intro iain bain (4 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: VG-. Thomas Bewick (illustrator). First Thus. Brown cloth binding. xliv+258, 15 plate ills on 5 leaves ex-pagination, numerous un-numbered text ills throughout, mostly head and tail-pieces of Bewick's engravings.No obvious faults bar faint race of dustiness to top edge. Unclipped jacket clean but rubbing to joints and fore-edges and slight fading to spine region and top back edge. First edition was 1862, over 3 decades after Bewick's death,16 cm x 24 cm.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Thomas Bewick (illustrator). First Thus. Brown cloth binding. xliv+258, 15 plate ills on 5 leaves ex-pagination, numerous un-numbered text ills throughout, mostly head and tail-pieces of Bewick's engravings.No obvious faults bar faint race of dustiness to top edge. Clipped jacket clean but slight rubbing to bottom spine, will add protective sleeve when ordered. First edition was 1862, over 3 decades after Bewick's death,16 cm x 24 cm.

Soft cover. Zustand: Fine. Richard Shirley Smith (illustrator). 27x20cm, 72pp. With numerous reproductions of engravings, bookplates, title pages etc by Richard Shirley Smith. Glued into a pictorial card cover, title to front in a mauve panel, title in black to backstrip. Comprehensive survey with very good reproductions. Typeset at the Libanus Press. Fine, with the small discreet blind-stamp of Trevor Weston to the corner of the rear endpaper,

Hardcover. Zustand: Very Good. First Edition Thus. Hardback. D/W. 4to. pp 19 (33) Original publisher's quarter vellum lettered gilt at the spine with red paper-covered boards, DW, 4to., 19, (33) pages, inserted plate with tissue guard. One of 125 numbered copies printed by the Stellar Press and reprinted from the original steel plates. A clean, near fine copy in a very sy used vg d/w (sl fading, sl nick at head of spine)Limited ed. of 150 copies, this designated 'Director;s Copy.' The last plate in the book has a tissue guard and is described as 'an impression direct from the plate.'.