james w collins (43 Ergebnisse)

Zustand: very_good. Pages are clean with no markings. May show minor signs of wear or cosmetic defects marks, cuts, bends, or scuffs on the cover, spine, pages, or dust jacket. May have remainder marks on edges.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Zustand: Very Good. No Jacket. Among The 23 Visual Artists (including Photographers): Gertrude Degenhardt (cover); Palle Nielson; James C. Harrison; Peter Korniss; Gina Gilmour; Edie Scott Hoffman... (illustrator). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Janet MacCausland;Michele Kierstead (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. The publisher's blurb has it that "An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art." 319 pp., including a chronology of his professional career, and a full index.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Zustand: Brand New. 288 pages. 8.25x5.50x1.00 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: New. In.

Softcover. Zustand: Very Good. Periodical. 20pp. Illustrated. Pictorial wrappers. Moderate edgewear with small creases, very good. Contributions from: W.H. Auden, James Lyons, Lewis Funke, James Hinton, Jr., and Anne Collins.

Paperback. Zustand: Brand New. 288 pages. 8.25x5.50x1.00 inches. In Stock.

Softcover. Zustand: Near Fine. First edition. Cover by Lee Vecchiola. Small quarto. 76pp. Paper wraps. Some bumping to the yapped edges, near fine. A magazine of poetry and prose founded by Banks and Matthews in 1964 while they were students at the University of North Carolina. Contributors include from Robert Creeley, W.S. Merwin, Dabney Stuart, Floyce Alexander, Doug Collins, Howard McCord, Banks, Greg Kuzma, George Hitchcock, Robert Morgan, Kathy Quick, Stanley Cooperman, Dave Kelley, Matthews, Kenneth O. Hansen, James Tate, Robert Bonazzi, William Witherup, Dennis Trudell, Peter Wild, and Jean Follain.

Zustand: Very Good. 25 pp., softcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2200grams, ISBN:9780262013000.

Hardcover. Zustand: Good. ORIGINAL 1915 PUBLICATION; Parts I thru III bound together; includes the four large folded color maps (complete for this publication); HARDCOVER; ex-library; corners bumped; splits along edge of rear envelope; o/w contents in very good condition. Book.

Hardcover. Zustand: Good. ORIGINAL 1917 PUBLICATION; includes the five large folded color maps (complete for this publication); HARDCOVER; ex-library; corners bumped; small light spots on covers; light tanning of leaves; paper covering of rear hinge split; o/w in good condition. Book.

Zustand: as new. With additional essays by Janine A. Mileaf, Francis M. Naumann, Michael R. Taylor. Cambridge, MA.: The MIT Press, 2009. Hardcover. 319 pp. illustrations (some color) ; 32 cm. - One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boi^te-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. Condition : as new copy. ISBN 9780262013000. Keywords : ART, Duchamp, Marcel (1887-1968).

Hardcover. Zustand: Good. ORIGINAL 1916 PUBLICATION; Parts I thru III bound together; includes the five large folded color maps (complete for this publication); HARDCOVER; ex-library; corners bumped; light spots on covers; light browning of inside boards and endpages; o/w contents in very good condition. Book.

Hardcover. Zustand: Brand New. 304 pages. 8.25x5.50x8.25 inches. In Stock.

Zustand: New. Is your healthcare organization spending too much time on strategy development--with too little to show for it?Prepare for an uncertain future with a solid vision and innovative practices.Is your healthcare organization spending too muc.

121 pp.; 24.9 x 19.9 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; 2004 issue of Cabinet Magazine based around the theme of "Futures." Edited by Sina Najafi, Jeffrey Kastner, Frances Richard, David Serlin. Futures section edited by Daniel Rosenberg. Contents include : "Colors / Khaki," by Ben Marcus; "Inventory / Fallen Figures & Heads : Leon Golub's Lists," by David Levi Strauss; "Ingestion / The Shelf-Life of Liquefying Objects," by James Hunt; "Leftovers / What to Do with a Worn-Out Koran," by Michael Cook; "Edison's Warriors," by Christoph Cox; "Triskelion," by Sasha Archibald; "Border Sound Files: Excerpts from an Audio Essay," by Josh Kun; "Borderline Archeology," by Jesse Lerner; "Data and Metadata : An Interview with Murtha Baca and Erin Coburn," by Eve Meltzer and Julia Meltzer; "100,000 Bottles of Beer in the Wall," by Paul Collins; "Cutaneous : An Interview with Steven Connor," by Brian Dillon; "The Figurative Incaarnation of the Sentence (Notes on the 'Autographic' Skin)," by Georges Didi-Huberman; "The Hand Up Project: Attempting to Meet the New Needs of Natural Life-Forms," by Elizabeth Demaray; "Thinking Futures," by Daniel Rosenberg and Susan Harding; "Very Slow Scan Television," by Gebhard Sengmüller and Jakob Edlbacher; "Desert Modernism," by Joseph Masco; "CD Insert / Fast Forward," with audio by Woodrow Wilson, Janek Schaefer, Achim Wollscheid, Kara Lynch, Luz Maria Sánchez, Manuel Rocha Iturbide, Dwight D. Eisenhower, Harald Bode, Microsound-org, George H. W. Bush, and The Quiet American; "Artist Project / Naturalia," by Aziz + Cucher; "The Use of Drugs to Influence Time Experience;" "The Day Before the Day After;" "The Trouble with Timelines," by Daniel Rosenberg; "A Timeline of Timelines," by Sasha Archibald and Daniel Rosenberg; "Phases of Life 1 : The Artificial Foster-Mother," by Samantha Vicenty; "Phases of Life 2 : The Family Room of Tomorrow," by Joseph Masco; "Phases of Life 3 : Living at Death's Door," by Nicholas Sammond; "Hummingbird Futures," by Daniel Rosenberg; "The Veterans of Future Wars," by Susan Hamson; "The Sexual Archipelago," by Jessica Sewell; "The Eight-Fold Path to Knowing Ra," by Greg Rowland; "The Martian Variations;" "Scent from the Future," by Miryam Sas; "Manifesto of the Japanese Futurist Movement," by Hirato Renkichi; "The Cabinet Time Capsule;" "Postcard / Message to the Future, 1897," by Gallop, Wilkins, Sainsbury, Chester & Pickernell "Bookmark / Alien Timeline," by Joe Nickell. Includes contributor biographies. Very Good. Light yellowing and soiling of covers with light edge-wear. 1.9 cm. dog-ear to first page with light yellowing of pages. Contents clean and unmarked. Includes slipped-in CD.

Zustand: Very good.

Zustand: NEW. Collins, Diana (illustrator).

Zustand: New. He walked on the moon. He piloted the space shuttle. He flew more space missions than any other human. His peers called him the astronaut s astronaut. One of the last memoirs written by an early American astronaut and the first by a former chief of the as.

gebundene Ausgabe. Zustand: Gut. 218 Seiten Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 605.

Hardcover. Zustand: Brand New. 1st edition. 319 pages. 12.50x9.25x1.25 inches. In Stock.

Hardcover. Limited Edition #71/100. Octavo, 278 pages. In Near Fine condition with a Near Fine condition slip case. Spine is gray with metallic red lettering. Slip case has small red pencil mark across closed end. Boards have mild shelving wear along spine tail. Signed flat by Robert J. Randisi [Editor], Michael Allegretto [Author], Lawrence Block [Author], Max Allan Collins [Author], Michael Collins [Author], Wayne Dundee [Author], James Ellroy [Author], Paul Engleman [Author], Loren D. Estleman [Author], Jeremiah Healy [Author], John Lutz [Author], Marcia Muller [Author], W.R. Philbrick [Author] Pronzini, Bill [Author] Smith, Julie [Author] and Stodghill, Dick [Author] on publisher's limitation page. Shelved . 1387594. Special Collections.