jacob emanuel (20 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good hardcover in very good, rubbed dust jacket. First edition. Clean pages. Sm 4to. 399pp.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Pp. Zustand: Sehr gut. 148 S. : überwiegend Ill. (z. T. farb.); ; 26 cm Sprache: Deutsch Gewicht in Gramm: 655.

Brosch. 4°, 56 S., oft farbige Abb. (tlw. auf Tafeln). Einband über Rücken etw. ausgeblichen, etw. gebrauchsspurig. EA. Mit Texten von Katharina Nyffenegger und Hans Baumann. Erschienen zur Ausstellung.

Taschenbuch. Zustand: Neu. Von den Seepolypengehäusen | Aus dem Französischen | Jacob Emanuel Roques De Maumont | Taschenbuch | 132 S. | Deutsch | 2016 | hansebooks | EAN 9783743408333 | Verantwortliche Person für die EU: Hansebooks GmbH, Trakehner Weg 52, 22844 Norderstedt, gb[at]hansebooks[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware.

Brosch. m. OU. 4°, 148 S., zahlr., selten farbige Abb. auf Tafeln. OU etw. gebrauchsspurig u. gebräunt. EA. Im Anhang Ausstellungsverzeichnisse.

Hardcover. Zustand: Very Good-. Zustand des Schutzumschlags: Good+. 1st Edition (Unstated). 399 pages; minor to light foxing on the exterior edges of textblock. Personal stamp from previous owner on front pastedown endpaper. Moderate shelf rubbing on DJ. Very Good condition otherwise. No other noteworthy defects. No markings on text pages. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Zustand: g+ to vg-. First German translations. Octavo. 3/4 black morocco over buckram boards. Gilt lettering and ruling on the spine. Red speckled edges of book block. A complete set of the three parts of Maimonides acclaimed work The Guide for the Perplexed, in German and Hebrew, bound in one volume. All of the editions included here contain the first German translations of their respective parts of the text. Maimonides' intention with this work was to reconcile Aristotelian thought and logic with traditional Rabbinical Jewish theology. Originally written circa 1190, in Judeo-Arabic, (as Dalalat al-Ha'irin) these writings takes the form of a lengthy three-part letter, to his student, Rabbi Joseph ben Judah of Ceuta, and are seen as the main source for understanding Maimonides' philosophic view, rather than his strictly being his views on Jewish law. It is the most known of his works in the non-Jewish world. The work's first translation into Hebrew was in 1204 by Rabbi Samuel ben Judah ibn Tibbon (c.1150 - c.1230), a contemporary of Maimonides. Content: Moreh li-Tsedakah. Hu Sefer Moreh Nevukhim [FIRST PART]. 1839. Second German-language edition. 19 double-sided leaves (with Hebrew pagination). 392pp. [3]. In 1835 the first part of Maimonides acclaimed work was first translated into German, with added commentary in Hebrew, by Jacob Raphael Fürstenthal (1781-1855). That first edition featured the German translation printed in Latin script, to accompany the Hebrew text. However for this second edition of that translation, it is interesting to note that the text of the German is printed in Hebrew script. Content finely printed in double and single-column layouts, with commentary printed in Rashi script. Divided in 76 chapters, this part of the work contains discussions of an understanding and definition of the nature of God, and divine anthropomorphism in the Hebrew bible, including a detailed analysis of the Biblical Hebrew of the text, to these ends. The final three pages included here contain and index in both Hebrew and German. [BOUND WITH] More Nebochim. Wegweiser für Berirrte [SECOND PART]. 1864. First German-language edition. (x) 99pp. This is the first German translation of the work's second part, taken from the original Arabic text, by way of the French translation by Salomon Munk (1861). The original Hebrew translation of the text is accompanied throughout by a translation and commentary in German by Max Emanuel Stern (1811-1873). Divided into 48 chapters, the second part involves Maimonides discussion of proof of the existence of God, the nature of creation, the concept of prophecy and an examination of the 26 propositions for Aristotle's metaphysics. The initial pages contain introduction and foreword by Stern. Also included is a fold-out plate containing facsimile text from an original signed manuscript note from the hand of Maimonides himself, written in Japhet son of Solomon's corrected manuscript copy of the Mishneh Torah, held at Bodleian Library at Oxford (MS Hunt.80, leaf 165a). [AND WITH] Dalalat al Haiirin, Burechtweisung der Verirrten. Dritter Theil. [THIRD PART]. 1838. First German-language edition. (viii) [9] 454pp. [5]. This is the first German translation of the work's third part. Simon B. Scheyer (1804-1854) provides the translation and scholarly commentary in German, to accompany the Hebrew of the text. This third and final part of Guide for the Perplexed, is divided into 54 chapters, and is considered the climax of the work and the culmination of Maimonides' previous analysis. Discussed are concepts including Jewish mysticism (the Chariot of Ezekiel), the moral aspects of the universe, the problem of evil, free will and the 613 mitzvot of the Torah. The final pages contain a scholarly index in German. Binding tight, with some rubbing to extremities, including the hinges of the spine. Spine and covers lightly sunned. Text throughout with some sporadic minor to light foxing. Much of the text is quite clean. A very few instances of underlining or notes in pencil. Binding in good+, interior in very good- condition overall. Hebrew title: ???? ????? .??? ??? ???? ??????/ ???? ??????/ ???? ?????? ???? ??? ????? ???????? .??? ????? Author: ??? ?? ?????, ???? ??"? ???????????? Publication: ????????/ ????????, ????? Alternate titles and transliterations: Moreh Nevukim, Doctor Perplexorum Bibliographic references: [PART 1] Vinograd, Krotochin 14. [PART 3] Vinograd, Frankfurt 578 Provinence: Previously owned by Oxford religion scholar O.H.M. Lehmann (dated 1949).

Paperback. Zustand: Brand New. 16 pages. German language. 11.81x8.43x0.16 inches. In Stock.

Zustand: Sehr gut. Zustand des Schutzumschlags: vorhanden. Erstausgabe. 4°, Frz. Broschur mit Glassin-Schutzumschlag, 5 gefaltete lose Blätter, davon 1 unbedruckt. mit 3 farbigen Linolschnitten, Privatdruck in einer Auflage von 54 Ex., Exemplar Nummer 8 (hschr. nummeriert), gedruckt auf Richard de Bas, grain moyen, mit Signaturen von Peer, Jacob und Hürlimann im Impressum. Glassin-Umschlag leicht gebräunt, im Impressum über Unterschriften ein von Hand ausgeschnittenes Rechteck (Fehlstelle), sonst sehr guter Zustand. Signatur des Verfassers.

Zustand: Good. Large format color reproduction print poster 33" x 29". Good. Minor tears in top margin. Copyright Morris & Bendien.

Blattgrösse: 58x41 cm. Unten links signiert "Emanuel Jacob". Gemalt auf Zeichnungspapier. Vom Künstler selbst mit Bleistift begrenzt. Er wollte wohl nur diesen Ausschnitt unter Passepartout haben. Hier Fotos des ganzen Bildes. Emanuel Jacob (1914-1966) war ein Schweizer Maler. Autodidaktische Ausbildung zum Zeichner und Maler ab 1939. 1949 Heirat mit der Malerin und Bildhauerin Elisabeth Badertscher. Das gemalte Werk entwickelt sich von nun an kontinuierlich. Parallel dazu beschäftigt er sich intensiv mit Literatur und Philosophie. 1952 Aufenthalt in Paris. 1957 Teilnahme an der Ausstellung La peinture abstraite en Suisse in Neuenburg. 1959 Ausstellung im Helmhaus Zürich mit Robert Müller, Anerkennung als abstrakter Maler. 1961 Bau eines Atelier-Hauses in Russikon. Emanuel Jacob orientiert sich in seiner Malerei zunächst an der offiziellen Schweizer Kunst, die er unter anderem durch Cuno Amiet und Ernst Morgenthaler vertreten sieht. 1947 wird Pierre Bonnard sein Vorbild, doch bald sucht er sich von der Gegenständlichkeit zu lösen. Nach einer Phase der Anlehnung an den Kubismus und an Wassily Kandinsky wendet er sich dem Werk und der Theorie Paul Klees zu.

21x13 cm. Ecken etwas fleckig und gebräunt. Auf Unterlage montiert. Klebespuren.

54 : 38 cm. Auf Velin. Schönes, grossformatiges Aquarell aus der letzten Schaffensphase des Künstlers. - Provenienz: Sammlung Erna und Curt Burgauer, Küsnacht. - Vergleiche: Baumann, Hans, Emanuel Jacob, Teufen, Niggli 1974.