Jim crossley (56 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. This book recounts the history of the first destroyers of the Royal Navy, which revolutionised this service and changed the way war was fought at sea. Moreover, between 1892, when the first destroyers were laid down, and 1918 destroyers evolved radically from 27 knot, 250-ton ships into 35 knot, 1,530-ton ships. All these ships were involved in some form during World War I; the smaller, original destroyers in an auxiliary support role and the newer larger destroyers at some of the greatest sea battles of the war. Indeed, this book will highlight the role destroyers played in the North Sea during the crucial battles to control the Heliogoland Bight as well as the major fleet action at the battle of Jutland in 1916. Complete with a detailed description of the technical evolution of each class of destroyer from the 27-knotters to the Tribal and Marksman classes, this book offers a complete overview of the vessels that helped to maintain Britain's supremacy at sea. Wright, Paul (illustrator). …

Paperback. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Wright, Paul (illustrator).

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Used-Very Good. dj. Illustrated. Cloth, dj. Slight shelf-wear to dj., else bright and clean.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Pennino, Mario Del; Florean, Arianna; Campbell, Jim; Crossley, Andrew; Smith, Keiren (illustrator). …

Library Binding. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Pennino, Mario Del; Florean, Arianna; Campbell, Jim; Crossley, Andrew; Smith, Keiren (illustrator).

Library Binding. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Pennino, Mario Del; Florean, Arianna; Campbell, Jim; Crossley, Andrew; Smith, Keiren (illustrator).

Library Binding. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Pennino, Mario Del; Florean, Arianna; Campbell, Jim; Crossley, Andrew; Smith, Keiren (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Monitor warships mounted the biggest guns ever deployed by the Royal Navy, and played an undeniably important part in Allied efforts during World War One and Two. They were built as cheap "disposable" ships made out of redundant bits and pieces which the Admiralty happened to have available which could bring heavy artillery to bear on enemy coasts with pin point accuracy and on at least one occasion a force of only three monitors had a profound effect on the strategic situation in WW I. Being classed as disposable they were often exposed to risks far more recklessly than more expensive battle ships or heavy cruisers. So impressive was their performance in WW I that two were retained in service into WW II and did such good work during the North African campaign that two new ones were built and they fought in the Mediterranean, in the Normandy landings and in the advance of the Allied armies into occupied Europe. They astonished allies and enemies alike with the devastating effect of their accurate fire reaching targets 10 miles or more inland. The book deals with the origins of Monitors and how they evolved from the bomb ketches of the 18th century. It looks at how the various classes of monitor were designed and built and explores their careers in both World Wars, including the particular impact they had on the various campaigns in which they fought. It attempts to assess their effectiveness as compared to some other classes of ship, and is sure to appeal to a wide range of related enthusiasts. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition, 2011. In as new condition with no marks or inscriptions.

Zustand: New. In English.

Zustand: as new. Wie neu/Like new. Wright, Paul (illustrator).

Paperback. Zustand: Brand New. 224 pages. 9.25x6.00x0.79 inches. In Stock.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Original Wraps. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Ambit Number 126, published in 1991. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top corner of the page block is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: Jim Burns: Poems; Justine Rivers: Skin; Robert MacAulay; Judy Gahagan: Poem; John Emanuel: Drawings; Elaine Randell: Poem; Jonathan Treitel: Quest; Ken Cox: Drawings; Elaine Randell: Storm Damage; Laurie Preece: Pitures; Donal Atkinson Poems; Charles Shearer: Drawings; John Gower: Lillian; Mike Foreman; Edward Lowbury; Mary Knight: The Girl with the Unicorn; David Remfry; Herbert Lomas: Reviews; Florence Elon: From Frieda & William; Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson; Joel Lane: The Death of the Witness; Laura Knight; Jeff Nuttall: Eyes IV; Jacqueline Lucas: Poems; William Hampton: To a Man Who Became a Storyteller; Ann Born / Vernon Scannell: Reviews; Duncan Chambers: Poems; Eric Mathieson: Reviews; Robert Magowan: Looking for Binoculars; Kevin Crossley-Holland: Poem. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting. (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Michael Foreman, Laura Knight et al (illustrator).…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. NO DUST JACKET. Book is in good condition. Some scratches to cover.