jane fejfer (38 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Illustrated by David Flower (illustrator). First Edition. 97pp, illustrated, including 25pp of plates.; Corpus Signorum Imperii Romani - Great Britain. Vol. III Fasc. 2; Vol. 1.1; Photographs; Folio 13" - 23" tall; 97 pages.

1st edition. Near fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Physical description; 97 pages : illustrations ; 32p. Subjects; Blundell, Henry -1810 Art collections Catalogs. National Museums and Galleries on Merseyside. Ince Blundell Collection. Liverpool Museum (Liverpool, England) Catalogs. Walker Art Gallery Catalogs. Sculpture, Roman. Sculpture, Classical. Sculpture, Classical Catalogs. Sculpture, Roman Catalogs. Marble sculpture England Liverpool Catalogs. Marble sculpture, Classical Catalogs. Marble sculpture, Classical Reproduction Catalogs. Sculptures Classical style. 3 Kg.

Zustand: Good. Dust jacket has light scratches/marks and outer edges have minor scuffs/nicks. Book content is in like new condition.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. Illustrated by David Flower (illustrator). First Edition. Corpus Signorum Imperii Romani - Great Britain. Vol. III Fasc. 9; Vol. 1.2; Photographs; Folio 13" - 23" tall; 238 pages.

Zustand: Very Good. Dust jacket has light scratches and outer edges have minor scuffs. Book content is in like new condition.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

32x25. 69p. PEDIDO MINIMO, 6.00 EUROS. ENVIO GRATUITO HASTA 1 KILO A LA PENINSULA SIN NUMERO DE SEGUIMIENTO. PARA OTRAS FORMAS DE ENVIO, LEA CONDICIONES. (PAYPAL +1,80 HASTA 50, RESTO +5.95%). EN ALMACEN. 9780112904809 ARTE LIBRO EN INGLÉS 25 Láminas. Fotogr. D. Flower. Enc. Tela ed. sobrecubierta.

Zustand: New. pages cm.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

493 S., zahlr. Ill., Ktn., kt. 2. (Acta hyperborea vol. 14).

Zustand: Gut. XIV; Ill. 238 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - - Small abrasions on the dustjacket. Otherwise good and clean. - Schutzumschlag leicht berieben. Sonst gut und sauber. - At the end of the eighteenth century, Lancastrian Henry Blundell was building a collection of nearly 600 marble and bronze sculptures, over 400 of which were from the ancient world. The story of how he first obtained them and then created a suitable setting for them in his home at Ince is an intriguing one, even for the non-specialist. Two centuries later, Blundell's unique and priceless collection is still virtually intact and in the care of the National Museums & Galleries on Merseyside. Despite its size and importance, the collection has never been completely catalogued or published. Part 1 of Volume I introduced the collection to a wider public and provided a detailed study of the female portraits. Now, in an accessible as well as authoritative presentation, Jane Fejfer gives an equally detailed and illuminating study of the much larger number of Ince Blundell male portraits. Her expert work is enhanced with excellent photographs by David Flower. Placing a remarkable collection in its archaeological and collecting context, this work is a vital reference for anyone studying classical sculpture. ISBN 9780853238324 Sprache: Englisch Gewicht in Gramm: 1643 Original cloth with dustjacket. Originalleinen mit Schutzumschlag.

Softcover. Zustand: Fine. 4to 11" - 13" tall; 146 pages.

Zustand: New. Editor(s): Fejfer, Jane; Moltesen, Mette; Rathje, Annette. Num Pages: 480 pages, 85 colour plates, 45 b/w plates, 22 maps & 10 tables. BIC Classification: HBLA; HBTB. Category: (G) General (US: Trade). Dimension: 175 x 247 x 31. Weight in Grams: 1074. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Hard covers, dust jacket. Zustand: As new. Zustand des Schutzumschlags: As new. 1st edition. "At the end of the eighteenth century Lancastrian Henry Blundell was building a collection of over 400 marble and bronze sculptures from the ancient world. At the end of the twentieth century this unique and important collection is still virtually intact and in the care of the National Museums and Galleries on Merseyside. A new five-volume scholarly work examines the huge Ince Blundell collection. This first volume introduces the collection and offers a detailed study of the femaile portraits" - blurb. (6), 97 pp. Note: three other parts of the series are available: Vol. 1 part 2 (the Male Portraits), vol. 2 (the Ash Chests etc.). and vol. 3 (the Ideal Sculptures). Weight: 0.9 Language: English.

Zustand: New. Series: Acta Hyperborea. Num Pages: 551 pages, illus. BIC Classification: ACG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 246 x 169 x 39. Weight in Grams: 1372. . 2003. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 190 pages. 9.68x6.87x9.69 inches. In Stock.

Zustand: New.

Zustand: New.

hardcover. Zustand: Very Good.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorJane Fejfer is associate professor of archaeology at the University of Copenhagen. Mette Moltesen is curator of Ancient Sculpture at Ny Carlsberg Glyptotek in Copenhagen. Annette Rathje is Associate Professor of clas.

Paperback. Zustand: Very Good. First Edition. Original stiff card covers; in very good shape; no tears, chips or creases, just mildly rubbed and edge-worn. Contents sound and clean; no pen-marks. Not from a library so no such stamps or labels.

Zustand: New. KlappentextrnrnWritten by Scandinavian scholars, this book is a collection of essays on topics such as: The Importance of Etruscan Antiquity in Tuscan Renaissance Art Orfeo Boselli and the Interpretation of the Antique Michelangelo and Greek S.

Gr.-8°, Original Pappband. Zustand: Sehr gut. IX, 592 Seiten. Volume 2.- No other monumental art form was so widely disseminated throughout the Roman Empire as the portrait statue, and its impact on city life was crucial. By combining a wide sociohistorical perspective with a close reading of individual images, their setting, and their inscribed texts, this book suggests how to approach the meaning of portraits, even the ones which have been irrevocably isolated from their original context and now adorn museum galleries. (Keine andere monumentale Kunstform war im Römischen Reich so weit verbreitet wie die Porträtstatue, und ihr Einfluss auf das Stadtleben war entscheidend. Durch die Kombination einer breiten sozialhistorischen Perspektive mit einer genauen Betrachtung einzelner Bilder, ihrer Umgebung und ihrer eingeschriebenen Texte schlägt dieses Buch vor, wie man sich der Bedeutung von Porträts nähern kann, selbst solchen, die unwiderruflich aus ihrem ursprünglichen Kontext isoliert wurden und jetzt Museumsgalerien schmücken). - Sehr guter Zustand. PB3-28 9783110186642 Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Wir bieten günstigere Versandvariante für Bücher bis 1000 gr. Bitte Anfragen. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Englisch Gewicht in Gramm: 3000.

The Thorvaldsen Museum, Copenhagen 2020. 4to. 303 pages. Illustrations in colour & b/w. Orig. soft cover. Top of spine compressed and wrinkled. Very good-.

Zustand: New. In.

Zustand: New.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The highest honour a Roman citizen could hope for was a portrait statue in the forum of his city. While the emperor and high senatorial officials were routinely awarded statues, strong competition existed among local benefactors to obtain this honour, which proclaimed and perpetuated the memory of the patron and his family for generations. There were many ways to earn a portrait statue but such local figures often had to wait until they had passed away before the public finally fulfilled their expectations. It is argued in this book that our understanding and contemplation of a Roman portrait statue is greatly enriched, when we consider its wider historical context, its original setting, the circumstances of its production and style, and its base which, in many cases, bore a text that contributed to the rhetorical power of the image.; Die höchste Ehre, die ein römischer Bürger sich erhoffen konnte, war eine Porträtstatue auf dem Forum seiner Stadt. Während der Kaiser und hohe Senatsbeamte regelmäßig mit solchen Statuen geehrt wurden, war die Konkurrenz unter den Wohltätern der Städte um diese Ehrung groß: ging es doch um nicht weniger, als die Erinnerung an den geehrten Patron und seine Familie über Generationen hin öffentlich zu verkünden und zu verewigen. Zwar gab es viele Möglichkeiten, sich eine Porträtstatue zu verdienen; die lokalen Honoratioren mussten jedoch oft bis nach ihrem Tod warten, bevor ihre Hoffnung darauf von der Öffentlichkeit erfüllt wurde. Jane Fejfer weist zum ersten Mal nach, wie grundsätzlich unser Verständnis und unsere Wahrnehmung von römischen Porträtstatuen erweitert werden, wenn wir folgende Faktoren einer systematischen Analyse unterziehen: den historischen Kontext, die ursprüngliche Aufstellung, die Entsehungsbedingungen von Herstellung und Stil - und den Sockel, auf dem in vielen Fällen ein Text angebracht war, der die suggestive Wirkung des Bildes durch eine eigene Rhetorik ergänzte.