james stephanoff (8 Ergebnisse)

No Binding. Zustand: Very Good. James Stephanoff (illustrator). A splendid original antique engraving . mounted - matted - and ready to frame . Very good condition . Printed circa 1830 - somewhat uncommon . Shows a fine view of Rembrandt in his study with his family - after a painting by James Stephanoff.

Zustand: Good. Engraving on rag. Image 10" x 8.25". Good with minor tear at bottom edge, not near image, else VG. In mylar protective sleeve. Scarce.Image from "The History of the Royal Residences of Windsor Castle.".

Zustand: Good. Engraving on rag. Image 10" x 8.25". Good with tear at right edge, not near image, else VG. In mylar protective sleeve. Scarce.Image from "The History of the Royal Residences of Windsor Castle.".

Zustand: Good. 10" x 8.25" Very Good. Engraving. Mounted on mat board.

Zustand: Good. Large folio.38 x 50 cm. Contemporary two colour cloth with leather label on cover. Endpapers foxed but text and plates fresh.56 pages, [9] leaves of plates : illustrations, facsimiles ; 54 c With eight full-page engraved aquatints, three are richly coloured and incl. a line-proof key-plate by Murray and Dubourg after Stothard and Stephanoff. 56 pp. A beautifully illustrated account of the trial of Queen Caroline in the House of Lords and the subsequent coronation of George IV. The uncoloured aquatints respectively show a tribute to the late King George III, a view of the interior of the House of Lords during the investigation, the facsimile signatures of the Royal Family and the Peers who voted against the Queen, and a key-plate with directions for placing the plates and explanations to the coronation plate and the plates of the House of Lords. Includes a view of the Villa d'Este on the Lake of Como, where Queen Caroline was to spend the rest of her life. The beautifully coloured aquatints show impressive views of the Address of the Watermen at the Brandenburgh House, the Queen leaving the House of Lords, and the Splendid Coronation of George the Fourth. Colour plates in order: 1. Arrival at Brandenburgh House of the Watermen &c, with an address to The Queen on October 3, 1820. 2. The Queen returning from The House of Lords. 3. The Coronation of His Majesty, George The Fourth: taken at the time of the Recognition. July 19, 1821.References: Abbey Scenery no. 259; Tooley 99. Prideaux, 328.OCLC Number: 5503828.

Two prints from Pyne's The History of the Royal Residences (from paintings by James Stephanoff), each 10 ¾ x 13 inches (on 11 ½ x 15 inch sheets), hand-colored engravings (one by J. Baily, the other by R. Reeves), picturing the Royal Library from two perspectives. Tear into lower margin of one print (not affecting text or image), some browning and storage soiling to margins. Ready for matting and framing. For the pair,

No Binding. Zustand: Please contact seller. Black chalk, watercolor and bodycolor on paper; provenance: acquired from Henry Sotheran Ltd., London, March 1988 Size: 13 1/4 x 21 1/4 inches. Painting.

A View of the Court of Claims in the Early Nineteenth Century Stephanoff, James [1788-1874], After. Reynolds, S[amuel] W[illiam] [1773-1835], Engraver. The Court of Claims, In the Painted Room of the Palace of Westminster. London: Published by Sir George Naylor, [1839]. Glazed and matted 16" x 13-1/2" (40.5 x 34.2 cm) aquatint in handsome 27-1/2" x 15" (70 x 38 cm) wood frame. Light toning to margins, image vivid. An attractive piece. $950. * A plate from Sir George Nayler's The Coronation of His Most Sacred Majesty King George the Fourth (London, 1839). Established in 1377, the Court of Claims is convened after the accession of a new sovereign to judge the applications of petitioners to perform honorary services at the coronation of the new monarch. Stephanoff was a highly regarded watercolorist who specialized in ceremonial occasions and historical scenes. Reynolds was a popular engraver, especially of mezzotints, landscape painter and garden designer. Whitman, Samuel William Reynolds 449.