jerry g smith (18 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Spiral-bound. Zustand: Fair. Reprint. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

338 pp.; 23.8 x 16 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Fred W. McDarrah - for the past twenty-five years the picture editor of The Village Voice - was present, camera in hand, when the Beats first came east to Greenwich Village. Kerouac and Friends is the definitive photographic record of that period of American literary history. Along with his own remarkable photographs, McDarrah has gathered written documents as well: the writings of some of America's greatest critics, journalists, and historians on the Beat Generation. Here is John Clellon Holmes with the first definition of the term "beat", Kenneth Rexroth on jazz and poetry, Diana Trilling, John Ciardi, Seymour Krim, and even an angry denunciation of the Beats and their work by Norman Podhoretz. All of the great names of the generation are here - those who have endured like Mailer, Ginsberg, Corso, Ferlinghetti, Baraka, Silverstein, Baldwin, and those now only dimly remembered as part of the world the Beats created. The photos depict a Greenwich Village that is no more : quaint folk dancing in Washington Square Park, the Cafe Bizarre, the Eighth Street Bookshop, and Charlie Mingus and Kenneth Patchen doing a jazz and poetry recital at the Living Theater. These photographs - more than 190 in all - and the texts that accompany them form at once an important historical document and a nostalgic look back at a special time in the history of American life and letters." -- publisher's statement. Very Good. Light wear to dust-jacket including scratching and original pricing sticker. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges may be required for international orders.

Zustand: As New. Signed Copy . Inscribed by author on front endpage.

Unknown. Zustand: Very Good. No Jacket. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. The book is signed by Author. Secure packaging for safe delivery. signed by author.

Zustand: New. In.

Paperback. Zustand: Brand New. 58 pages. 11.00x8.50x0.14 inches. In Stock.

internodal epidermis (S. A. Bot. Gaz. Vol. 131, No. 3) 1970. S. 173 - 185. gr8. m. zahlr. Abb. br. -2) -Sonderabdruck-.

Soft cover. Zustand: Fine. 199 pp. ; illustrated (some in color) ; 29 cm. ; 0877190151 (pbk.) :; 9780877190158 (pbk.) LCCN: 84-24035 ; LC: N6535.D3; Dewey: 759.164/2812 ; OCLC: 11370812 ; stiff color illustrated paper wrappers ; features art of Clinton King (1901-1979),Thomas Hart Benson, Jerry Bywaters (1906-) (1906-1989), Alexandre Hogue (1898-), Henry Nash Smith, David R. Williams, Otis Dozier (1904-), William Lester (1910-), Charles T. Bowling (1891-), Thomas Stell (1898-1981), Everett Spruce (1908-), Dorothy Austin, Allie Tennant (1898-1971), Michael G. Owen (1915-1976), Octavio Medellin (1907-), Merritt Mauzey (1898-1973), Russell Vernon Hunter (1900-1955), Florence McClung (1894-), Perry Nichols (1911-), H. O. Robertson (1887-1970), Don Brown (1899-1958), Harry Carnohan, Lloyd Goff (1918-) ; FINE. Book.

Zustand: New. Providing a guide for marine conservation practice, Marine Conservation takes a whole-systems approach, covering major advances in marine ecosystem understanding. Its premise is that conservation must be informed by the natural histories of organisms together with the hierarchy of scale-related linkages and ecosystem processes. Illustrator(s): Smith, Robert L. Num Pages: 384 pages, colour illustrations, maps, figures. BIC Classification: RBKC; RNK. Category: (P) Professional & Vocational. Dimension: 277 x 215 x 19. Weight in Grams: 1086. . 2013. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: Very Good. Original stapled illustrated souvenir theatre programme. 8½'' x 5½''. Contains 16 pages with photographs of the characters from the production. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Zustand: gut. 1998. Aviation Art In deutscher Sprache. pages.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. Light curl to left side of publication. 4 mm. tear to bottom edge of recto. Light dust soiling of covers and edgewear. Contents clean and unmarked. Includes a slipped-in, folded handwritten note on Cover letterhead addressed to Walter [De Maria] from Cover's editor, Judith Aminoff.