James lacroix (16 Ergebnisse)

Paperback. Zustand: Very Good. 4th. Supplements included. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Zustand: Good.

Paperback. Zustand: Brand New. 230 pages. 9.00x6.00x0.52 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Embárquese en una esclarecedora odisea por el reino de la cognición artificial, un tapiz de tecnología entretejido en el tejido mismo de nuestra existencia. Este esclarecedor tomo le invita a adentrarse en un mundo en el que los algoritmos guían nuestras decisiones y los centinelas virtuales vigilan nuestras conversaciones. Adéntrese en los anales del tiempo para rastrear la evolución de este intelecto digital, desde sus orígenes míticos hasta sus crescendos contemporáneos, remodelando industrias y normas sociales.Descubra el espectro de las facultades artificiales, desde los estrechos pasillos de las tareas rutinarias hasta las amplias vistas de la superinteligencia potencial. Descubra la intrincada danza de las redes neuronales, los silenciosos susurros del aprendizaje automático y las cuestiones filosóficas que plantea la ciencia de los datos. Sea testigo del renacimiento de la innovación mientras recorremos los últimos avances y los laberintos éticos de un mundo transformado por los análisis predictivos y los compañeros virtuales.Este compendio va más allá de lo abstracto y se centra en las aplicaciones concretas que afectan al pulso de nuestra vida cotidiana, a los entornos de aprendizaje y a los campos de batalla del mercado. Sirve de faro para los curiosos, de guía para los educadores y de manual de estrategia para los visionarios de empresa. Para quienes buscan comprometerse con la mente digital, esta narración proporciona las claves para abrir una asociación responsable con una tecnología que refleja nuestra propia inteligencia.A medida que la sinfonía de la sabiduría artificial prosigue su implacable marcha, este volumen se erige en su compañero a través del ondulante paisaje de la mente forjada por el hombre, invitándole a captar su potencial y a esculpir un futuro en armonía con la sensibilidad de silicio que nos acompaña.…

Hardcover. Zustand: Very Good. Hardcover, unpaged : illustrations (chiefly color) ; 27 cm. Very good, light wear to boards. Dalek, aka James Marshall, is one of the most exciting artists to emerge from the burgeoning Brooklyn art scene in a long while. This 30 something, artist received a BFA at the art institute of Chicago in 1995, but it seems he takes as much inspiration from street art, graffiti culture and television as he does from his formal education. In his diverse career that spans over a decade Dalek has worked as an assistant to Takashi Murakami, studied art and biology, and exhibited widely. His artwork has been shown at London's Apart Gallery, A life in New York, and The Museum of Contemporary Art in Washington DC, to name just a few. Nickel Plated Angels is a comprehensive collection Dalek's drawings, illustrations, graffiti and photographs. It's a stunning first monograph that offers the reader a very personal journey into Dalek's strange world, a challenging place where the Space Monkey reigns supreme.…

Soft cover. Zustand: Very Good. Signed by James Lacroix with a skull doodle inside the front cover. E14. Signed by Author(s).

Zustand: New. In.

Hardcover. Original green cloth, elaborately decorated in blind & gilt, t e g, rubbed & marked, neatly rebacked with plain cloth, gilt-lettered, new e-ps; little spotting.

470 pages. Bon état. 1/5620 ex. Reliure toilée illustrée sous rhodoïd.

in-8, reliure toilée, 470 pages. Bon état.

in-8, reliure toilée éditeur, 470 pages. Très bon état. Exemplaire N°3764/5500.

Buch. Zustand: Neu. Neuware - Embárquese en una esclarecedora odisea por el reino de la cognición artificial, un tapiz de tecnología entretejido en el tejido mismo de nuestra existencia. Este esclarecedor tomo le invita a adentrarse en un mundo en el que los algoritmos guían nuestras decisiones y los centinelas virtuales vigilan nuestras conversaciones. Adéntrese en los anales del tiempo para rastrear la evolución de este intelecto digital, desde sus orígenes míticos hasta sus crescendos contemporáneos, remodelando industrias y normas sociales.Descubra el espectro de las facultades artificiales, desde los estrechos pasillos de las tareas rutinarias hasta las amplias vistas de la superinteligencia potencial. Descubra la intrincada danza de las redes neuronales, los silenciosos susurros del aprendizaje automático y las cuestiones filosóficas que plantea la ciencia de los datos. Sea testigo del renacimiento de la innovación mientras recorremos los últimos avances y los laberintos éticos de un mundo transformado por los análisis predictivos y los compañeros virtuales.Este compendio va más allá de lo abstracto y se centra en las aplicaciones concretas que afectan al pulso de nuestra vida cotidiana, a los entornos de aprendizaje y a los campos de batalla del mercado. Sirve de faro para los curiosos, de guía para los educadores y de manual de estrategia para los visionarios de empresa. Para quienes buscan comprometerse con la mente digital, esta narración proporciona las claves para abrir una asociación responsable con una tecnología que refleja nuestra propia inteligencia.A medida que la sinfonía de la sabiduría artificial prosigue su implacable marcha, este volumen se erige en su compañero a través del ondulante paisaje de la mente forjada por el hombre, invitándole a captar su potencial y a esculpir un futuro en armonía con la sensibilidad de silicio que nos acompaña.…

Bassac : Plein Chant, 1982. Directeurs : Edmond Thomas. Un volume broché sous couverture illustrée, 84 pages. Avec des bandeaux et vignettes de Jean-Pierre Thomas. Bonétat. In fine Chroniques, comptes rendus, et gazette critique. Livres.

224 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall/Winter 2002 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma coleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Purple Special," by Claude Lévêque; "Révolution 14," by Olivier Zahm; "Ann-Sofie Back / Sonia Rykiel," by Anders Edström; "Charles Anastase / Emilio Pucci," by Cécile Bortoletti; "Cosmic Wonder/Helmet Lang," by Chikashi Suzuki; "Civil Disobedience," by Angela Hill; "Gucci/Wendy & Jim," by Takashi Homma; "Lutz/Prada," by Viviane Sassen; "Balenciaga/Commes des Garçons," by Ola Rindal; "Colin de Land," interviewed by Gareth James; "Wendy & Jim," interviewed by Nakako Hayashi; "Trees and Wheels," by Cédrick Eymenier; "Cape Town," by Viviane Sassen; "Souveniers From Erevan," by Elein Fleiss; "Le Casino d'Allevard," by Laetitia Benat; "La Factory du Kremlin," by Pierre Leguillon / Matthieu Orléan; "Five Drawings," by Leane Shapton; "Lifestyle," by Henry Roy; "Cinq histoires courtes," by Alain Lacroix; "Super Bien Total," by Adrian Jenkins; "Anna Thompson, Hôtel Saint-Germain," by Serge Leblon and "Week-ends," by Vava Ribeiro. With drawings by Laetitia Benat. Good / Very Good. Yellowing of cover edges and light rubbing of cover edges. Additional light handling wear. Includes folded poster. Contents clean and unmarked. …

Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .…

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