jae carmichael (29 Ergebnisse)

Soft cover. Zustand: Near Fine. 1st Edition. Single Sheet Folded Into Six Pages, Illustration Of A Sculpture On The Cover.

A presentation of two exhibitions celebrating PasadenaÆs artistic and cultural community. You will see insight into the vital role the 130 artists represented here have participated in the development of the cultural fabric of Pasadena and surrounding areas since the Society was established in 1925. The subject matter of the work spans the realistic, figurative to abstract, abstract expressionist., English, Year2002, Illust. B/W65, Illust. Color176, ISBN NO ISBN, Code 5005. Signed by Curator. Softbound, In Pristine Condition, Cat. of exh. Pages 112, Size 11öx 8 1/2ö.

No Binding. Zustand: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Poster By Jae Carmichael For Her 1965 Show At The Hansen Galleries, San Francisco). Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And This 1977 Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

Wooden Sign, Brochure. Zustand: Fine. Original Poster and Sign. Orange Card Advertising The Gallery And Its Artists, Undated But Circa 1962-1964.

No Binding. Zustand: Good. Seven Photographs, Four Of Which Are Original (illustrator). Original Artwork. Five-Fold 1971 Brochure Mock-Up, Handwritten, Pacificulture Printed Text, Seven Reproductions Of Works By Brigante, And A Copy Of The Final Three-Fold Version. Also With A Postcard From Brigante, Picturing A Work From His 1983 Exhibition At The Toby C. Moss Gallery, With His Pencil Title/Date And A Message To The Recipient, Jae Carmichael. The Foundation, Of Which She Was The First Head, Bought The Historic, Unique Grace Nicholson Building In 1971 And Assumed The Asian Art Collections. Per Lacma, Nicholas P. Brigante Was One Of The Earliest And Foremost Modernists In Los Angeles. Although He Used A Variety Of Mediums, He Worked Primarily With Watercolor Or Ink. Brigante Studied At The Art Students League Of Los Angeles In 1913 With Rex Slinkard (1887-1918), Who Became His Close Friend And Mentor. Slinkard Encouraged Him In His Interest In Classical Art, Chinese Landscape Painting, And Oriental Philosophy, All Of Which Were To Help Determine The Spirit Of Brigante'S Art. Brigante Fought In World War I And On His Return To Los Angeles Became An Active, Independent Artist. From 1923 To 1924 He Undertook His Only Major Excursion To The East Coast, Living In New York And Immersing Himself In Modernist Circles. During The 1930S He Produced Several Figurative Series Based On The Theme Of Workers And The West; Interiors With Nudes; And, For A Proposed Federally Sponsored Project, A Nine-Panel Mural On The Struggle Of Mankind (Lacma; Q.V.). Although During The 1940S He Composed Allegorical And Figurative Scenes Inspired By Automatic Drawing, Brigante Increasingly Moved From Figuration Toward A Spiritual Abstraction Based On His Response To Nature. Around 1957 He Began The Series Cloud Lands Of Abstraction, In Which He Combined The Refined Calligraphy Of His Automatic Drawings With Atmospheric Washes Suggested By Southern Song-Period Chinese Painting. After The Los Angeles Art Association Gave Him A Retrospective Exhibition In 1963, Brigante Added A New Element To His Art, Brilliant Color, And Turned To Oils. He Continued To Create Abstracted Imagery Inspired By His Personal Response To Nature, Working On An Ever-Increasing Scale And Often Utilizing A Multiple-Panel Format. His Works Continued To Appear In Exhibitions Of Contemporary Art As Well As In Historical Surveys, And Brigante Was (Also) Given Solo Exhibitions By Loyola, Marymount University, Los Angeles, In 1973 And The Long Beach Art Association In 1975. Signed by Author(s).

No Binding. Zustand: Fine. 1st Edition. Original Lithograph By Jae Carmichael, Signed And Titled By The Artist, #10 Of 10. Undated, But Circa 1965 (?). Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And This 1977 Film About The Work Of Her Friend Claire Falkenstein.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Color And B/W Photographs Throughout (illustrator). 1st Edition. 212 Pp. Black Cloth, Gilt. First Printing. Fine In Fine Dj Priced $49.95. Inscribed By Author To Artist Jae Carmichael, Then A Professor At Usc, Formerly A Director At The Pasadena Art Museum, Acknowledged In The Book For Her Assistance With Assembling The Photographs Used In The Book. Inscribed by Author(s).

Soft cover. Zustand: Near Fine. 1st Edition. Collection Pertaining To Artist Jack Zajac. 1. 4 Pp Brochure Of Exhibition At Scripps College Art Galleries, Nov 15 To Dec 16, 1955. "Recent Sculpture Usa ", Moma, 1959, With Page On Zajac And Illustration. Page Of Nyt March 27, 1960, With Illustration Of "Deposition", 1959, In His "First One Man Show" (By Nyt Standards) At The Downtown Gallery. Advertising Card For Exhibition Of Fountains By Jack Zajac, December 1960-January 1961, Felix Landau Gallery, Los Angeles. Advertising Postcard For Small Sculpture And Drawings / Jack Zajac . Sept. 3-24 Gallery Marcus, Courtesy Felix Landau Gallery (1961). 12 Pp Brochure, + Color Covers, Recent Paintings / Jack Zajac September 25-October 14, 1961 Felix Landau Gallery. Advertising Card Two Concurrent Shows Francis De Erdely / Jack Zajac, Mills College Art Gallery, And El Dorado Section Of Oakland Tribune, Dec. 9, 1962, With Show Described On Pp 1 And 5. Jack Zajac / Recent Sculpture, Felix Landau Gallery, December 10, 1962- January 5, 1963, 20 Pp + Covers, Also Advertising Card. Mills College Art Gallery / Jack Zajac, Nov. 18 Through Friday Ec, 14 (1963) Exhibition Brochure, Card Folded Into Six Pages. Jack Zajax, Exhibition Brochure, Felix Landau Gallery Nov 16 - Dec. 512 Pp + Covers, Also Advertising Postcard. Jack Zajac / Sculpture, Brochure For Exhibition September 26- November 7, 1965, Pavilion Gallery, Balboa (Newport Beach). Brochure The Institute Art Program Presents Paintings By Corda Zajac, Sculpture By Jack Zajac, October 24, 1969-November 13, 1969, California Institute Of Technology16 Pp + Covers. Advertising Card For Metamorphosis: Jack Zajac, Masatoyo Kishi, Robert Carty, At Bolles Gallery, San Francisco, April 5 Through May 5 (No Year Shon). Large 32 Pp Brochure, Moodern And Contemporary Sculpture December 7, 1974 - January 19, 1975, Newport Harbor Art Museum (With Sculpture By Zajac). Two Dustjackets, Also 2 Promotional Cards, For The Sculpture Of Jack Zajac, Galland Press. Zajac Studied At Scripps College 1949-1953, One Man Show Pasadena Art Institute 1950, Iii Bienal Sao Paulo 1955, Moma 1959 "Recent Sculpture", Guggenheim Fellowship 1959, Etc.

No Binding. Zustand: Good. Original Art Work. Original Watercolor On Paper 17 3/4" X 11 3/4". Unsigned But From The Archives Of Jae Carmichael Stored With Her Other Early Art Work. Center Crease, A Few Short Edge Tears. Carmichael Was Active As A Professional Artist, Was Head Of The Pasadena Art Museum Shortly Before It Was Taken Over By The Norton Simon Museum, Later A Professor Of Art At Usc And Active In Innovative Abstract Photography And Film.

No Binding. Zustand: Fine. 1st Edition. Proof On Glossy Board Of The Original Poster For Jae Carmichael's 1977 Film About The Sculpture Of Claire Falkenstein. Falkenstein, An Important American Artist For Decades, Also Welded The Gates For Peggy Guggenheim's Iconic Venetian Palazzo By Hand. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And This 1977 Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Artwork For Her Poster For Her 1990 Show, By Jae Carmichael, Image 18" X 11 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Nine Original Kinetic Light Photographs In Color, By Jae Carmichael, 18 1/8" X 18 1/8, Undated But Circa 1980, In Simple Black Frame, From The Artist's Collection. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein. Signed by Illustrator(s).

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph Montage In Color, By Jae Carmichael, 18 3/8" X 12 1/2" Image, Signed At Lower Left By Jae Carmichael. 1" Margins. Matted According To Her Pencil Instructions On Verso. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein. Signed by Illustrator(s).

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph In Color, By Jae Carmichael, 25 1/2" X 19 3/4" Image, Printed On Flexible Glossy Photographic Paper. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph In Color, By Jae Carmichael, 22 3/4" X 20" Image, Printed On Flexible Glossy Photographic Paper. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph Group In Color, By Jae Carmichael, Twelve 3" X 3" Images, Matted According To Her Instructions. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph In Color, By Jae Carmichael, 21 7/8" X 18" Image, Signed At Lower Right By Jae Carmichael. Printed On Flexible Glossy Photographic Paper, With 1" Margins. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein. Signed by Illustrator(s).

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph In Color, By Jae Carmichael, 21 7/8" X 18" Image, Signed At Lower Right By Jae Carmichael. Printed On Rigid Card With 1" Margins. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein. Signed by Illustrator(s).

No Binding. Zustand: Fine. 1st Edition. Original Monotype By Jae Carmichael, Black And White Paint On Four Photographs, Mounted Together, Signed On Verso By The Artist, #10 Of 10. Undated, But Circa 1965 (?). Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And This 1977 Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Fine. 1st Edition. Original Kinetic Light Photograph In Color, By Jae Carmichael, 20" X 16" Image, Signed At Lower Right By Jae Carmichael. Printed On Flexible Glossy Photographic Paper, With 1" Margins. Undated But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein. Signed by Illustrator(s).

No Binding. Zustand: Fine. 1st Edition. Original Poster For The "Filmic Writing" Program At Usc, By Adjunct Professor Jae Carmichael. Signed By The Artist. Undated, But Circa 1980. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And This 1977 Film About The Work Of Her Friend Claire Falkenstein. Signed by Illustrator(s).

No Binding. Zustand: Very Good. Original Artwork. Card 9 " X 6 1/4" With Black Ink Wash Drawing Of A Beach Scene, Probably Laguna Beach, Dated 1957. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Zustand: Very Good. 1st Edition. Poster, 20 X 20? (50.8 X 50.8 Cm), For Kosuth's First Solo Exhibition, 1968], Machine-Folded Mailer, Whited-Out Address To Jae Carmichael, Then Of The Pasadena Art Museum. Per Wikipedia, Joseph Kosuth (1945-) Is An American Conceptual Artist. Kosuth Belongs To A Broadly International Generation Of Conceptual Artists That Began To Emerge In The Mid-1960'S, Stripping Art Of Personal Emotion, Reducing It To Nearly Pure Information Or Idea And Greatly Playing Down The Art Object. Kosuth Gives Special Prominence To Language. His Art Generally Strives To Explore The Nature Of Art Rather Than Producing What Is Traditionally Called "Art". Kosuth's Works Are Frequently Self-Referential. He Remarked In 1969: "The 'Value' Of Particular Artists After Duchamp Can Be Weighed According To How Much They Questioned The Nature Of Art." Kosuth's Works Frequently Reference Sigmund Freud's Psycho-Analysis And Ludwig Wittgenstein's Philosophy Of Language. His First Conceptual Work Leaning Glass, Consisted Of An Object, A Photograph Of It And Dictionary Definitions Of The Words Denoting It. In 1966 Kosuth Also Embarked Upon A Series Of Works Entitled Art As Idea As Idea, Involving Texts, Through Which He Probed The Condition Of Art. The Works In This Series Took The Form Of Photostat Reproductions Of Dictionary Definitions Of Words Such As "Water", "Meaning", And "Idea". Accompanying These Photographic Images Are Certificates Of Documentation And Ownership (Not For Display) Indicating That The Works Can Be Made And Remade For Exhibition Purposes. One Of His Most Famous Works Is One And Three Chairs. The Piece Features A Physical Chair, A Photograph Of That Chair, And The Text Of A Dictionary Definition Of The Word "Chair". The Photograph Is A Representation Of The Actual Chair Situated On The Floor, In The Foreground Of The Work. The Definition, Posted On The Same Wall As The Photograph, Delineates In Words The Concept Of What A Chair Is, In Its Various Incarnations. In This And Other, Similar Works, Four Colors Four Words And Glass One And Three, Kosuth Forwards Tautological Statements, Where The Works Literally Are What They Say They Are. A Collaboration With Independent Filmmaker Marion Cajori, Sept. 11, 1972 Was A Minimalist Portrait Of Sunlight In Cajori's Studio. His Seminal Text Art After Philosophy, Written In 1968-69, Had A Major Impact On The Thinking About Art At The Time And Has Been Seen Since As A Kind Of "Manifesto" Of Conceptual Art Insofar As It Provided The Only Theoretical Framework For The Practice At The Time. (As A Result, It Has Since Been Translated Into 14 Languages, And Included In A Score Of Anthologies.) It Was, For The Twenty-Four Year Old Kosuth That Wrote It, In Fact More Of A "Agitprop" Attack On Greenbergian Formalism, What Kosuth Saw As The Last Bastion Of Late, Institutionalized Modernism More Than Anything Else. It Also For Him Concluded At The Time What He Had Learned From Wittgenstein - Dosed With Walter Benjamin Among Others - As Applied To That Very Transitional Moment In Art. In The Early 1970S, Concerned With His "Ethnocentricity As A White, Male Artist", Kosuth Enrolled In The New School To Study Anthropology. In 1969 Kosuth Held His First Solo Exhibition At Leo Castelli Gallery, New York [This Exhibition Predates That!]. That Same Year, He Organized An Exhibition Of His Work, Fifteen Locations, Which Took Place Simultaneously At Fifteen Museums And Galleries Worldwide; He Also Participated In The Seminal Exhibition Of Conceptual Art At The Seth Siegelaub Gallery, New York. In 1973, The Kunstmuseum Luzern Presented A Major Retrospective Of His Art That Traveled In Europe. In 1981, The Staatsgalerie Stuttgart And The Kunsthalle Bielefeld Organized Another Major Kosuth Retrospective. He Was Invited To Exhibit At Documentas V, Vi, Vii And Ix (1972, 1978, 1982, 1992) And The Biennale Di Venezia In 1976, 1993 And 1999. He Continued To Exhibit In Venice During The Biennale From 2011 Onwards.

No Binding. Zustand: Fine. Original Artwork. Large Watercolor Of Crystal Cove, A Small Enclave Of Small Houses On A Private Beach In The County Area Between Laguna Beach And Newport Beach, Since Expropriated And Made Into A State Park. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.