Verlag: Columbia Pictures, Culver City, CA, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Fotografie
Vintage borderless studio still photograph of Judy Geeson from the 1967 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Joan Crawford's penultimate film, a camp favorite featuring Crawford chewing the scenery as Monica Rivers, owner and ringmaster of the Great Rivers Circus. When a spate of grisly (and flamboyant) murders happens at the circus, Rivers milks the publicity, much to the consternation of her performers, who want to know who the killer is. 7.25 x 9.75 inches. Near Fine.
Verlag: Warner-Pathe, London, 1969
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Fotografie
Two vintage black-and-white still photographs of Warren Oates from the 1969 UK film. Mimeograph snipe affixed to the verso of 1 still. Both stills feature the great Warren Oates. A comedy about two crooks hired to rob an old lady, but she proves to be too charming, and the robbers can't muster the guts to steal from her. 8 x 10 inches, and 7.25 x 9.25 inches (no borders, as issued). Smaller still with a tiny closed tear, else Near Fine.
Verlag: Compton-Tekli Film Productions / Sir Nigel Films, London, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Draft script for the 1965 horror film, here under the working title "Fog." With a single manuscript ink annotation on the front wrapper noting the number 8. Mr. Holmes and Dr. Watson team up once again to stop Jack the Ripper from murdering Whitechapel innocents. Set in London. Blue untitled wrappers with a die-cut title window in the British style. Title page present, dated 15th March 1965, with credits for screenwriters Jim O'Connolly and Donald and Derek Ford, along with novelist Sir Arthur Conan Doyle. 142 leaves, with last page of text numbered 140. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three silver brads.