Ioffe i (9 Ergebnisse)

Zustand: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

380 S. OLwd. Einbd. berieben. ru 0 gr.

M. 7 Tab. u. 104 Abb. XVII, 512 S. OLwd. M. Schutzumschlag. Sprache: Deutsch 0 gr.

Zustand: Sehr gut. Zustand: Sehr gut | Produktart: Bücher | Keine Beschreibung verfügbar.

17,5 x 13 cm - 157+[3] pgs - original soft cover - goos cipy - Getty 259 - not in Moma.

Leningrad: self-published (tip. Akademii iskusstv), 1928. Octavo (24.5 × 18 cm). Original pictorial card wrappers; 47, [1] pp. With forty-nine woodcut illustrations. Very good; in protective mylar. First and only edition of this monograph on Solomon Iudovin (or Yudovin, 1892-1954), an important Soviet Jewish artist originally from near Vitebsk, in today's Belarus. From 1907 to 1910, Yudovin studied in Vitebsk under Yehuda Pen and from 1910 until 1917 he continued his studies in St. Petersburg. His uncle S. Ansky (1863-1920) invited him to participate in a series of ethnographic expeditions in Ukraine's Jewish villages across the Pale of Settlement, which would significantly impact his future work. After the revolution, he lived in Vitebsk, where he collaborated with Mark Chagall and organized a group exhibition of Jewish artists. In 1929, he organized an exhibition of Jewish folk art at the I. L. Perets Society in Vitebsk. In the second half of the 1920s, he served as chief curator of the St. Petersburg Jewish Society for History and Ethnography. He was a prolific illustrator of numerous Jewish writers, including Sholem-Aleikhem, Dovid Bergelson, and Mendele Moikher Sforim, among others. While more realistically oriented than his compatriots in the Kultur Lige and other representatives of the Jewish Renaissance, his work is highly valued for its technical mastery and he ranks among the important Jewish-influenced artists of his time. The volume contains two essays, "Graviury S. Iudovina" (S. Iudovin's engravings) by E. Gollerbakh and "Sotsial'nye korni tvorchestva S. Iudovina" (The social roots of S. Iudovin's artwork) by I. Ioffe. The texts are illustrated with forty-nine woodcuts by Iudovin. Also appended is a chronological list of all woodcuts and linotype prints produced by Iudovin to date. One of 1200 copies, of which 50 copies were numbered and contained an additional engraving on a separate leaf; this copy is unnumbered.…