J miler (23 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:0906495962.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9781563670862.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9781563670862. …

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

SC. Zustand: Gut. Obr., gr 8?, 12s., in gutem Zustand, [LSC32,6b] Deu 300g.

SC. Zustand: Gut. Obr., gr 8?, 12s., in gutem Zustand, [LSC32,6b] Deu 300g.

Zustand: Good. New book. Hrad board has signs of wear at edges and corners including creasing. Some scuffs and light scratches to cover Previous price tag in pencil on inner page. Content and pages as new.

Ecken und Kanten leicht bestoßen,innen sonst guter Zustand.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Card. Zustand: VG. 1st. Detailed account of the various classes of GWR metal bodied covered goods wagons. 56pp, well illustrated. VG copy in card covers, minor wear.

Hardcover. Zustand: Good. 3rd Edition. The precursor to MCO. 8vo. Dark green cloth with Knoght's Tour chess design on front cover in black. Third Edition with additions and match game written on inside front cover in pencil. Miscellaneous endgame on back pages in pencil. Covers edge-worn with cloth worn through at four corners and top and bottom of spine. Prior owners names written on recto and title page. 270p. + ads for chess equipment.…

Zustand: New. pp. xlix + 442 Illus.

Laminated Boards. Zustand: Very Good. Unpaginated. Green pictorial laminated boards. Slight lean to spine with some wear to spine & board edges. Five Czech children's stories with beguiling illustrations by various illustrators. The Richest Sparrow is a lovely story of sharing and friendship. Surprisingly difficult to find in this orgininal edition. 0600375676 8vo. Miler, Z., F. Freiwillig and J. Kabrt (illustrator). …

Zustand: New. pp. xlix + 442.

Hardback. Zustand: Very Good. Unpaginated. Green pictorial laminated boards. Minimal wear. Five Czech children's stories with beguiling illustrations by various illustrators. The Richest Sparrow is a lovely story of sharing and friendship. Surprisingly difficult to find in this orgininal edition. 0600375676 8vo. Miler, Z., F. Freiwillig and J. Kabrt (illustrator). …

Paperback. Zustand: Brand New. 2nd revised edition. 400 pages. 9.00x7.30x0.90 inches. In Stock.

Hardcover/gebunden. Zustand: Gut. 5. Auflage. Buchblock mittig gebrochen, Buch etwas schief gelesen! In deutscher Sprache. 80 pages. 285x215 mm.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 424 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover/gebunden. Zustand: Sehr gut. 7. Auflage. Ecken leicht berieben, sehr gut erhalten! In deutscher Sprache. 80 pages. 285x215 mm.

A substantial collection of 42 works of concrete poetry, documentation of poetic performances, and artist books by the central figures in unofficial and experimental poetry in Communist Czechoslovakia - Ji?í Valoch, Karel Miler, J.H. Kocman, and Václav Vokolek. A special highlight of the group is the collection of 30 works of concrete poetry, poetic performances, and artist books by Ji?í Valoch (b. 1946), a key figure in unofficial and experimental Czech poetry and art of the 1960s-1980s. The present collection was assembled by the pioneer of concrete poetry in Poland, Stanis?aw Dró?d?, with most materials traceable to specific curatorial or publishing projects. The works of J.H. Kocman and Václav Vokolek in the collection likely go back to the exhibition of Czech and Slovak concrete poetry which Dró?d? organised in 1976. The substantial collection of materials by Ji?í Valoch was likely used in his solo exhibition which Dró?d? organised in Wroc?aw in 1979. A solo exhibition of Václav Vokolek was held in Wroc?aw in the same year, with a brochure for the solo show also included in this collection. Many of the works in this collection are signed and dated by the artists, with some including a dedication to Dró?d? I. Ji?í Valoch A collection of 30 works of concrete poetry, poetic performances, and artist books by Ji?í Valoch (b. 1946), a key figure in unofficial and experimental Czech poetry and art of the 1960s-1980s. A conceptual artist working in visual poetry, photographic poetry, text installations, mail art, and organizing numerous unofficial art exhibitions, Valoch's place in the Czechoslovak art world was similar to that of Stanis?aw Dró?d? in the Polish context. Like Dró?d?, Valoch studied philology. He started creating visual poetry in 1963, earlier than Dró?d?, likely because the form was better known in Czechoslovakia which had a relatively more open cultural environment until Prague Spring of 1968. Valoch would eventually graduate from Masaryk University in Brno, with a thesis on visual poetry in 1971. Starting in 1972, Valoch worked as a curator at The House of Arts in Brno. After the Prague Spring and throughout the 1970s, the political climate would shift and Poland would come to have the more culturally liberal environment. As a result, throughout the 1970s Valoch would present his work more often abroad, taking part in the Fluxus movement, publishing books with Something Else Press and other projects with Dick Higgins, George Brecht, and George Maciunas. He also exhibited in Brazil, Germany, and Poland throughout the 1970s and 1980s. Valoch's first solo exhibition in Poland was held at Jaros?aw Koz?owski's Akumulatory Gallery in Pozna? in 1974, followed by an exhibition organized by Józef Robakowski, in ?ód? in 1976. Stanis?aw Dró?d? curated an exhibition of Czech and Slovak concrete poetry in Wroc?aw in 1976, which included the works of Valoch. Dró?d? would also curate a solo show of Valoch in 1979, with many of these works likely brought to Poland for these exhibitions. According to the art historian Helena Musilova, it was the rich exchange with Poland in these years that inspired Valoch to organise the 1980 exhibition Contemporary Czech Drawing (Soucasna ceska kresba) which caused a scandal, and resulted in a ban on his domestic publishing (See: Helena Musilova, "Sou?asná ?eská kresba [Contemporary Czech Drawing]: Ji?í Valoch and the Possibility of Organizing a Collective Exhibition during the so-called Normalization Period", in Notebook for Art, 2019). The ban would lead Valoch to publish unofficially, and to distribute his work abroad and underground. The works of Ji?í Valoch are held by international private and public collections including The Centre Pompidou, The Ludwig Museum, Tate Modern, and The Stedelijk Museum among many others. II. Karel Miler Two cycles of concrete poetry by the Czech conceptual artist Karel Miler (1940-2025). Miler started writing visual poetry in the 1960s, while working as a lighting technician alongside Václav Havel at the Na Zábradlí theater. Consisting of a list of color names - pink, black, gold, green - arranged in a variety of shapes, the two poetic cycles seem closely tied to his work in lighting design. Miler would move away from visual poetry by the early 1970s and is best known for his performance works, which he created direct-to-photography with action artists Petr ?tembera and Jan Ml?och. Unable to exhibit these works in Czechoslovakia, the artists sent the photographs to conceptualist galleries in Western Europe. A number of these documented performances, as well as one artist book, are held by the Centre Pompidou. Stanis?aw Dró?d? curated an exhibition of Czech and Slovak concrete poetry in Wroc?aw in 1976, with the present works likely sent by Miler for this exhibition. III. J.H. Kocman One early artist book and one piece of Mail Art by the Czech conceptualist artist Ji?í Hynek Kocman (b.1947). In the late 1960s, Kocman officially studied veterinary medicine, while unofficially studying aesthetics with the master of Czech visual poetry, Ji?í Valoch. A prolific artist, Kocman was active in the mail art movement in the 1970s, and is also often mentioned as one of the animators of Fluxus East. Kocman's artist books date back to 1970, with hand-made paper and use of rubber stamps as typical features, juxtaposing the uniquely made and the serially reproduced. The present work plays with notions of authenticity and uniqueness - concerns central to artistic production - by presenting an unbound stack of seven loose leaves assembled in a folder, each leaf hand made with a large watermark in the center. The pages are also rubber stamped with statements such as "yes, I am J.H.Kocman" and signed by hand. Clearly intended for an international audience, most of Kocman's works from this period are in English. His later exploration of authorship and uniqueness of artistic production would lead to his creating artist book objects by pulpi.…