janet erickson (25 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Good condition. (art, architecture, drawings, boston, massachusetts, MA) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Sold by the U.K Charity Kisharon Langdon: Supporting young people with disabilities.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0442223234.

8vo, 202x153mm), 95p. illustrations, original paperback, covers slight soiled.

Zustand: Good. 168 pp. Illustrated in color and black and white. Cloth, jacket.

Couverture souple. Zustand: Comme neuf.

Reinhold Publishing Corporation, New York 1966. 123 pp. Hard cover with d/w. 21x21 cm. Illustrated.

Zustand: New.

Zustand: New.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Hardcover. Zustand: Brand New. 1st edition. 528 pages. 10.00x6.50x1.25 inches. In Stock.

Paperback. Zustand: Good. First Edition. "Between 1890 and 1929, Samuel Maclure designed many comfortable, gracious houses, mostly in Vancouver, New Westminster and Victoria, British Columbia. From large projects, such as Hatley Park (now Royal Roads) and Gabriola Mansion, to modest bungalows, his buildings are all noted for their exquisite detail, thoughtful layout and elegant proportions. Other members of the energetic Maclure family did important pioneer work in British Columbia, in surveying, brick making and newspaper publishing, and their ventures are also described in this book." - back cover. 164 pages. Footnotes, list of sources, index. Many black and white diagrams and reproductions of archival photos. Inclues nineteen pages of inventory of structures designed by Maclure. Unmarked with average wear. Binding intact. A must have for anyone privileged to live in a home designed by this gifted architect.; 8vo.

Vintage studio still photograph from the 1968 film. Provenance stamp and a label obscuring a previous provenance stamp on the verso. A struggling New York PR man attempts to blackmail a Texas hillbilly singer by hiring an actress to seduce him, and catching the action on hidden camera at his Long Island home. Shot on location in Long Island and New York City. 8 x 10 inches. Very Good plus, with light soiling and pinholes at the corners.

Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. Henpecked misogynist Richard Davis has just murdered his wife and is looking to dispose of the body. He is kidnapped by a pair of lesbians and a grown woman named Baby who lives in a crib. Shot on location in New York City. 8 x 10 inches. Light edgewear, else Near Fine.

Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos. Maria answers a personal ad and is invited to a house in Vermont. The house owner, Spencer, places Maria and other girls under the influence of aphrodisiacs and drugs. Spencer and his assistant Boris sit back and let the good times roll. Shot on location in New York City. 8 x 10 inches. Very Good plus, with light edgewear and faint creasing overall, one photograph with pinholes and light dampstaining to the left side, and one photograph with pinholes and a small closed tear to the bottom margin and a 1.5 inch closed tear to the right side.