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  • Sprache: Englisch

    Verlag: Alfred Music (455), 2001

    0739044885 / 9780739044889

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

    Verkäufer/-in mit 5 Sternen
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    Zustand: Neu

    EUR 66,48

    EUR 44,45 Versand 
    Versand von Deutschland nach USA

    Anzahl: 2 verfügbar

    Noten. Zustand: Neu. Neuware - The Just Standards Real Book contains 250 classic songs, from show tunes to jazz standards, that are the core required repertoire for musicians all over the world. Production teams in both the U.S. and U.K. took great care to ensure the accuracy and usability of each arrangement and original composer sources were consulted to ensure that the arrangements remained true to the composers' intention. Plus, useful and important chord substitutions are indicated for each arrangement, allowing the user to pick from the original chords or the more popular jazz versions. This book is extensively cross-referenced with appendices including: a complete composer index, a complete discography of suggested recorded versions for each song, a section on how to play from a fakebook, chord theory reference pages, and a section on how to create interesting chord substitutions. Comb bound, approx. 400 pages.…

  • Zustand: Gebraucht

    EUR 307,02

    EUR 5,37 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

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    Meyerbeer's diary records (25 May 1853) a visit 'from Raoul Allary, who makes wind instruments. He is an opponent of Sax, and came to me because he had heard that I had spoken to the emperor on Sax's behalf' (1999 English translation of volume for 1850-1856). A pencil note at the head of the present letter identifies the subject as 'Louise Gned / 4 Rue [de] Bellefond [Paris]'. Gned (b.1810) was an Austrian soprano from a musical/theatrical family, who faded into obscurity. (Her sister Nina (1811-1874) was also an opera singer, and was married to the baritone Zacharias von Poißl.) Meyerbeer writes that he has just heard that there is a 'place de Choriste vacante à Votre Châtre', and takes the liberty of recommending to Allary's attention 'la personne qui Vous remettra ces lignes'. He describes her as 'une excellente musicienne, ancienne prima donna qui a chanté sur les premiers théâtres d'Allemagne'. It is only by 'des revers de fortune' that she is at the moment reduced to applying for the 'modeste position de Choriste'. He can personally guarantee that she is an 'excellente musicienne et elle avoit aussi quand je l'ai entendue, une très belle voix'. As she is well-acquainted with the Italian language, and has also sung in Italian theatres, 'elle pouvait encore être chargé de petits rôles'. He ends by explaining that his right arm has been troubling him for some weeks, and it this that has forced him to dictate the letter. From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician.…