Jean clair ed (30 Ergebnisse)

hardcover. Zustand: Fine copy in fine dust jacket. 1st. 4to, 423 pp. Profusely illustrated (illustrator).

Zustand: Very Good. 396 pp., softcover, a hand stamp to the top edge of pages else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Zustand: Sehr gut. 305 S. Einband berieben. - This Biennale Centenary offered me the opportunity to attempt a critique of the system of avant-gardes and of certain idees regues. What has become of the history of modern art which saw Cezanne as the founding father? What has become of the history of modern art which saw the autonomy the self-referentiality-of the work of art as its ultimate-goal? What has become of the idea of art as shaking off the burden of usefulness that it had been carrying for more than a thousand years? What has become of the Clement Greenberg's ideas, which for more than a quarter of a century were the mainstay of art history-and of the art market? Formalism, the modernist litany of A Cube is a Cube is a Cube, the abrupt tautologies of American Art-did all that and the rest of it really amount to the nee plus ultra of artistic creation in the second half of the twentieth century? Pollock as successor to Cezanne and precursor of Robert Morris? A history of triumphs, told in a religious key-with prophets, advents, parousia and rituals? And yet before his death Greenberg himself disowned his own ideas-cruelly, in an article written with lucid despair. Who dares to cite those final words, recall that last pirouette? (Jean Clair). ISBN 8820803917 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalbroschur.…

Softcover/Paperback. Zustand: Gut. 431 S. Good condition. Ex library copy with stamps. Corners mildly bumped. Fore-edges slightly soiled. Inner book clean, with numerous ill. Sprache: Englisch Gewicht in Gramm: 2200.

Hardcover/Pappeinband. Zustand: Gut. 396 pages Good, clean condition. Numerous ill. Sprache: Englisch Gewicht in Gramm: 2750.

1. ed., 4° (30x21), 367 p., with numerous illustrations, publisher's pictorial softcover, tight and clean, well cared, [= Art of the 20e Century], * * * EU-AUSLAND: Wir versenden nach Österreich und nach Frankreich - kein Versand in die restlichen EU-Länder möglich ** due to EPR-Restrictions NO SHIPPING within the EU except to France and to Austria * * * BTC on-chain & lightning accepted * * *.…

Zustand: Gut. 396 Seiten; sehr zahlr., auch farb. Illustrationen; 30 cm; kart. Gutes Exemplar; der farb. illustr. Einband leicht berieben. - Englisch. - On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Political regimes - authoritarian or totalitarian - came to power or were consolidated and guided by leaders who often inspired their names Francoism in Spain, Stalinism in the Soviet Union, National Socialism in Germany, and Fascism in Italy. Beyond similar governmental mechanisms, these regimes shared an ideology: the will to create what they called the "New Man." At one extreme, this took the form of social re-education and the elimination of the "bourgeois" classes (USSR); at the other extreme, a racialist policy of elimination of peoples declared "degenerate" as well as those whose lives were deemed "unworthy" (Germany). This ideology, which directly affected the images and portrayals of man, naturally reached into the world of art. The era was represented by a healthy, vigorous, athletic, sporting, "eugenic" man, while the avant-garde currents of expressionism and surrealism were banned. On the one hand, "eternal" examples of "unsurpassable" Greek beauty were evoked; on the other, representations deemed unhealthy or degenerate were denounced. This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of the corpses in the concentration camps by the armies of liberation in 1945. (Verlagstext) / INHALT : Lenders to the Exhibition --- Foreword --- Acknowledgements --- Crowds and Power: The Age of Dictatorships --- Jean CLair --- Already There but Yet to Come: The New Man in Germany, 1918-45 --- Eric Michaud --- The "New Man": Degeneracy and Regeneration --- Laura Bossi --- Science and Art in the 1930s - and Beyond --- Sander L. Gilman --- The Body Politic: Reality and Utopia --- Ann Thomas --- Crystal and Mud: Academic Approaches to Figurative Representation of the Body --- Philippe Comar --- Mario Sironi and Fausto Pirandello: Two Interpretations of the Idea of the "New Man" in the 1930s --- Claudia Gian Ferrari --- Life Distortions --- Didier Ottinger --- . Everything We Love Will Die. --- Constance Naubert-Riser --- Notes bibliographiques --- Catalogue --- 1 Genesis --- 2 "Convulsive Beauty" --- 3 "The Will to Power" --- 4 The Making of "The New Man" --- 5 Mother Earth --- 6 The Appeal of Classicism --- 7 "Faces of Our Time" --- 8 "Crowds and Power" --- 9 The Charnel House --- Artists' Biographies --- Bibliography --- List of Works --- Abbreviations. ISBN 9780888848536 Sprache: Englisch Gewicht in Gramm: 2000 Exhibition organized by Pierre Theberge.…

Softcover with dust jacker. Zustand: Gut. 208 p., ill. Good. Cover shows mild wear. Clean pages. In French. Sprache: Französisch Gewicht in Gramm: 920.

1. Auflage. 496 Seiten. OBr., Quart 29,5 cm x 21 cm, 495 (1) S.; linke untere Ecke gestaucht, sonst gut erhaltenes Exemplar.

Paperback. Zustand: Very good. Paperback Quarto. illustrated wraps, 429 pp cover are lightly worn Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Zustand: Sehr gut. Erstausgabe. 495 pp., 4°, brochure, with b/w and colour ill. Sprache(n)/language(s): enVery good condition.

4° cloth with dustjacket. 495 pages with 400 colour illustrations. Good copy. Sprache: Englisch Gewicht in Gramm: 2800.

Encuadernación de tapa dura. Zustand: Bien. 1� Edición. Montreal Museum of Fine Arts, 1991. Texto en inglés. The 1920s: Age of the Metropolis es un célebre catálogo de arte y volumen académico editado por el historiador y curador de arte francés Jean Clair. El libro se publicó originalmente en 1991 a través del Montreal Museum of Fine Arts para acompañar una gran exposición homónima celebrada ese mismo año. La obra explora la década de 1920 ("Los años locos" o "Los rugientes años veinte") no solo como una época de festividad, sino como un periodo de creatividad sin precedentes impulsado por el auge de las grandes urbes. La gran ciudad se analiza de forma simultánea como el espacio geográfico donde ocurren los cambios y como el objeto directo de la creación artística. El contenido se enfoca de manera primordial en las dinámicas contrapuestas e innovaciones de Berlín, París y Nueva York. Analiza las tensiones estéticas de la época, desde las visiones crudas de la posguerra alemana hasta el escapismo vanguardista francés y la fascinación por los rascacielos estadounidenses. Cuenta con 638 páginas que recopilan ensayos de más de dos docenas de académicos internacionales, biografías de artistas y bibliografía especializada. Incluye el listado detallado de las 688 obras de la exposición original, abarcando pintura, arquitectura, planificación urbana, cartelería y artes decorativas. Arte. Profusamente ilustrado. 638 pp. 32 x 25. Tela editorial tapa dura con plateados en tapa y sobrecubierta de editorial ilustrada. Sin subrayados ni anotaciones. SOBRECUBIERTA LIGERAMENTE FATIGADA, volumen en buen estado de conservación. ISBN: 2891921399.…

32x24 cm. cloth, dustjacket. 559 pp. many color ills. -good.-(very light signs of use, very good).

Zustand: Very Good.

Softcover. Zustand: Near fine. 396 p. 30 cm. 210 plates. Softcover. Tiny tear in spine head, else fine. Artists include Alex Colville, Salvador Dali, Max Ernst, Alberto Giacometti, Gershon Iskowitz, Wassily Kandinsky, Henri Matisse, Joan Miro, Pablo Picasso, Jackson Pollock, Leni Riefenstahl, Diego Rivera, Stanley Spencer, etc.…

29,5x21 cm. 464 pp. Richly illustrated. Printed wrappers.

[Paris], Flammarion, [2001]. 495,[1] pp. Col. & b./w. ills. Orig. hardcover (black cloth with gilt lettering on spine), d./j. 4to. Issued under the direction of Jean Claire. - Text in French.

4°, Brosch., 431 S. - gutes Exemplar. Buch.

weicher Einband. 365 S., überaus zahlr. meuist farb. Abb. Lex 8° Br. *gutes Expl.*. Sprache: Französisch.

fester Einband. 396 S., überaus zahlr. Abb. Lit.verz. 4° Ln.mS. +sehr gutes Expl.*. The catalogue of the Exhibition The Montreal Museum of Fine Arts, Jean-Noel Desmarais Pavilion, June 17 to October 17, 1999 ; etc. Sprache: Englisch.

[London], Thames & Hudson, [2001]. 495,[1] pp. Col. & b./w. ills. Orig. hardcover (black cloth with gilt lettering on spine), d./j. 4to. Issued under the direction of Jean Claire. - Text in English.

Sewn as issued, pictorial wrappers. Very fine. Provenance: Gunilla Palmstierna-Weiss (1928-2022). Ostfildern-Ruit, Hatje Cantz Verlag, 2006. 4to. 28,8 x 23 cms. 512 pp. Richly illustrated in colour. Essays and 284 catalogue entries. With bibliography and index. In German. A history and exhibition of "Melancholy. Genius and Madness in Art", in German, with chapters on Antiquity, the Middle Ages, the Renaissance, the Neoclassical Period, the Romantic Era, and the Moderna Age.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 5 Zeitschriften, 30 x 45 cm, reich illustriert, publiziert für die Ausstellung "Giacometti, Balthus, Skira - les années Labyrinthe (1941-1946) - la découverte inattendue de cent feuillets récemment retrouvés, couverts de textes et de dessins jamais publiés ni montrés au public, dévoile enfin le mystère du tournant artistique que vécut Giacometti à Genève. les cahiers de son manifeste Le Rêve, le Sphinx et la mort de T. racontent sa visite au bordel mythique Le Sphinx à Paris dont le nom figure sur les billets de 100 francs suisses.albert Skira publia ce texte dans son journal Labyrinthe, l'une des grandes aventures éditoriales de Suisse romande. vendu à la criée dans les rues de Paris, ce journal devint le symbole des années de la fin de la Seconde Guerre mondiale. Grâce à Skira, la Suisse fut la plaque tournante d'une nouvelle europe. il invita Picasso et Matisse au dialogue et anima des rencontres entre Balthus, Malraux et Éluard.l'exposition permet aussi de découvrir un film oublié dans lequel Sartre et Simone de Beauvoir se promènent dans les rues du vieux Genève et discutent de Calvin et de rousseau sur une terrasse de café. l'ambiance du Flore est recréée place du Bourg-de-Four.une brasserie accueille les visiteurs au sein même de l'exposition, où ils peuvent suivre un entretien filmé avec jean Starobinski qui leur fait revivre l'atmosphère des années Labyrinthe à Genève.…

12 x 8.5, hardcover, illlustr, 0847824101, vg in vg jacket, a nice, clean copy. FIRST EDITION.

Hardcover. Zustand: Very Good. English language edition. Two volumes in slipcase. Clean copy. Pages clean, no markings, wear to edges. Complete with numerous illustrations. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Zustand: Gut bis sehr gut. Zustand des Schutzumschlags: Gut bis sehr gut. 1. Auflage. Z/B : 236 Seiten/pages, nombreuses illustrations et photographies en noir et blanc dans et hors texte. - Die 1975 von Harald Szeemann kuratierte große Kunstausstellung Junggesellenmaschinen / Les Machines Célibataires versucht, diesen Mythos zu visualisieren. Sie reiste zu 9 Ausstellungsorten in Europa, darunter die Biennale Venedig, das Museum des 20. Jahrhunderts in Wien und das Stedelijk Museum Amsterdam. Die Ausstellung führte in geistesgeschichtliche Hintergründe technischer und gesellschaftlicher Umwälzungen ein, die unter anderem als Digitalisierung bis heute fortwirken . Durch die Ausstellungen und die Rezeption des Kataloges wurde der Begriff zu einem in der Kulturszene bekannten Code.…

Zustand: COME NUOVO. Roma, Contrasto 29x27, pp.427, num.ill.e tavv.bn.nt. legatura editoriale in tutta tela, con sopraccoperta. A cura della Fondation Henri Cartier-Bresson.

Softcover. Zustand: Gut bis sehr gut. Zustand des Schutzumschlags: Gut bis sehr gut. 1. Auflage. B3 : 2 volumes with 670 pages, in slipcase.

München, Prestel, 2001. 27,7 : 23 cm. 365,(3) S. mit 317 teils ganzseit. farb. u. 143 s/w. Abb. Abb. Orig.-Leinen mit illustr. Schutzumschlag. Neuwertiges Exemplar. Sprache: de.