Introduction by herbert read (12 Ergebnisse)

Paperback. Zustand: Very Good. First edition. 7 1/2 x 10 inches. 83 pages. Condition is Very Good, wear to spine edges, a few small creases at edges, text and illustrations are very clean. STK.

Soft cover. Zustand: Good. 1st Edition. First edition. Paperback. 18 × 11cm, 108pp + ads. Written in direct response to the Nazi regime's notorious 1937 Entartete Kunst ("Degenerate Art") exhibition in Munich, this is art historian and critic Oto Bihalji-Merin's defence of modern German avant-garde movements which were being condemned by the Nazis. Illustrated with 32 photogravure plates. The front cover states "The author is a very well-known German art critic who for special reasons must hide his identity under the name of Peter Thoene". Condition: Good condition for age. Some tanning and creasing to the covers but remaining in strong readable condition.…

Paperback. Zustand: Brand New. reprint edition. 203 pages. 7.75x5.25x1.00 inches. In Stock.

Hardcover Dust Jacket. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood School Reference Hardcover with nicked Dust Jacket, Pocket, Stamps, Labels and Library Notations,scrapes to pastedowns and free endpapers else clean pages, Prompt shipping with tracking. Sm.4to, 246pages, Gilt edges, Dust Jacket Glued to boards. …

Paperback. Zustand: Brand New. 2nd edition. 224 pages. 7.75x5.00x0.75 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. 4to, 32 pp , 177 black and white plates. Black cloth, some light rippling to the front end paper but a very good copy in a slightly worn but now protected dust wrapper. The wrapper falls somewhere between fair and good.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 1st Edition. 55 Pp. Violet Cloth Lettered In Red. Second Printing Indicated. Near Fine, Lettering Strong, No Fraying, Two Vertical Creases On Final Blank Page. Ownership Signature Of Jack Cutting. Dust Jacket Priced 8S6d, Wear, Small Losses At Edges, Browning. Per Wikipedia, Jack A. Cutting (1908 -1988) Was An American International Content Supervisor And Animator For Walt Disney Animation Studios, Where He Worked For 46 Years. Cutting Attended The Otis College Of Art And Design, Where He Met Tyrus Wong, Wilfred Jackson, And John Hench And Graduated In 1929. A Friend Referred Him To The Fledgling Walt Disney Studios, Where He Was Hired To A Group Of 19 Animators In August/September 1929. He Worked Alongside Walt Disney Himself And Made $18.00 A Week, Oftentimes Working Overtime Without Pay. He Worked In Several Different Departments, Starting As An Animator, Moving Up To Director, Then To Assistant Director; He Was Also Dave Hand's Assistant. When The United States Entered World War Ii, Disney Submitted The Necessary Paperwork To Waive His Employees Of Their Service So The Company Could Direct Training Films For The Army. Cutting Headed The Editorial Department For A Year During The War. Cutting Was One Of The Several Employees Who Played Polo With Walt Disney; He Also Was Sent To "Scout For Merry-Go-Rounds In Europe" After Disney Had The Idea For A Theme Park. In 1939, His Film The Ugly Duckling Won The 1940 Oscar In Best Short Subject (Cartoons). After Snow White And The Seven Dwarfs Was Released, Cutting Convinced Roy Disney To Let Him Work With The Man Hired To Dub The Film; He Quickly Became A Dubbing Assistant And By 1938 Was Head Of The Foreign Department At Disney. In This Role, He Supervised Translation And Dubbing Efforts All Over The World, Traveling Often To Work With Different Teams. He Oversaw The Dubbing Of And Found Voice Actors For The Swedish Dumbo, The French Mary Poppins, And The Japanese One Hundred And One Dalmatians In Japanese. He Was Among The Frontrunners For Synchronizing Sound And Image. He Held His Position In The Foreign Department Until His Retirement In 1975. Cutting And His Wife Camille Lived In Paris While Cutting Worked With European Markets. B/W Drawings (illustrator).…

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: N/A. xliv, tipped-in colour illustrated, in-text black and white photographs throughout. Brown cloth-covered boards; black titles on front and spine. 4to. Sun-faded spine, rubbed bottom corners and spine ends, top corner board disintegrating with cloth fraying; stains on boards. Top text block edge tanning, remaining edges starting to tan; loss to top corner of pages. Endpapers just starting to fox and tan, water stain to top edge of free endpapers. Pages starting to age; gutters cracked and strained, volume quite loose. Otherwise, internally neat and clean.…

Hardcover. Zustand: Very Good. Third edition. 259 pages. Condition of book is VERY GOOD; Spine lightly faded, rear hinge starting to crack, text & illustrations are very clean.

Hardcover. Zustand: New. In shrink wrap.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Contents: Breton, A. Limits not frontiers of surrealism. -- Davies, H.S. Surrealism at this time and place. -- Éluard, P. Poetic evidence. -- Hugnet, G. 1870 to 1936. Reissue of a book first published in 1936 by Faber and Faber. 251 pages, illustrations ; 26 cm. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. …

1st edition, hardback, large 4to, xvi,12pp text plus 160 plates, colour frontispiece, owner's name on endpaper, paged edges browning, otherwise clean and sound, blue printed cloth, Good condition, with scruffy torn remnants of dustwrapper.