james brion (25 Ergebnisse)

Paperback. Zustand: New. Paperback. An Unused, unmarked and unblemished copy. (Libro de bolsillo. Una copia sin usar, sin marcar y sin defectos.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Brion, Marcel; Whithall, James (translator) (illustrator). First edition, first impression. 334pp, with black and white plate illustrations. Mustard cloth-covered boards with brown lettering on the spine. 8vo. Cloth gently pushed at spine ends, very slightly rubbed on extreme corners, some minor soiling. Upper text block edge dust darkened. Internally neat, clean, bright and tight. In its original dust wrapper, lightly toned and spotted, gently rubbed at edges , slightly sunned over spine and a little shelf worn.

DVD. Zustand: Sehr gut. B3783-95 9037695097047 Sprache: Deutsch Gewicht in Gramm: 140.

Zustand: Wie neu. Standard Version. OVP B3476-157 4010232010049 Sprache: Deutsch Gewicht in Gramm: 69 DVD, Maße: 13.4 cm x 1.7 cm x 19.3 cm.

Zustand: Very Good. Très bon état. 14x1x18cm. 2000. DVD. Very Good.

Zustand: As New. Neuf. 13 8x17 2x1 3cm. Sans date. blu_ray. As New.

Zustand: As New. Neuf. 13 8x17 2x1 3cm. Sans date. blu_ray. As New.

DVD. Zustand: Wie neu. Standard Version. Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 83.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 356 | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 415 p. : ill. (part col.) maps (part col.) plans, ports. (part col.) ; 32 cm. ; LCCN: 66-18667 ; LC: DG211; Dewey: 913.3703 ; OCLC: 2360272 ; decorative brown cloth, in photographic color pictorial dustjacket ; Contents : The Etruscan mystery -- The seven hills -- Faith and the state -- The thrust of power -- A republic divided -- The coming of Caesar -- The triumph of Augustus -- Architects of empire -- The Roman peace -- An era of excess -- The long twilight -- Rome becomes Christian -- A spacious legacy. ; "At first little more than the power of the sword carried Rome forward; as it grew, it acquired the power of religious and poetic vision. These are the spiritual powers which it bequeathed to its heirs, the modern nations of the western world." ; nicks, tears and creases to dustjacket, else VG/G. Book.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 324 | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 362 | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Softcover. Zustand: Poor. First Edition. Front cover evenly detached; chips with loss to leading edges of front & back cover; loss of up to 1" bottom of spine; covers soiled; moderate tanning to text pages. Holding tight in spite it all. ; Printed wrappers. ; 8vo 8" - 9" tall; 194 pages.

Archive of production material from the 1983 television movie belonging to actor Johnny Crawford. Archive does not include a script, but does include front and rear wrappers for scripts, 29 call sheets, three xerographically duplicated maps of shooting locations, and a gathering of material regarding hotel and travel arrangements. The second film in the "The Gambler" film series, preceded by "Kenny Rogers as The Gambler" in 1980 and "Kenny Rogers as The Gambler, Part III: The Legend Continues" in 1987. The series was inspired by Rogers' 1978 hit single of the same name, about a gambler traveling in the Old West. Shot on location in Arizona. Materials generally Near Fine to Very Good plus, with some light age toning overall.

Draft script for the 1994 film. A political thriller set during the transfer of sovereignty over Hong Kong from the United Kingdom to the People's Republic of China, wherein a British assassin is tasked with killing several prominent Chinese government officials. Set in Hong Kong, shot on location in Hong Kong and the Philippines. Self wrappers. Title page integral with front wrapper, dated June 2, 1993, with credits for screenwriter Randall Fontana. 112 leaves, with last page of text numbered 111. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good, bound with two gold brads. Full provenance available.

Final script for the 1985 film, seen here under the working title "The XYZ Murders," with an annotation in manuscript pencil on the title page, noting the release title. A mild-mannered security technician finds himself unwillingly implicated in a murder plot engineered by his boss, who has hired a pair of hit men after learning of a covert plan by his business partner to undermine his authority. Although largely unsuccessful upon release, the film has since been reconsidered as a cult classic. Shot on location in Los Angeles and Detroit. White generic Embassy Pictures wrappers. Title page present, dated 10/20/83, noted as Final, with credits for screenwriters Sam Raimi and Joel and Ethan Coen. 100 leaves, with last page of text numbered 98. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.

[96] pp.; 13.2 x 18 x 1.5 cm.; loose leaves; black-and-white; edition size 104 boxed sets [plus 396 loose card sets, plus 992 clothbound copies]; unsigned and unnumbered; offset-printed Loose card version of the artist's publication by Robert Filliou featuring silly questions designed to trigger equally silly answers printed on postcards with unmarked publisher's wrap-around paper. Includes introduction by Daniel Spoerri with sentences by Spoerri, Arman, Kichka Baticheff, George Brecht, William Burroughs, Christo, Diane di Prima, Brion Gysin, Dick Higgins, Allan Kaprow, Ray Johnson, Joe Jones, Alison Knowles, John Herbert McDowell, Jackson Mac Low, Nam June Paik, Benjamin Patterson, Diter Rot, and James Waring. Title, colophon, and introduction are all also printed on postcards. These texts would be later made into a book, and read aloud in a performance at the Café Au Go Go in Greenwich Village, New York City, on February 8, 1965. References : "Something Else Press : An Annotated Bibliography" by Peter Frank. Kingston, NY : McPherson & Co, 1983, pp. 12. "Esthétique du Livre d'Artiste 1960 / 1980" by Anne Moeglin-Delcroix. Paris, France : Jean-Michel Place / Bibliothèque Nationale de France, 1997, pp. 102. "Book as Artwork 1960 / 1972" by Germano Celant. London, United Kingdom : Nigel Greenwood Inc. Ltd., 1972, pp. 61. Very Good. Light dusting to title card and light aging to cards otherwise clean and unmarked. Includes unprinted bellyband. This set is one of the 396 loose card sets. Due to size and weight additional shipping charges will be required for international orders.

New Directions. On sheets of "Imprimerie Durand" 1929. Uncut. Using the sheets of Sylvia Bach. Original green cloth with orange dust jacket. With an old bookmark inside at rear. No price clipped etc. No marks, inscriptions etc. inside. The Book in a very good plus state, the very good d/j also with only very little losses at the edges, otherwise dust jackett also in a very good state. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First edition. [3]-194, [2] p. 191 x 140 mm. (7 1/2 x 5 1/2 in.). Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy (the Danish translator of Ulysses) inscribed to him by Sylvia Beach, and with two letters from him to a former owner, explaining the circumstances. Small chip from rear wrapper edge, light creasing on front wrapper, otherwise a fine copy. In a folding box, with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print.

Vintage color reference photograph from the 1985 film, showing a sex scene with actors Jennifer Jason Leigh and Rutger Hauer. In sixteenth-century Italy, an army of mercenary peasants kidnaps a nobleman's fiancée as revenge for unpaid debts. Although disgusted by the brutality of the peasants, the woman soon falls in love with the group's leader. Although the film's cynicism and violence made it unsuccessful at the box office upon release, it has since become a cult favorite. Shot on location in Spain, in Belmonte, Cáceres, and Ávila. 10 x 8 inches. Near Fine.