isabel bishop (30 Ergebnisse)

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 180 pages. Features a foreword by John Russell and with text by novelist Helen Yglesias. Includes numerous color and black and white illustrations, list of public collections, list of previous exhibitions, biographical information, a selected bibliography, and an index. A clean and tight near fine copy in cloth boards and in a very near fine dust jacket.

First Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 221 pages; Description: 221 p. : ill. (some col. ) ; 25 cm. Subjects: Bishop, Isabel, 1902-1988. Museum studies. Limited to 2500 copies. 4 Kg.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 221 pages; Description: 221 p. : ill. (some col. ) ; 25 cm. Subjects: Bishop, Isabel, 1902-1988. Museum studies. 4 Kg.

First Edition. First edition. Exhibition brochure for a show that ran April 4-29, 1967. Single sheet folded twice to create 6 pages. Features text by Una E. Johnson. Includes 1 black and white illustration, a checklist, and other biographical information. A clean very near fine copy. Scarce ephemera.

Zustand: Good. Isabel Bishop (illustrator). Catalogue raisonné. Third edition revised and supplemented by Alan Hyman. 65 pp.; 83 black & white illustrations. in blue paper-covered boards, no dust jacket as issued. As new.

hardcover. Zustand: fine. Zustand des Schutzumschlags: very good. Isabel Bishop (illustrator). First. Sepia illustrations throughout. 63 pages. Slim 8vo, white pictorial boards, original glassine wrapper, a bit torn. (New York: Brooklyn Museum, 1964). First Edition. Fine.

Hardcover. Zustand: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. Oblong Small 4to 9" - 11" tall. 221 pages. Inscribed by the artist on title page. Light staining to front of dust jacket and to top of fly leaf - otherwise straight and clean. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

54 pp.; 25.4 x 20.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 4 of "Issue, A Journal for Artists," edited by Judith Wilson. Contents include: "Milton Resnick," edited by Lily Wei; "Isabel Bishop," interviewed by Donna Nelson & John Mendelsohn; "Elmer Bishop," interviewed by Susan Klein; "Enrico Donati," interviewed by William Jeffett; "Bill Rivers," interviewed by Donna Nelson and John Mendelsohn; "James Brooks," interviewed by Ann Gibson; "Richard Bellamy," interviewed by Judith Wilson; "Vincent Smith," interviewed by Donna Nelson and John Mendelsohn; "Stephen Greene," edited by Ann Tempkin; "Frank Lobdell," edited by Ann Gibson; "Blanche Grambs," interviewed by Susan Dorais; "George McNeil," interviewed by Ann Tempkin; "Estaban Vicente," interviewed by Susan Klein; "Lester Johnson," by Jim Weiss; "The Club," by L. Alcopely; "Ed Clark," interviewed by Judith Wilson; "Leon Polk Smith," interviewed by William Jeffett and "Rudy Burkhardt." Poor / Good. 13.6 cm. tear to recto with additional creasing across covers. Yellow soiling to contents page. 13.5 cm. significant stain to page 9 with adjacent staining. 5.6 cm. staining to last page and inside of verso. Original 1.8 cm. MoMA pricing sticker on verso.

Zustand: Good. Stapled 8vo., embossed wrapper. 60 pp. 2nd ed. Ill. 83 small black & white plates/works. Essay; notes, bio, biblio. Stamped ex-lib. copy P. Iannetti, int. fr. cover & title p. Mild horizontal crease through cover; else VG.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good Slipcase. New York: E. P. Dutton, 1976. 1976 edition, near fine book in scuffed slipcase. Includes the full text of Austen's novel plus a chronology of her life, a biographical note about the illustrator and an afterword by the illustrator. Golden yellow cloth with brown cloth spine, illustrated with full page black and white plates, taupe and light red slipcase with paper label. The book is in near fine condition with good hinges, firm text block, clean pages, no names or other markings. The slipcase has some scratches and surface chips from scuffing, structurally sound, original ribbon designed to ease removal of book still intact. Hard Cover. Very Good/Good Slipcase. 8vo - over 7¾" - 9¾" tall.

Zustand: Very good. - Octavo, black cloth backed pictorial cream paper covered boards titled in brown, in original glassine. The top edges of the boards & the dw spine are darkened. [44] pp. plus colophon, including profuse full-page B&W illustrations from drawings by Warren Chappell. Also with B&W frontispiece & title vignette & with 4 color plates, 1 of them tipped in on the front pastedown. There are tiny stains to the colophon & its facing page. Very good. Limited edition of 550 copies.

Hardcover. First edition. 63 pages. 23.5 x 15.5 cm. Monograph No.2 in the series: American Graphic Artists of the Twentieth Century. 77 illustrations, signed in blue ink by Isabel Bishop on free front endpaper. Illustrated cream boards. Fine in slightly nicked original glassine overwrapper.

Zustand: Sehr gut. 180 S. Umschlag leicht berieben, sonst gutes Exemplar. - Isabel Bishop. Her Life and Work HELEN YGLESIAS -- The Early Work -- Self-Portraits -- Nudes -- The People of Union Square -- The Walking Pictures -- Isabel Bishop. First Impressions LINDA WEJNTRAUB -- An Anthology of Drawings -- Public Collections -- Group Exhibitions -- Solo Exhibitions -- Honors -- Awards -- Positions Held. ISBN 9780847809765 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Foxing/staining to top fore-edge; light staining to front DJ; Signed by the artist on half title page; 11.7 X 10.9 X 1.4 inches; 181 pages; Signed by Artist.

Hardcover. Zustand: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.

Hardcover. Zustand: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.

Lunde, Karl. ISABEL BISHOP. 181 pp. with 171 illus., including 50 plates in full color, oblong 4to, cloth. New York, Abrams, 1975.

Tucson. U. of Arizona Museum of Art. ISABEL BISHOP. (First Retrospective Exhibition held in American Museums of Paintings, Drawings, Etchings and Aquatints.) 221 pp. with 151 plates, some color, small square 4to, cloth. 1974. Freitag 735.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very good. Limited first edition. Hardcover cloth (olive) over boards with d/j. Small 4to. 221 pp. Illustrated with 151 b/w and full colour plates on semi-glass paper stock. Limited edition of 2500 copies. Signed and inscribed by the author on the title page. Title and publisher stamped in green on spine. Book is clean with some slight yellowing to the edges. Binding is strong and square. Dustjacket has some slight chipping at the top of the spine, and a little wear along the head. Includes the following ephemera: postcard titled "Isabel Bishop Drawing Paintings" from Midtown Galleries (NYC) dated 1985, an advertising pamphlet from Midtown Galleries to an artist's reception for "Isabel Bishop Early Drawings" dated 1987, a press release announcing the 'Isabel Bishop Early Drawings" show at Midtown Galleries dated 1986, a pamphlet catalogue titled "Isabel Bishop: Etchings and Aquatints" produced by Associated American Artists dated 1981,Âan undated price list from Midtown Galleries, and an invitation card from The National Museum of Women in the Arts to an Isabel Bishop exhibition dated 1996.

Hardcover. Zustand: Brand New. 227 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover. Bishop, Isabel (illustrator). First edition. 181 pages. 27 x 29 cm. 117 illustrations, including fifty plates in full color. This is the first full scale monograph on Isabel Bishop. Bibliography. Index. Orig. illustrated navy cloth. Fine in fine dust wrapper.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Bishop, Isabel (illustrator). First. With 171 illustrations including 50 in full color, some folding. Oblong 4to, blue cloth, d.w. New York: Abrams, (1975). First edition. A fine copy in a fine dust wrapper. Inscribed by the author on the fly-leaf.

hardcover. Zustand: near fine. Zustand des Schutzumschlags: near fine. Bishop, Isabel (illustrator). First. With 171 illustrations including 50 in full color, some folding. Oblong 4to, blue cloth, d.w. (top edge of cloth just a bit faded; sticker residue on endpaper, otherwise a fine copy). New York: Abrams, (1975). First edition. A near fine copy in a near fine dust wrapper. Signed by the artist on the half title.

Hardcover. Zustand: Very Good +. Limited Edition. SIGNED by Felicia Meyer. 60pp. Slim octavo [24 cm] Black cloth over boards with silver lettering on the backstrip and front board. Very subtle internal toning. Gallery exhibition brochure for artist laid in. Limited edition with etched frontis by his artist wife Felicia Meyer. Felicia Meyer has signed the frontispiece "Reginald Marsh" with her initials in parentheses. This copy is out of sequence (not numbered, and with no reference to limitation).

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Fair. Michael Rolston (Photograph of Isabel Bishop) (illustrator). Presumed First Edition, First printing. The format is approximately 6.25 inches by 9.25 inches. 63, [1] pages. Illustrated front cover. Illustrations (one in color). Chronology. Awards and Honors. One-Man Exhibitions. Graphic Works in Public Collections. Selected Bibliography. Signed by Isabel Bishop on the second fep. The glacine dust wrapper has a large tear in front. This is Monograph No. 2 in the series American Graphic Artists of the Twentieth Century. Una Johnson (1905 April 28, 1997) was an American curator and art historian. She was the head curator of prints and drawings at the Brooklyn Museum for more than 25 years. In 1936 Johnson became assistant curator of prints and drawings at the Brooklyn Museum. In 1937, she oversaw the purchase of a complete set of Francisco Goya's Caprichos print series. In 1941 she was promoted to the Curator position, which she would hold for the next 28 years. Johnson curated many major exhibitions for the Brooklyn Museum, including the first exhibition of the work of art dealer and publisher Ambroise Vollard, the first exhibition of Edvard Munch prints in the United States, the internationally recognized survey American Woodcuts 1670-1950, and New Expressions in Fine Printmaking. In 1947, she curated the Brooklyn Museum's first National Print Exhibition. During her tenure, the Brooklyn Museum made important acquisitions for its print collection, including Daumier, a collection of Japanese prints, and many contemporary European works. She published numerous books and monographs about printmaking, focusing on artists like Georges Rouault, Isabel Bishop, and Adja Yunkers. Isabel Bishop (March 3, 1902 February 19, 1988) was an American painter and graphic artist. Bishop studied under Kenneth Hayes Miller at the Art Students League of New York, where she would later become an instructor. She was most notable for her scenes of everyday life in Manhattan, as a member of the loosely-defined 'Fourteenth Street School' of artists, grouped in that precinct. Union Square features prominently in her work, which mainly depicts female figures. Bishop's paintings won the American Academy of Arts and Letters Award, among other distinctions. Bishop began her art education at the age of 12 in a Saturday morning life drawing class at the John Wicker Art School in Detroit. In 1918, at the age of 15, Bishop graduated high school and began art studies at John Wicker's art school in Detroit, Michigan. She later moved to New York City to study illustration at the New York School of Applied Design for Women. After two years there she shifted from illustration to painting, and attended the Art Students League for four years until 1924. It was there that she studied with Guy Pène du Bois and with Kenneth Hayes Miller, from whom she adapted a technique which owed much to baroque Flemish painting. In addition, she learned from other early modernists including Max Weber and Robert Henri. During the early 1920s she also studied and painted in Woodstock, New York. In 1963, she went to Yale University School of Fine Arts, New Haven. For the first time that she taught at The Art Students League in New York, she was the only full time woman teacher in that school. Throughout the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. In 1932, Bishop began showing her work frequently at the newly opened Midtown Galleries, where her work would be represented throughout her career. Bishop takes inspiration from Rubens by adding a light ochre-ish tone to all her works, allowing for the painting to be rendered in any way. In 1934, Bishop married Dr. Harold G. Wolff, a neurologist, and moved to Riverdale New York. However, she continued to work in a loft studio near Union Square at 9 West Fourteenth St, which she continued to use until 1984. She became interested in the interaction of form and ground and the mobility of everyday life, what she called "unfixity", life and movement captured on canvas. Her style is noted for its sensitive modeling of form and "a submarine pearliness and density of atmosphere". During this time, Bishop began working in various printing techniques, most notably aquatint. Her work was included in the first three iterations of the Whitney Biennial in 1932, 1934, and 1936, as well as ten subsequent annual exhibitions at the Whitney Museum of American Art. In 1940, Bishop was elected into the National Academy of Design as an associate member, and became a full member in 1941. Her work was also part of the painting event in the art competition at the 1932 Summer Olympics. She was also a member of and frequently shown her work in the Society of American Graphic Artists exhibitions. Bishop's mature works mainly depict the inhabitants of New York's Union Square area. Her portraits are often studies of individual heads; the emphasis securely on the subject's expression or of solitary nudes. Bishop also painted multiple-figure compositions, often containing two females engaged in various workday interactions. In the post-war years, Bishop's interest turned to more abstracted scenes of New Yorkers walking and traveling, in the streets or on the subways. The first retrospective exhibition of Bishop's work was held during her lifetime at the University of Arizona Museum of Art in 1974.

SYLVAN COLE'S OWN COMPLETE SET OF THE FOUR BISHOP PORTFOLIOS HE PUBLISHED (AS DIRECTOR OF ASSOCIATED AMERICAN ARTISTS AND LATER AS OWNER OF THE SYLVAN COLE GALLERY), WITH A TOTAL OF 32 ORIGINAL ETCHINGS BY ISABEL BISHOP, 16 SIGNED IN PENCIL AND 16 WITH A STAMPED SIGNATURE. Cole, the dean of American print dealers, was a close friend of Bishop's and supervised the compilation of Teller's catalogue raisonne of her prints. He kept these portfolios in his private collection until his death. ***** Four portfolios, each containing eight original etchings by Bishop, each in its own folder. Each portfolio is from a total edition of 60, all printed on fine Rives wove paper. ***** The first portfolio (1981) is copy number 2 (signed by Bishop under the justification), copy number 1 having been given to the artist. ***** The second portfolio (1985) is one of only 7 sets of artist's proofs, with a signed presentation inscription from the artist to Sylvan Cole. ***** The third and fourth portfolios (1989) are the unique sets of bons à tirer (BATs). Since the BATs must be printed before the prints can be editioned, THESE ARE THE VERY FIRST PROOFS PRINTED. ***** Folio. Loose as issued. FINE AND BRIGHT, with no defects. In the original cloth clamshell cases (a little trivial wear to two of the cases). ***** IMPORTANT NOTE: During March, 2006, hundreds of prints represented as being from "the Sylvan Cole collection" were sold at public auction. In fact, ALL of these items were from his leftover gallery inventory, not his private collection. As far as I know, the few items I offer from Sylvan's collection are the ONLY items anywhere on the market which are actually from his private collection (which he kept in his apartment, not his gallery). I acquired them all directly from Sylvan (my uncle), mainly in spring, 2005.

Zustand: 1850-1900. Isabel Serenade The Poetry by Thomas Banly Esq. r and the Symphonies & Accomaniments arranged by Henry R. Bishop pour Chant et Piano London, Printed bty Goulding, D'Almaine & Co XIXe siècle 7 pages 33.5 x 25.5 cm Très bon état 029318 Chant et Piano.

No Binding. Zustand: As New. Limited Edition. Isabel Bishop, folio portfolio containing 8 etchings in a clam shell box, gray cloth with gold lettering on cover and spine, signed and numbered 9/50 in pencil, each with a tissue guard in its own folder. The colophon is also signed in pencil and numbered 9/50. Very good condition, the prints are mint clam shell box has minor shelf wear. Inventory 43981-1. This item needs special handling in shipping. From the colophon: "The eight etchings in this portfolio were created by Isabel Bishop from 1930 to 1959. Until this printing, only proofs of these images were ever printed. This printing was done on Rives Heavyweight paper by Stephen Sholinsky of Stem Graphics, New York, from July through September 1984. The signing was done by the artist in October and November 1984. The Total noumber of impressions pulled from each plate is 60. Of the regular edition of 50, the first forty are numbered 1/50 through 40/50, and are available as suites. Impressions 41/50 through 50/50 are available individually. Seven artist's proofs suites are numbered I/VII through VII/VII. One suite, annotated 'Whitney proof', is in the Collection of the Whitney Museum of American Art. There is one 'bon a tirer' suite and one 'printer's proof' suite. The copper plates have been cancelled, and a "cancellation proof' has been pulled from each plate.". Signed by Illustrator(s).