ouvrage publie sous le patronage de la Commission Imp. de l'Exposition Universelle de 1873 a Vienne'. Photograph depicts three Ottoman civilians of Rhodes Island in their local costumes; one is an outdoor dress of Muslim women living in Rhodes, the second is a standard dress for Muslim men, and the last one is a home dress of Muslim women.  Pascal Sébah (1823-1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey, and Greece to serve the tourist trade, and the founder of Sebah & Joaillier Photograph Studio. He established a valuable working relationship with Turkish painter Osman Hamdi Bey, taking photographs as part of the artist's preparation, and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish and other ethnic groups, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne and published in 1873. .

Zustand: New. Editors: Translator: pages.

Zustand: New. Editors: Translator: pages.

A superb panoramic view of the city, taken from the Galata Tower looking over the Bosporus towards the Asian side; across the Golden Horn can be seen the Topkapi Palace and the great mosques of the city, Haghia Sophia, the Blue Mosque, the Yeni Mosque, and the Süleymaniye. In 1857 Pascal Sébah opened one of the first photographic studios in Constantinople. Having met with great success, in 1873, he expanded the business, setting up a further establishment in Cairo, near to the renowned Shepheard's Hotel. In 1883 he suffered a stroke, and the business was taken over by his son Jean, who styled himself J. Pascal Sebah so as not to break the continuity of the business and was to become a talented photographer in his own right. In 1888 he went into partnership with a French photographer resident in Istanbul, Policarpe Joaillier, the firm in time becoming official photographers of the Sultan. In various forms, this business continued down to the middle of the 20th century when, in 1952, its last incarnation, Foto Sabah, finally closed its doors. "From the 1870s, Sébah and Joaillier, were major suppliers of evocative imagery to the increasing number of people who undertook the Victorian Grand Tour" (Hannavy, p. 1,261). John Hannavy (ed.), Encyclopaedia of Nineteenth-Century Photography, Vol. I, 2005; Engin Özendes, From Sebah & Joaillier to Foto Sabah: Orientalism in Photography, 2004. Landscape folio (310 x 375 mm). With 10 albumen prints mounted on card panels and joined with linen tape, leporello-style, to form a panorama approximately 3.47 m, over 11 feet, in length (card panels 3,054 x 340 mm; photographic prints 247 x 340 mm). Original red sand-grain cloth over bevelled boards, red roan backstrip, title gilt to front cover within elaborate ornamental gilt panel and incorporating images of the Galata and Maiden's towers, gilt stamp to back cover of the ay-y ld z (star and crescent) within a laurel wreath. Covers variably sunned, old splash stain to head of front cover, a few marks to back, light foxing and marginal dust marking, the images bright and clean. A very good example.

No Binding. Zustand: Very Good. Three albumen prints comprising: 1-  No: 558, Constantinople. Tombeau de Fuad Pacha, by Bonfils, image size 220 x 280 mm. 2- A view of the Selamlik (Sultan's procession to the Hamidiye Camil) by Abdullah Freres, image size 190 x 252 mm. 3- No: 195 Sublime Porte, Constantinople mounted on this card, signed by Sebah & Joaillier, image size 210 x 270 mm, card size 355 x 273 mm. 4- A Royal reception, Constantinople, anon. Silver print pasted to thick card depicting Sultan Abdul Hamid II in procession, circa 1890, image/card size 165 x 220 mm. #35459.

Zustand: 1850-1900. Le Joaillier de St James Opéra comique en 3 actes Paroles de MM. de St Georges et de Leuven Musique de Albert Grisar pour Chant et Piano par Auguste Bazille Paris, E. Gérard et Cie Editeurs C. M. 9750 XIXe siècle 1862 237 pages 28.0 x 19.0 cm Bon état, partition débrochée, angles défraîchis, trous de vers 054541 Complet.