James dent (30 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

Mass market. Zustand: Fair. AN EXCELLENT READING OR REFERENCE COPY! Rubbing and light scuffing to covers. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day. James Bama (cover) (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. James Bama (cover) (illustrator).

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Like New condition. Volume 31. 2 books in 1. Paperback edition. A near perfect copy that may have very minor cosmetic defects. James Bama (cover) (illustrator).

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. First Edition. A Bantam Book F3969. Very slight slant to spine. A very good+ copy. Cover illustration by James Bama. ; Small octavo. James Bama (cover) (illustrator).

Zustand: New. pp. 2345.

Unknown. Zustand: Very Good. No Jacket. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery. James Bama (cover) (illustrator).

Unknown. Zustand: Good. No Jacket. 1968 edition. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery. James Bama (cover) (illustrator).

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. In English.

Zustand: New. In English.

paperback. Zustand: Fine. James Bama (cover) (illustrator).

Zustand: New. In English.

Zustand: Fair. paperback - not ex- library. Covers little worn and pages tanned. Ready for immediate despatch from UK. 48F. James Bama; (illustrator).

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21 × 29,7 cm, 8 ¼ × 11 ¾ in, 232 pages, 217 illustrations - David Benjamin is the founding principal of The Living and an assistant professor of Columbia GSAPP. His work combines research and practice, exploring new ideas through prototyping. Focusing on the intersection of biology, computation, and design, Benjamin has articulated bio-computing, bio-sensing, and bio-manufacturing as frameworks for harnessing living organisms in architecture.…

4to. pp. 32; illustrations. Wrappers. Fine. We have all remaining copies.

Softcover. First edition; First printing. Octavo, 309 pages. In Very Good condition. Green spine with white text. Boards show minor wear on head and tail edges of spine. Signed by Nevada Barr, O'Neil De Noux, dated March 1, 2016, Julie Smith, Maurice Carlos Ruffin, and Ace Atkins on title page. [ ]. 1386256. Special Collections. …

Paperback. Zustand: Very good. Paperback Octavo. wraps, 638, 646 pp.

Zustand: Very Good. These are the first ever volumes in the Everyman Library series being numbers 1 and 2 first issued in 1906. Uniform hard back binding in publisher's original grey Bancroft cloth covered boards, flat back blocked and lettered in gilt, coloured tops (faded), olive illustrated art nouveau end papers. 8vo. 7'' x 5''. Contains [xx], 638; [vi], 625 pp. Ink name to each front free end paper dated 1914, light spotting to the page edges, spines not faded and in Very Good condition. Member of the P.B.F.A. BIO (Résumé, Memoir).…

Zustand: Good. Publisher's printed white paper stapled tabloid. 12½" x 10". Monochrome photographs throughout. New short stories and articles by: H. E. Bates 'Henry Williamson' and 'New Books Reviewed'; John Harley-Mason 'Tracking Down the Virus'; James Agate 'Ellen Terry and Osbert Sitwell'; Alan Dent 'Centenaries Mild and Bitter'; Hoole Jackson 'Cornwall in Peace and War'. Cheap paper browning and in Good condition. Member of the P.B.F.A. BATES, H. E. (1906-1974).…

pamphlet. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDOffprint. Good, reprinted from the Journal of Cellular and Comparative Physiology, Vol. 43, Supplement 1, May 1954, Stamp: Robert H. Foote.

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942). As Item Two states below, Agate has instructed Dent to send the copies to Gye as he was present at his 'talk' with Shearman on 4 November, and because of Shearman's respect for his 'opinion in all matters of taste'. Good, on aged paper. ONE: Dent to Gye, 5 November 1931. 1 p, 4to. 'Mr. Agate has asked me to forward to you this copy of a letter which he has just posted to Mr. Shearman.' TWO: Copy of Agate to Shearman, 5 November 1931. 2 pp, 4to. Headed 'FINAL MANIFESTO'. Begins 'I may as well out with the whole truth, which is this. | The gravamen of my charge against the class which you and Hutchinson represent is that it does not go to those things which are really highbrow. [.] it is absurd to argue that any art of drama can exist for, say six people. [.] That class if it really supported the theatre would have kept "Hamlet" on at the Queen's, and made it possible for Huxley's "World of Light" to run more than three weeks to empty houses. It would have flocked to see "The Venetian" and Jean Forbes-Robertson's Hedda Gabler.' Complains that he has 'stood up for these plays in print and in front of the microphone', and that there is 'no case of any first-class intellectual play' which he has 'condemned or neglected or failed to encourage. Now comes a popular play which I assess according to its merits as a popular entertainment, and Hutchy's lot have the impertinence to condemn this play on the plea that it does not belong to the intellectual drama which actually they do not support'. 'The Hutchy lot had it in their power to save the Phoenix Society [.] They took no interest, never went near it, and allowed it to die. [.] Yet you run down "Cavalcade" because you judge it by the standard of "Socrates" [by Clifford Bax], though the play which Hutchy actually professed to prefer was "Hamlet"! [.] I try to appraise the intellectual and the popular each in its class, [.] You told me the other day that you had the greatest respect for Ernest Gye's opinion in all matters of taste, and as he heard our talk last night I am sending him a copy of this'. References to John Gielgud, 'Jean Forbes-Robertson's Hilda Wangel', 'The Miracle', Duff Cooper, the Stage Society. THREE: Dent to Gye, 6 November 1931. 1 p, 4to. 'I enclose another copy of another letter in the Cavalcade Controversy.' FOUR: Copy of Agate to Shearman, 6 November 1931. 4 pp, 4to. With three minor emendations in Agate's autograph. 'This is the Late Night Final and positive last. [.] I do not like that class which, having the means, lets the Phoenix die, ignores Dekker at the Old Vic because it isn't fashionable, frequents the opera in May but will not keep it going at any other time, ignores Jean as Hedda, affects good plays only when its pets are performing, and has failed to make possible the existence in London of an intellectual theatre. The fact that you individually have taken Tim Dawes to one or two plays does not alter the fact that the class as a whole has failed in its responsibility.' 'The kind of play that this class professes to want in place of "Cavalcade" [.] would reduce Drury Lane to bankruptcy.' Gives reason why he and Ivor Brown uphold Coward's play. Quotes 'Hutchy's letter'. 'I do not lay claim to Hutchy's intellect. But I challenge him as a super-intelligent playgower to produce one single instance of any first-class work in the theatre of the last ten years which I have failed to acclaim, except Pirandello's "Henry IV" which I regarded as charlatanism and gave my reasons.' Again defends Cavalcade and his endorsement of it. 'Have you now got the point which is my objection to being told that in being truly critical about "Cavalcade" I am giving proof of inferior intellectuality?' Concludes 'The attitude is really pseudo-intelligentsia and for that "Bloomsbury and Chelsea" is, when broadcasting or writing articles, convenient shorthand.'.…

Single Issue Magazine. Zustand: Fair. First Edition. A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Cover illustrations of old Watch Cocks; Alsatian Knit Carpet frontispiece illustration (1706); Knitting - a little-known field for collectors; Watch Cocks as Collectibles; Prints After Lost Paintings by William Sidney Mount; New Bottles for Old Wine - American Artisan, Amateur, and Folk Paintings; Antiques in Domestic Settings - The New York Apartment of Mrs. Clendenin J. Ryan Sr.; Chippendale Influence in a Philadelphia Sofa - attributed to Jonathan Gostelowe (c. 1745-1795); The Hornbook for Collectors - The ABC's of American Windsor Chairs; Admiral Dewey - The First Hero of Manila; Pots for celestial beverages; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 221-280. Printed upon glossy stock. Unmarked with above-average wear. Covers detached but present. A worthy reference copy of this informative issue.…

Rare large Official White House color photograph of President Richard Nixon and his cabinet, signed by the President, Vice President Gerald Ford, and sixteen members of his cabinet. The full-length group portrait, taken by a White House photographer, shows the President and his cabinet standing in a row in the Oval Office, each having signed vertically in the image above his or her portrait. Those signing are President Richard Nixon, Vice President Gerald Ford, Secretary of State Henry Kissinger, Secretary of the Treasury George Shultz, Secretary of Defense James R. Schlesinger, Attorney General William B. Saxbe, Secretary of the Interior Rogers Morton, Secretary of Agriculture Earl Butz, Secretary of Commerce Frederick B. Dent, Secretary of Labor Peter J. Brennan, Secretary of Health, Education, and Welfare Caspar Weinberger, Secretary of Housing and Urban Development James T. Lynn, Secretary of Transportation Claude Brinegar, Budget Director Roy Ash, Counselors Bryce Harlow, Melvin Laird, and Anne L. Armstrong, and United Nations Ambassador John A. Scali, lacking only the signature of Postmaster General E. T. Klassen. Triple matted and framed. In near fine condition with some fading to the signatures of Ford, Dent, and Ash, some fading to the image, a few scattered minor creases. The entire piece measures 21 inches by 17 inches. A remarkable record of the Nixon cabinet in the final months of his presidency, uniting the signatures of the president, his future successor, and his cabinet on a single official White House image. Richard Nixon (1913-1994), the thirty-seventh President of the United States, assembled this cabinet in the final, embattled period of his presidency, as the Watergate scandal closed in around him. The photograph is doubly historic for including Vice President Gerald Ford, whom Nixon had appointed to replace the disgraced Spiro Agnew in December 1973 and who would succeed to the presidency upon Nixon?s resignation in August 1974, becoming the only person ever to serve as president without having been elected to either the presidency or the vice presidency. Among the signers are Secretary of State Henry Kissinger, Secretary of Defense James Schlesinger, and Treasury Secretary George Shultz, figures who shaped American policy through one of the most turbulent chapters in the nation?s modern history.…