jacques khalip (26 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.95.

Soft cover. Zustand: Fine. 1st Edition. Vol. 47, No.1, Winter 2005. Wraps, 130pp. Includes contributions from Suzanne Churchill, Pamela Hammons, Daniel Y. Kim, Jacques Khalip and others.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780804761383.

Zustand: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. From painting to poetry to new media technologies, this book theorizes "the image" beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology. Editor(s): Khalip, Jacques; Mitchell, Robert; Agamben, Giorgio; Casarino, Cesare; Geimer, Peter; Hansen, Mark. Num Pages: 304 pages, black & white illustrations, figures. BIC Classification: HP. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 18. Weight in Grams: 431. . 2011. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 139 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New. This collection takes its point of departure from Walter Benjamin's concept of the historical constellation, a concept which puts "contemporary" as well as "Romanticism" in play as period designations and critical paradigms. The book regards Romanticism as a thought experiment that poses questions for our own "now" time. Editor(s): Khalip, Jacques; Pyle, Forest. Series: Lit Z. Num Pages: 344 pages, 20 black & white illustrations. BIC Classification: ACVC; DSBH5; HPN. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 15. Weight in Grams: 476. . 2016. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Kartoniert / Broschiert. Zustand: New. From painting to poetry to new media technologies, this book theorizes the image beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology.&Uumlber den AutorrnrnJacques.

hardcover. Zustand: Very Good. Same / next day dispatch (Monday - Friday),

Taschenbuch. Zustand: Neu. Neuware - It has become a commonplace that 'images' were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.

Zustand: New. In Anonymous Life: Romanticism and Dispossession, Khalip approaches romantic subjectivity's fascination with anonymity as an ethics of engaged withdrawal or strategic reticence, arguing that anonymity is an alternative model of being that resists the requirement to inhabit a social category and remains open to change and re-description. Num Pages: 248 pages. BIC Classification: DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 585. Weight in Grams: 454. . 2008. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 235 pages. 9.25x6.25x1.00 inches. In Stock.

Gebunden. Zustand: New. In Anonymous Life: Romanticism and Dispossession, Khalip approaches romantic subjectivity s fascination with anonymity as an ethics of engaged withdrawal or strategic reticence, arguing that anonymity is an alternative model of being that resists the requir.

Hardcover. Zustand: Brand New. 139 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New. Last Things explores lastness as a formal structure in romantic and post-romantic literature and art as something other than either a privation or a conclusion. It touches on the unthinkable dimensions of our life and world, and reads the fate of romanti.

Zustand: New. 2011. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. This collection takes its point of departure from Walter Benjamin's concept of the historical constellation, a concept which puts "contemporary" as well as "Romanticism" in play as period designations and critical paradigms. The book regards Romanticism as a thought experiment that poses questions for our own "now" time. Editor(s): Khalip, Jacques; Pyle, Forest. Series: Lit Z. Num Pages: 344 pages, 20 black & white illustrations, 20 b/w illustrations. BIC Classification: ACVC; DSBH5; HPN. Category: (G) General (US: Trade). Dimension: 3887 x 5817 x 25. Weight in Grams: 590. . 2016. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 1st edition. 344 pages. 9.25x6.25x0.75 inches. In Stock.

Gebunden. Zustand: New. From painting to poetry to new media technologies, this book theorizes the image beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology.&Uumlber den AutorrnrnJacques.

Gebunden. Zustand: New. This collection takes its point of departure from Walter Benjamin s concept of the historical constellation, a concept which puts contemporary as well as Romanticism in play as period designations and critical paradigms. The book regards Romanticism as .

Buch. Zustand: Neu. Neuware - In 'Anonymous Life: Romanticism and Dispossession,' Khalip approaches romantic subjectivity's fascination with anonymity as an ethics of engaged withdrawal or strategic reticence, arguing that anonymity is an alternative model of being that resists the requirement to inhabit a social category and remains open to change and re-description.

Buch. Zustand: Neu. Neuware - ¿This is a book whose intelligence and insight the academy desperately needs. It displays a conceptual beauty in bringing the contemporary `crisis¿ in Romantic studies into contact with the question of `lastness¿¿a question that is, in many ways, always already the crisis of Romanticism. Approaching the `last¿ as what always comes after itself, Khalip thinks lastness as the persistence of what decompletes, derealizes, or dephenomenalizes the `world.¿ Through bravura readings, he affords his readers the thrill of intellectual discovery while challenging them to ask if such discoveries themselves are the effect of our determination by lastness.¿¿Lee Edelman, Tufts UniversityThe arrival of the Anthropocene brings the suggestion that we are only now beginning to speculate on an inhuman world that is not for us, only now confronting fears and anxieties of ecological, political, social, and philosophical extinction. While pointing out that reflections on disaster were not foreign to what we historically call romanticism, Last Things pushes romantic thought toward an altogether new way of conceiving the ¿end of things,¿ one that treats lastness as neither privation nor conclusion. Through quieter, non-emphatic modes of thinking the end of human thought, Khalip explores lastness as what marks the limits of our life and world. Reading the fate of romanticism¿and romantic studies¿within the key of the last, Khalip refuses to elegize or celebrate our ends, instead positing romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability.Each chapter explores a range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an archive on the side of disappearance, perishing, the inhuman, and lastness.Jacques Khalip is Associate Professor of English at Brown University. He is the author of Anonymous Life: Romanticism and Dispossession, and co-editor of Releasing The Image and Constellations of a Contemporary Romanticism.

Buch. Zustand: Neu. Neuware - It has become a commonplace that 'images' were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.

Buch. Zustand: Neu. Neuware - Constellations of a Contemporary Romanticism takes its title and point of departure from Walter Benjamin's concept of the historical constellation, which puts both 'contemporary' and 'romanticism' in play as period designations and critical paradigms. Featuring fascinating and diverse contributions by an international roster of distinguished scholars working in and out of romanticism-from deconstruction to new historicism, from queer theory to postcolonial studies, from visual culture to biopolitics-this volume makes good on a central tenet of Benjamin's conception of history: These critics 'grasp the constellation' into which our 'own era has formed with a definite earlier one.' Each of these essays approaches romanticism as a decisive and unexpired thought experiment that makes demands on and poses questions for our own time: What is the unlived of a contemporary romanticism What has romanticism's singular untimeliness bequeathed to futurity What is romanticism's contemporary 'redemption value' for painting and politics, philosophy and film.