jacob steinhardt (25 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. dj in mylar sleeve, shows moderate wear, tear, chipping, tanning. pages tanned and clean.

Trade Paperback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition; First Printing. DJ age-toned on spine and edges, especially on rear, ; 13.3 X 10.2 X 0.5 inches.

, Steinhardt, Jacob, 1887-1968, (illustrator). The Book of Ruth. Woodcuts by Jacob Steinhardt, calligraphy by Franzisca Baruch. Philadelphia: Jewish Publication Society of America, 1957, 35cm., unpaginated, approx. 32pp., worn but still good price-clipped dust-jacket, superficial stain at top right corner, with several chips and tears around edges, very good tall yellow cloth. Beautifully designed and illustrated edition, with English text opening from the left, and Hebrew text opening from the right. Both Steinhardt and Baruch were born in Germany. They had worked together as early as 1921 on a Haggadah.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

HARDCOVER. 1st edition. unpaginated, quarto. tight binding, clean throughout, clean boards, gift inscription, Very Good clipped flap. soiled, worn and torn edges and spine, Good.

Hardcover. Zustand: Fine. Dust Jacket Included. 1st Edition. First JPS edition (first trade edition). Quarto. Orig. cloth. Fine in slightly edgeworn dust jacket. Catalogue raisonné of Steinhardt's woodcuts, done in the years from 1909 to 1959.

Taschenbuch. Zustand: Wie neu. 179 Seiten JÃdisches Museum Berlin - 1. Auf. 1995 : Jakob Steinhardt - Perfect tb . Gr. - 9-5-5-03 8F-8NK4-8Q4M Sprache: Deutsch Gewicht in Gramm: 762.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Woodcuts By Jacob Steinhardt (illustrator). Lettering by Franzisca Baruch. With a brief introduction in English and Hebrew by Z. Zmishai-Maisels language. In an edition of 1000 copies which was published together with an edition of 50 De Luxe Numbered Copies on Arches handmade paper. In Hebrew with Steinhardt's graphic illustrations. Graphic DJ with a few small edge tears.

Hardbound. Zustand: Very Good. Woodcuts By Jacob Steinhardt (illustrator). Quarto, off-white cloth covers with gold lettering, mild soiling to the boards, short tear to the spine near the top, 50 pp., b/w woodcuts throughout. In Hebrew. Lettering by Franzisca Baruch. With a brief introduction in English and Hebrew by Z. Zmishai-Maisels language. In an edition of 1000 copies which was published together with an edition of 50 De Luxe Numbered Copies on Arches "The original limited edition of 200 copies was immediately sold out and was so well received that in 1923 a publisher decided to reprint a smaller, more popular version. The present facsimile edition is based on Eric Goeritz's original publication and preserves both its size (with slightly smaller margins) and the quality of its execution." "Jakob Steinhardt (1887 - 1968), a major figure in modern Jewish art, is best known for his expressive use of the woodcut. He worked from 1912 on in the German Expressionist style he had begun to use in Berlin, refining it with technical innovations after settling in Jerusalem in 1934. The [Steinhardt] Hagadah, which he produced swith Franzisca Baruch at the peak of the renaissance of Jewish art and culture in Berlin in the early 1920s, has long been one of his most popular works. . . "Steinhardt [originally] decided to decorate the Hagadah with etchings, his preferred medium at this time. . . " After examining the etchings, Franzisca Baruch, a young art student who was to execute the Hebrew lettering and design, convinced Steinhardt that woodcuts would be a better medium, and he created a striking group iof damatic woodcuts, "creating a compellingly moden interpretation of the scenes, whose intense play of flickering lights shooting across the dark backgrounds differentiate them from the long tradition of woodcut illustrations to the Hagada. "Baruch then began months of study of medieval Hebrew lettering types, finally selecting a bold style which perfectly balanced the dark woodcuts. She hand-lettered the entire book, arranging the layout of each page to preserve the compositional tension and expressiveness of the woodcuts. The result is a book seemingly executed by a single hand, and united in a style of its own to the point that the spectator is unaware that Steinhardt's woodcuts have been set beside Baruch's lettering. . ." (Quoted remarks from the introduction.).

Hardcover in jacket. Zustand: Very Good+. Zustand des Schutzumschlags: Good+. Calligraphy By Franzisca Baruch - book measuring 13 1/2 x 10 1/ inches bound in tan cloth with blind-stamping to the upper cover and gilt stamping to the spine, in a dust jacket with soiling and wear/chipping to the edges. The binding is solid. The contents are bright and clean, with illustrations.

Hardcover. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood or better copy, stains on front cover. Email or call for further information.

with 16 illustrations. Hebrew & English text. Hb. G+.

with 16 illustrations. Hebrew & English text. Hb. Vg.

Zustand: Good. 8vo. One large sheet pamphlet, folded in four sections. A black and white illustration of Jacob Steinhardt. Chronology of the artist, and checklist of works included in the exhibition. Good, sheet yellowed, minor rubs, a few creases.From the Collection of the Art Historian Peter Selz.

Hardcover. Zustand: g. 4to. 64pp. Quarter cloth over illustrated boards. Fore- and bottom page edges untrimmed, as issued. Five short stories (* see below) by J. L. Perez accompanied by five original lithographs in b/w (incl. frontispiece) by J. Steinhardt. Front board expertly repaired. Some age wear and staining on binding. Head and tail of spine chipped. Some creasing to four pages. Text in German, Gothic script. Binding in fair to good, interior in very good condition. * Schma Jißgroel oder Der Baßgeiger / Die Wandlungen einer Weise / Die Kabbalisten / Der Purimgeiger / Er spielt für den Teufel.

Hardcover. Limited edition, 800 copies. Octavo, unpaged. In Good minus condition. Spine is cream with black print. Boards quarter bound with cream vellum to spine and grey paper; light wear to spine caps and corners, bump to spine head, warping. Text block consists of folded leaves with illustration and text on facing pages. Illustrated: nine woodblock prints. Pamphlet laid in: Mitteilungen der Soncino Gesellschaft, Nr. 4, Februar 1929 (15 pages). Text in German (fraktur/gothic font) and Hebrew. Signed in pencil by the artist on the colophon page. NOTE: Shelved in Locked Annex Area, ND-HV Section. 1404347. FP New Rockville Stock.

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer. Made all the more poignant in the knowledge that Nadel perished at Auschwitz. Inscribed to 'Emmy' on the front free endpaper from 'Kurt zum 19. X. 21.', with a quote from Alfred Polgar: 'Es dauert lange, bis man reif [sic] zur Lebensfreude. - Etwa bis zu [sic] jenem Tag, an dem die Todesangst beginnt.' Uncommon: no copy on COPAC.

4°. 64 S. mit 5 ganzseitigen schwarz-weißen (nicht mitpaginierten) Orig.-Lithographien. Ohln. mit illustriertem Vorderdeckel. Auf zweiseitig unbeschnittenem, dünnem Bütten. Kopfgelbschnitt. Einbanddeckel an den Rändern teils minimal nachgedunkelt. Gutes Exemplar. Erste Ausgabe. Der bedeutende deutsch-jüdische, expressionistische Maler und Graphiker (1887 Zerkov/Posen - 1963 Nahanja/Israel) studierte an der Berliner Akademie unter Lovis Corinth und Hermann Struck, danach bei Théophile-Alexandre Steinlen und Henri Matisse in Paris. 1912 gründete er zusammen mit Ludwig Meidner und Richard Janthur die Künstlergruppe "Die Pathetiker". Als Soldat im Ersten Weltkrieg kam er nach Polen und Litauen, wo er das ostjüdische Leben kennenlernte und zu einer neuen Bindung an seine eigene Religion zurückfand. Dies schlug sich in seinen Werken nieder, die zu den wichtigsten bildlichen Darstellungen der ostjüdischen Welt zählen. 1933 floh er nach Palästina, wo er Dozent und später Leiter der Bezalel-Schule für Kunst und Kunsthandwerk wurde. Sprache: de.

Hardbound. Zustand: Very Good-. Small flio, light brown cloth spine, paper covered boards with brown lettering, 57 woodcuts on 41 single-sided pp.; 16 of them hand colored, wear to the rear free endpaper from the removal of a library pocket Not a stated limited edition, but uncommon in the trade and on library collections.

Zustand: Very Good. OCLC Number: 3549582 Location:411 64 pp.each litho is signed auflage von 100 exemplaren auf butten gedruckt die orinallithographien sind signiert 39/100 Schma Jissroel oder Der Bassgeiger --Die Wandlungen einer Weise --Die Kabbalisten Der Purimgeiger --Er spielt fu?r den Teufel., side of boards in two places lacking small pieces, velllum spine magnificient work 411.

Hardcover. Zustand: g. First edition. 4to. Original quarter-cloth over illustrated paper-covered boards with gold lettering on spine. Binding protected by modern mylar. Deckled fore- and bottom edge. Five short stories by Jizchok Leib Perez accompanied by five full-page b/w original lithographs (incl. frontispiece) by Israeli painter and woodcut artist, Jacob Steinhardt. He participated in the Berlin Secession and founded the Pathetiker Group. Perez was a Yiddish language author and playwright. Along with M. M. Seforim and S. Aleichem he is considered one of the three great classical Yiddish writers. This 1920 German translation contains the following stories: Schma Jißroel oder Der Baßgeiger. Die Wandlungen einer Weise. Die Kabbalisten. Der Purimgeiger. Er spielt für den Teufel. Text in German, gothic script. Translation by Alexander Eliasberg. Printed on high-quality handmade paper (Büttenpapier). Age wear and staining on boards. Two small red stains on front cover. Inscribed by previous owner on free front endpaper "den lieben Eltern für Chanukkah 5697 Richard und Ruth." Offsetting on front and rear flyleaf. Binding in good-, interior in overall very good condition.

Softcover. Zustand: g to vg. Limited First edition. Folio. 52, [2]pp. Uncut. Original stiff wrappers with title laid on front cover. In 1913 and 1914, Ehrenbaum-Degele, along with the poet Paul Zech, edited "Das neue Pathos," an Expressionist journal that published works by artists and writers belonging to their circle. This 1914 issue contains tissue-guarded woodcuts and illustrations by Felix Meseck, Waldemar Rösler, Matthias Grünewald, Erich Heckel, Jacob Steinhardt, and E. R. Weiss. Text and poems by Friedrich Wilhelm Joseph Schelling, Léon Deubel, Emile Verhaeren, Albert Verwey, Franz Werfel, Paul Zech (Die neue Bergpredigt), René Schickele, Richard Dehmel, Oskar Loerke, Arno Holz, Heinrich Lautensack, Hans Ehrenbaum-Degele, Robert R. Schmidt, and Alfred Mombert. One of 250 unnumbered copies of the 'Ausgabe B' printed on 'hollandischem Bütten' (Holland paper). Some creasing and closed tears along spine. Minor age-toning along edges of wrappers. Text in German, gothic script. Wrappers in overall good, interior in very good condition.

Hardcover. Zustand: g to vg. First edition. Folio. Original illustrated dust-jacket. Half tan cloth over tan paper covered boards, with brown lettering on front cover. Spiral binding. This collection contains the work of Israeli artist Jacob Steinhardt, chronologically arranged between 1911 and 1950, and illustrated throughout with 57 woodcuts, including 16 hand-colored in multiple hues. The monochromatic woodblocks themselves are beautifully printed in black as well as shades of brown, purple, blue and burgundy on white tan and yellow heavy stock paper. This work is considered to be the best example of Steinhardt's colored woodblock work using a technique referred to as a "reversal of the colored woodcut of the 16th century" in the preface. Text in English. Captions in English and Hebrew. Dustjacket with some medium chips and closed tears at upper front foredge (3"). larger chipping along spine, including five inches in center of spine, one small chip at top and two small chips below that, with loss of lettering. Else some light chipping and creasing along to edge. Covers lightly rubbed and block very lightly age-toned along edges, not affecting woodcuts. Some damp-staining and very small blot on inside back cover. Jacob Steinhardt (1887-1968) was an Israeli painter and woodcut artist. Steinhardt was born in Zerków, Germany (now Poland). He attended the School of Art in Berlin in 1906, then studied painting with Lovis Corinth and engraving with Hermann Struck in 1907. From 1908 -1910 he studied in Paris, where he studied with Henri Matisse and Théophile Steinlen, and in 1911 he studied in Italy. When World War I broke out, he enlisted in the German Army, and served on the Eastern Front in Poland and Lithuania, and then in Macedonia. After the war, he returned to Berlin, and in 1922 married Minni Gumpert. Following harassment by the German authorities, the couple immigrated to Palestine in 1933. Jacob Steinhardt worked mainly in woodcuts depicting biblical and Jewish subjects. He participated in the Berlin Secession and founded the Pathetiker Group. He was a member of the Bezalel school group. In 1934, Steinhardt opened an art school in Jerusalem. In 1948, he became Chairman of the Graphics Department at the Bezalel Academy of Art and Design. He served as director of the school in 1954-1957.

Halbleinen. Zustand: Gut. Auflage aus dem Buch nicht ersichtlich. 25 Seiten Der Einband ist antiquarisch gut erhalten. Er ist an den Kanten nur leicht berieben, an den Ecken etwas mehr. Der Leinenteil ist unerheblich berieben. Einband auf Grund Alter, Sonnenlicht und Gebrauch verfärbt, gebräunt - aber soweit sauber. Die Seiten sind dagegen nicht über das normale Maß hinaus verfärbt, etwas ergraut. Seiten sauber und vollständig. Im Buch befindlich 1 Notenabdruck und 8 montierte s/w Illustrationen. Sonst keine weitere Beilage. ACHTUNG: Das Buch ist antiquarisch und wir können keine Garantie auf Vollzähligkeit machen. Es scheint offenbar nichts zu fehlen, aber aus Unkenntnis der Zusammensetzung des Buches können wir keine Vollzähligkeit garantieren. Bitte fragen sie vor Bestellung an, falls sie den genauen Inhalt kennen. Insgesamt durchweg antiquarisch guter Zustand. Rik011619 Sprache: Deutsch Gewicht in Gramm: 550.