james baker pyne (22 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 126 pages. 9.02x5.98x0.27 inches. In Stock.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Hardcover. Zustand: Near Fine. Leeds: D. Banks, (1870) , DELUXE ISSUE, with 24 finely hand-coloured lithograph plates mounted on thick card, each plate with captioned tissue-guards, all edges gilt, original decorative green cloth gilt, folio This DeLuxe edition not in Abbey. A scarce set, rarer than the deluxe issue of Pyne's The English Lake District. This title in the deluxe format was also published by Henry Sotheran in 1870. Landscape painter James Baker Pyne was born in Bristol, where he worked as a self-taught artist until the age of 35. He gave painting lessons to William James Müller, who later became an artist of repute. In 1835 Pyne moved to London, exhibiting his work at the Royal Academy, British Institution and New Watercolour Society over two decades. In his early period he painted views and scenery around Bristol but after 1835 he travelled to Italy and elsewhere on the Continent, gathering material to work up into finished pictures. Pyne was an admirer and imitator of Turner; his dramatic effects and use of pale yellow tones reflecting Turner's influence. Today, his records of works produced from 1840 to 1868 are in the Victoria and Albert Museum. Bookplate of William Park.

Zustand: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.

Zustand: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.

Zustand: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mildly toned, marginal soiling lower left and left edge, minor crimping at edges, else VG.

'the picture you sent me is not my work, but a very respectable and carefull copy from a rather early one', offering for £12 to repaint, 'make it my own work' and sign and date it, but if not required he will just clean it. conjugate leaf pasted to album leaf, James Baker Pyne was a landscape painter and a member of the Bristol School of Artists, before he moved to London. He complains of feeling unwell, he died later in the year. This letter provides an interesting insight into the role of the artist as restorer.

Folio paper size 17x24 inches- 24 large lithograph plates of the Lake District. The plates complete. They have been professionally washed as they were originally waterstained. One plate in unusable, 4 plates are repaired in the margin but usable - the remainder are good. Effectively all but one could be used as print stock. Sold with some of the text- in poor condition and wanting, at least, the title. The unusable plate is Windermere Lake. Windermere as seen from Orrest Head is hand coloured as usual and in good condition. The bibliography Abbey Scenery does not contain this book but lists a smaller octavo book of a similar name. One of the rarest and largest of the Lake District view books. Sold as a collection of lithographs as described. James Baker Pyne 18001870 was an English landscape painter who became a successful follower of Turner, after having been in his earlier years a member of the Bristol School of artists and a follower of Francis Danby.

Londres. Henry Sotheran 1870. 36 x 27 cm, une page de titre sur carte avec une chromolithographie centrale colorée à la main contrecollée, vi pp. de liste des planches et 24 planches lithographiques sous serpente colorées à la main, toutes montées sur carte avec bordures dorées, une page de texte explicatif pour chaque gravure. Relié pleine percaline verte, plat décoré et titre doré, dos lisse décoré et titre doré. Reliure usée, coiffes abimées, quatre planches déreliées. Sinon intérieur en bel état et planches très fraîches. Complet. James Baker Pyne (1800-1870) était un peintre paysagiste anglais devenu disciple de Turner. Livres.

No Binding. Zustand: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed 'Nel Foro Romano . The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a mount; fragment of another pencil sketch on verso. Remains of glue on borders of verso from its mounting. 47.5cm by 32cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.

No Binding. Zustand: Near Fine. Pencil drawing of an oak tree, called The Oak, attributed to James Baker Pyne; 1836. From a collection of sketches by the artist, several with his hand-writing upon them. 19.4cm x 12cm. Attached to a hinged card with a mount.

No Binding. Zustand: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed Foro Romano Aprile 1854. The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a mount; fragment of another pencil sketch on verso. Spotting to the paper. Remains of glue on borders of verso from its mounting. 49.1cm by 32.4cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.

No Binding. Zustand: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed Al Foro Romano April 1854. The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a mount; fragment of another pencil sketch on verso. Remains of glue on borders of verso from its mounting. 50.5cm by 31.2cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.

No Binding. Zustand: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed Al Foro Romano, Aprile 1854 . The sketch comes from a collection of others by James Baker Pyne and is consistent with a year he was painting in Italy. The sketch is coming loose from the mount; writing on the verso pictured that may be also consistent with Pyne s handwriting. 42cm by 29.7cm. Rectangular, in mount.

No Binding. Zustand: Very Good. Pencil sketch 'Dutchman's Rudder, Calais 1833'; a hand-drawn sketch attributed to the English artist James Baker Pyne (1800-1870) who made frequent trips to Europe around this time. On a piece of card within a mount; the drawing itself is 23.5cm by 16.5cm. The mount itself is 32cm by 26cm. The paper of the sketch has some marks and spotting commensurate with age, as well as a blue watercolour splash to the top right. The mount shows foxing. Born in Bristol in 1800, Pyne was an accomplished and well-known English landscape painter who was greatly influenced by J.M.W. Turner. From a loose collection of sketches by James Baker Pyne.

No Binding. Zustand: Very Good. Wonderfully executed original pencil on paper sketch of tree roots around a rocky outcrop, on brown paper. With writing in the artist s hand on the verso that simply says No 3 . 34.2cm x 24.5cm. Precise date unknown. Born in Bristol in 1800, Pyne was an accomplished and well-known English landscape painter who was greatly influenced by J.M.W. Turner.

No Binding. Zustand: Near Fine. Large pencil sketch of some trees and hills, with buildings in the background, by James Baker Pyne; circa 1854. With writing in the hand of James Baker Pyne on the front and verso, Lariccia written in ink on the front and Ariccia in ink on the verso. 52.7cm x 36.8cm. Crease to top left corner. Born in Bristol in 1800, Pyne was an accomplished and well-known English landscape painter who was greatly influenced by J.M.W. Turner.

No Binding. Zustand: Near Fine. Beautiful pencil sketch of a ruin atop a rocky outcrop in Italy, possibly ecclesiastical; attributed to James Baker Pyne on one of his European journeys. The sketch comes from a collection of others by the artist. 37.5cm by 36cm. In very good condition, with some light spotting; glue marks to verso where the sketch was once mounted. Jane Baker Pyne (1800-1870) was a famous English landscape artist, much influenced by J.M.W.Turner.

No Binding. Zustand: Near Fine. London, 1838. Tinted lithograph. 315 x 425mm. View of Eton College from the Road to Datchet with figures in the foreground and horses crossing the bridge. From ''Windsor with its Surrounding Scenery'.