Jarosinski eric (44 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Used-Very Good. dj. Advance Reading Copy. Cloth, dj. Slight shelf-wear, else very sound.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Acceptable. Water damage to book. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Very Good.

Hardcover. Zustand: Brand New. bilingual edition. 173 pages. 5.50x7.25x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 172 pages. 8.50x5.50x0.50 inches. In Stock.

Hardcover. Zustand: Fine. Leichte Gebrauchsspuren. >>Der erste Saulenheilige der Twitter-Sphare>NeinQuarterly>Nein ist nicht No. Nein ist nicht Yes. Nein ist Nein.>Ich hasse Twitter! Es sollte verboten werden - mit einer Ausnahme: NEIN von Eric Jarosinski. Der einzige Grund, der Twitter rechtefertigt.<< Slavoj Zizek.…

Hardcover. Zustand: Brand New. 132 pages. German language. 7.40x4.57x0.47 inches. In Stock.

Zustand: Good. 2015, paperback, goed exemplaar.

Zustand: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: Very Good+. Boards are clean, corners bumped; binding is tight; pages are unmarked. ; Studies In German Literature Linguistics And Culture; 6.25 X 1.25 X 9.25 inches; 328 pages.

Trade paperback. Zustand: Good. iv, [8], 120, [4] pages. Illustrations. Glossary. Bookmark associated with the book laid in--scarce surviving example. Some cover wear. Nein. A Manifesto is the brainchild of Eric Jarosinski, the self-described failed intellectual behind the hugely popular @NeinQuarterly, a Compendium of Utopian Negation that uses the aphoristic potential of Twitter to plumb the existential abyss of modern life and finds it bottomless. Stridently hopeless and charmingly dour, Nein. A Manifesto is an irreverent philosophical investigation into our most urgent questions. And the least. Inspired by the aphorisms of Nietzsche, Karl Kraus, Walter Benjamin, and Theodor W. Adorno, Jarosinski's short-form style reinvents philosophy for a world doomed to distraction. Nein. A Manifesto will be packaged as an attractive small-format book, with a handful of Jarosinski's aphorisms laid out on each page. Critical thinkers, lovers of language, bibliophiles, manics and depressives alike will be drawn to this compelling, witty, and often hilarious translation of digital into print. Theory into praxis. And tragedy into farce. Eric Jarosinski (born 1971) is an American Germanist, author, and humorist. Jarosinski writes under the nom de plume NeinQuarterly on Twitter, where he writes linguistic, political, and philosophical aphorisms. He began tweeting in 2012 and soon had a significant following (with 150,000 followers as of 2017). He then made the jump to print with a weekly column in the leading German weekly Die Zeit (2014-present). Jarosinski's first book Nein. A Manifesto has been published in English, German, Spanish, Italian, Dutch, and Danish. Derived from a Publishers Weekly article: Twitter sensation @NeinQuarterly jumps into print with this witty and droll manifesto made up of short, pithy sayings. American Germanist Jarosinski models his thinking on that of philosopher Theodor W. Adorno but takes it one step farther: almost everything that can be negated is negated. "Nein is not no. Nein is not yes. Nein is nein," he explains. The slim manifesto is divided into digestible, tweet-length aphorisms (each on its own page) with a hashtag for a title. "#TechRevolution/ Turn on./ Log in./ Unsubscribe./ Log out." Jarosinski also includes a hilarious glossary of Nein-ish words and phrases. Performance art, for instance, is defined as "six doppelgangers in search of a selfie." Technology particularly draws his ire. He calls Instagram a "marketplace in which pictures of your cat are exchanged for a thousand unspoken words of derision." There are gems on nearly every page. The book might seem tongue-in-cheek, but Jarosinski's cynical aphorisms about philosophy, art, language, and literature hold plenty of truth. It is the perfect antidote to the relentless positivity of the stereotypical self-help manual. Theodor W. Adorno was one of the most important philosophers and social critics in Germany after World War II. Adorno had great influence on scholars and intellectuals in postwar Germany. In the 1960s he was the most prominent challenger to both Sir Karl Popper's philosophy of science and Martin Heidegger's philosophy of existence. Jürgen Habermas, Germany's foremost social philosopher after 1970, was Adorno's student and assistant. The scope of Adorno's influence stems from the interdisciplinary character of his research and of the Frankfurt School to which he belonged. It also stems from the thoroughness with which he examined Western philosophical traditions, especially from Kant onward, and the radicalness to his critique of contemporary Western society. Presumed first edition, first printing and states NOT FOR RESALE. Luc(as) de Groot (Illustration of Theodor W. Adorn (illustrator).…

Soft cover. Zustand: Very Good. 1st Edition. Paperback, 370 pages, NOT ex-library. Mild handling wear, book is clean and bright with unmarked text, free of inscriptions and stamps. Firm binding, straight uncreased spine. -- Contents: Introduction: The Sense of an Equality of Things; Part I: From Hermenuetics to Touch: -- Touched by Style / Anders Johansson; Nietzsche, Bataille, and the Contagion of Philosophy / Alan Watt; The History of the Hand: Vesalius and Descartes / Dawne McCance; Feeling Friendship: Reading Keatss 'This Living Hand' and the Sonnets on the Elgin Marbles / Shahidha Kazi Bari; Teaching the Touching Text; or, How to Lay 'Hands' on Your Students / Matt Brim; Part II: Transformations of the Book: -- The Return to Orality: Digital Texts and their Impact on Literacy / Andy White; Interpretation, Navigation, Enactment: Fragmented Narratives and the Play of Reading / Richard E. Parent; A Body Hermeneutic ? Corpus Simsi or Reading Like a Sim / Joyce Goggin; Punk as. Book Making: DIY Theory and Post-Political Politics / Jeff Shantz; Part III: Visual-Verbal Collaborations: -- William Carlos Williams and Spring and All: Cubism as a Poetic Event / Monika Gehlawat; Painting Page by Page / Gonzalo Tena Brun; Part IV: The Hand in Literature: -- Touching the Body, Training the Reader: Emotional Response in Uncle Toms Cabin / Aaron Ritzenberg; D.H. Lawrences and Virginia Woolf's Hands / Oliver Taylor; 'A Sculptors Sense of Words': Don DeLillo's Neo-Realism and the Three-Dimensionality of Narrative Plots / Stefania Consonni; Index -- A thought-provoking collection of essays that delves into the intricate relationships between interpretation, meaning, and theory in the context of cultural interactions and the arts, the book explores the evolving landscape of literary and cultural theory, focusing on the role of the interpreter in the post-theory era. The essays examine the dynamic processes of meaning-making across various forms of artistic expression, including literature, visual arts, and performance. The authors engage with contemporary debates in critical theory, addressing how interpretative practices have shifted in response to changing theoretical paradigms. The book emphasizes the importance of the interpreter's hand - both metaphorically and literally - in shaping the understanding and appreciation of artistic works. With its interdisciplinary approach, "The Hand of the Interpreter" stands as a valuable contribution to the field of cultural interactions, providing fresh perspectives on the creation and interpretation of meaning in the arts.…

Zustand: Very Good.

Encuadernación de tapa blanda. Zustand: Excelente. 1ª Edición. PRIMERA EDICIÓN. FIRST EDITION. EXCELENTE ejemplar editado en tapa blanda, en muy buen estado de conservación. Título original "Nein. A Manifesto". Traducción de Juan de Sala. Colección "Argumentos" núm. 496. Ilustración Luc(as) de Groot. Conserva la faja original de edición. Interior impecable. 142 pp + Epílogo + Nota editorial.…

DEA, 135 S., OPbd., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Rústica. Zustand: Bien.

Originalhardcover. Zustand: Gut. 132 S. Ein gutes und sauberes Exemplar. - "Ich hasse Twitter! Es sollte verboten werden - mit einer Ausnahme: NEIN von Eric Jarosinski. Der einzige Grund, der Twitter rechtfertigt." Slavoj Zizek. Eric Jarosinski ist ein Phänomen. Unter seiner Kunstfigur "NeinQuarterly" twittert er seit einigen Jahren Aphorismen in 140 Zeichen. Mit riesigem Erfolg. Mittlerweile hat er über 100000 Follower auf der ganzen Welt. Jetzt hat er ein Buch geschrieben. Dieses besonders gestaltete Buch ist ein Unikat, in Form und Inhalt. Es vereint kurze, pointierte philosophische Texte zu den wichtigen Themen des Lebens. Über die Abgründe der modernen Existenz. Gegen den Pflicht-Optimismus, gegen die Dauer-Selbstoptimierung. Jarosinski spielt souverän mit der Sprache der Werbung, mit Slogans und Smalltalk-Versatzstücken. Er mischt sie mit Witz und einer Liebe zur deutschen Sprache selbstironisch zu einzigartigen, tiefgründigen oder einfach nur witzigen Botschaften. "Nein ist nicht No. Nein ist nicht Yes. Nein ist Nein." ISBN 9783100023896 Sprache: Deutsch Gewicht in Gramm: 179.…