ingmire thomas (13 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

hardcover. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: Good. Profusely Illustrated (illustrator). fo. 529 pp. Bound in blue cloth with gilt titles along the spine. Near Fine. Dust Jacket: VG. Color Plates; Brown End Pages. Features original paintings by Manuel Neri paired with poetry by Pablo Neruda and Federico Garcia Lorca.

Original Wraps. Zustand: Fine in Fine Plexiglass Box. Unique. Unique. Original Wraps. A unique lettered and painted manuscript heightened with gold. There are 9 double spreads and a colophon. ?The text is a reassembled collection of words and phrases taken from Georg Trakl?s col- lection of poetry titled Song of the West (translated by Robert Firmage).? This is not a Trakl poem, but rather Thomas Ing-mire?s visual interpretation of Georg Trakl?s verbal poems. It is Calligraphy and Poetry in collaboration. The blacks, greys, and deep blues explode at the end in a splendor of yellow and orange. Tight, bright, and unmarred. Covers are lettered and painted, ink and watercolor decorated inblacks and blues for the upper cover, reds and yellows for lower, textblock mss, watercolor, and gilt; housed in a black plexiglass case with a clear lid. np. [eleven leaves]. Hand lettered and colored. Signed by the calligrapher/artist.

San Francisco: 2016 11 x 8.5 ins. Calligraphed in several colors and heightened with gold, numbered 7/50, signed and dated. ? Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake?s Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016 8.5 x 11 ins. Calligraphed in several colors and heightened with gold, numbered 5/50, signed and dated. ? Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake?s Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 8.5 x 11 ins. Calligraphic print in several colors, numbered 4/25, signed and dated. ? Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake?s Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 11 x 8.5 ins. Calligraphed in several colors and heightened with gold, numbered 5/25, signed and dated. ? Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake?s Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 8.5 x 11 ins. Calligraphic print in several colors, numbered 2/25, signed and dated. ? Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake?s Poems; 45 years later we are still presenting Blake calligraphically.

San Francisco: 2016. 13 x 9 ins. Original calligraphic manuscript in blue and green heightened with gold. Signed and dated. Fine condition. ? Original calligraphic presentation of Blake?s aphorism ?He who Sees the Infinite in all Things sees God,? taken from There is No Natural Religion. Thomas Ingmire (San Francisco) was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators, London. A vivid expression of the modern calligraphy movement, his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire (1989) and codici 1: a teacher's notebook on modern calligraphy & lettering art (2003). His teaching experience and influence extends throughout the United States to Canada, Europe, Australia, Japan and Hong Kong. His first commission in 1972 was from John Windle for a book of Blake?s poems; 45 years later we are still presenting Blake calligraphically.