Verlag: München: 1950., 1950
Anbieter: Antiquariat Carl Wegner, Berlin, B, Deutschland
Verbandsmitglied: GIAQ
Erstausgabe
Hardcover. 36,5 x 27 cm. Originalzeitschrift. 31 Seiten mit vielen s/w Abbildungen. Rücken etwas eingerissen. Noch ganz gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Suchen Sie ein Geschenk? Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! GM11-228514.
Verlag: Columbia Pictures, Culver City, CA, 1955
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Revised Final Draft script for the 1956 film. Released just two years after "On the Waterfront" (1954), the multi-award-winning collaboration between Elia Kazan and Budd Schulberg, and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. Shot on location in California, Chicago, and New York. White titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, production No. 1315, dated Oct. 12, 1955. Title page present, dated October 12, 1955, noted as REVISED FINAL DRAFT, with credits for screenwriter Philip Yordan. 158 leaves, with last page of text numbered 141. mimeograph duplication, rectos only, with blue, yellow, and pink revision pages throughout, dated variously between November 2, 1955 and December 16, 1955. Pages Near Fine, wrapper Near Fine, bound with three gold brads. Grant US. Selby US. Silver Classic Noir. Spicer US.
Verlag: Inter-Continental Inc, Lewiston, Maine, 1965
Anbieter: Type Punch Matrix, Silver Spring, MD, USA
Erstausgabe Signiert
Zustand: Very good. First edition. Rare program for Muhammad Ali's legendary rematch against Sonny Liston, signed as "Muhammad Ali" shortly before the bout, only a year after he took the name and additionally signed by three other heavyweight champs present at Ali's training camp: Joe Louis, Jim Braddock, and Jersey Joe Walcott. Ali's swift and crushing defeat of Sonny Liston in the first round of their second title fight in May of 1965 remains not only one of the most iconic moments of Ali's storied career and of boxing history but also in all of sports. An almost 2-1 underdog, Ali's knockout after less than two minutes was famously captured in photographer Neil Leifer's legendary image of Ali towering over the fallen Liston. It remains one of the greatest sports photographs ever taken. The fight's status today, however, is belied in many ways by the humble circumstances of its original context. Postponed due to Ali's hernia surgery, it was then rescheduled in the small industrial Maine town of Lewiston partially because it was the one of the few arenas procurable on short notice, but also because major venues were reluctant to be associated with Ali, who was increasingly seen as a draft dodger. The fight was sparsely attended: by most accounts only about 2500 of the roughly 4500 seats in the Lewiston high school hockey rink were filled that night. Thus surviving examples of this program are scarce. Prior to the bout, Ali had holed up at the Schine Inn in Chicopee, MA to train, talk to the media, and receive well-wishers. On May 20, 1965, five days before the fight, he hosted three fellow champions: the "Brown Bomber" Joe Louis, Jim Braddock, and Jersey Joe Walcott (who would also be the referee for the match), where all four of these signatures were gathered (the original owner noting as much above the signatures of Louis, Braddock, and Walcott). The program also reflects the confusion, controversy, and outright resistance surrounding Ali's recent name change. (At the start of the fight itself, the boxer was booed by the Lewiston crown when the ring announcer introduced him as "Muhammad Ali.") Ali is referred to throughout the program as both Cassius Clay and Muhammad Ali (and sometimes both at once). Ali had taken the name only the previous years after an address by Elijah Muhammad conferred him with the honorific (meaning "most high one worthy of praise"). This signature, therefore, represents one of the verifiably earliest "Muhammad Ali" autographs and on the program (and at the training camp) for one of his most famous matches. A rare document, linking Ali not only to the great Black boxers who immediately preceded him, but capturing him at the very cusp of his popular transformation from heavyweight champion to civil rights leader, anti-war activist, and ultimately legendary humanitarian. A totemic object from the career of one of the 20th century's most famous, important, and influential figures. 11'' x 8.5''. Original black-and-white pictorial wrappers with red and blue elements, saddle-stapled. Illustrated in black and white. [8] leaves. Signed by Ali in blue ink to verso of first leaf, over his image. Additionally signed by Joe Louis, James Braddock, and Jersey Joe Walcott to blank verso of third leaf, below the holograph caption (likely original owner's): "The Schine Inn / May 20 1965." Wrapper with a bit of toning, tiny area of discoloration to lower staple; careful narrow glue repair to upper spine, very close inspection only. Leaves with a touch of toning. Else clean and sound.
Anbieter: Markus Brandes Autographs GmbH, Kesswil, TG, Schweiz
Fotografie Signiert
Signed glossy publicity photograph, shows Jersey Joe Walcott in a beautiful full length pose as boxer, 8 x 10 inch, signed in blue felt tip "Jersey Joe - Walcott", in very fine condition.