Inge braeckman (15 Ergebnisse)
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Zustand: New. pp. 224.
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- Softcover
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Zustand: New.
- Softcover
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Zustand: Very Good. Van Herreweghen, Anne (illustrator).
- Softcover
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In den WarenkorbLeuven, Uitgeverij P, 2019. 95 pp. B./w. ills after photographs by Malou Swinnen.Orig. softcover. 8vo.
- Softcover
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Verlag: , MER. Paper Kunsthalle 2015, 2015, 2015
- Softcover
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In den WarenkorbSoftcover, 72 pages, Eng/ NL / FR/ , 280 x 215 mm, in New condition, ISBN 9789491775789. Creole & Vanity unravels the diversity in the work of painter Carole Vanderlinden. The publication highlights an oeuvre, which plays with pictural changes, methodical steps and the mixture of genres. Vanderlinden is especially interested in…concepts of approaching and departing; which are present in several of her paintings. This monograph includes texts by curators Hans Theys and Philippe Van Cauteren, and by poet Inge Braeckman. The book comes out during the eponym show of Vanderlinden in Kristof De Clercq Gallery, Ghent, from March 8th til April 12t 0 g. Studio Luc Derycke (illustrator).
- Softcover
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Paperback, 24 x 17 cm, 239 p. Auteurs zijn o.a. Inge Braeckman, Lars Kwakkenbos, Jeroen Laureyns, Hans Martens, Ive Stevenheydens, Pieter T'Jonck, Steven Vandervelden, Hilde Van Gelder, Andrea Wiarda, Eva Wittocx. Boek 150 kleurafbeeldingen, teksten in Nederlands en Engels 1000 exemplaren. Kreuk in kaft, goed exemplaar.
Verlag: , Posture Editions Nr 53, 2023, 2023
- Softcover
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In den WarenkorbPB, 297 x 223 mm, 192 pages, EN-NL edition, Illustrated. ISBN 9789491262586. De Collectie Dhondt-Dhaenens, een voorstelling is de nieuwe collectiecatalogus van het museum Dhondt-Dhaenens en toont de 130 kunstwerken die werden geschonken door Jules en Irma Dhondt-Dhaenens aan de zelf opgerichte stichting, en bij uitbreiding aan d…e hele Vlaamse Gemeenschap. De catalogus wordt geconcipieerd rond een fotoconcept dat de fysieke omgang met de collectie zichtbaar maakt. Het boek wordt een theatervoorstelling met schilderijen, tekeningen en sculpturen, die als acteurs worden ingezet in wisselende scènebeelden. Clusters van werken worden samengesteld, op de museumvloer gelegd en gefotografeerd. De figuranten die de werken vasthouden en verplaatsen nemen deel aan de scènische voorstelling en worden in de fotografische registratie opgenomen. Naast de opnames van de clusters worden in een aparte sectie een 25-tal topwerken paginagroot gereproduceerd. De belangrijkste acteurs worden hier als het ware nog eens individueel in de kijker geplaatst. De catalogus is een dynamisch 'kijkboek' waarin de lezer inzicht krijgt in de werking achter de museale schermen. Bovendien vormt het boek een index waarin elk werk wordt opgenomen én voorzien van een algemene basisregistratie. Tenslotte worden de afbeeldingen aangevuld met teksten van externe stemmen die hun persoonlijke ervaringen met het museum en interpretaties van het historische erfgoed kort gaan toelichten. A 'theatre performance' with paintings, drawings and sculptures, which are used as actors in changing stage settings. Clusters of works are assembled, laid out on the museum floor and photographed. The extras holding and moving the works participate in the scene performance and are included in the photographic recording. Besides the shots of the clusters, some 25 top works are reproduced full-page in a separate section. Here, as it were, the main actors are once more individually highlighted. 0 g.
Sprache: Niederländisch
Verlag: S.M.A.K. - Stedelijk Museum voor Actuele Kunst Gent, 2018
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Zustand: Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: Ma…y show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. Z 16-4 190920.
Verlag: , Self published. , 2024, 2024
- Hardcover
- Erstausgabe
- Signiert
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In den WarenkorbHardback, 192 pages, high quality reproductions, 297 x 235 mm, 180 images. First edition : 500 copies. Signed. As new. . In 1997, the Russian chess grandmaster Garri Kasparov lost to the chess computer Deep Blue and regarded his loss as a tremendous success of human ingenuity. That moment marked a historic turning point in the d…evelopment of artificial intelligence, although Alan Turing and David Champernowne had already designed the Turochamp in 1948, the first algorithm that assigned a value to chess pieces and was supposed to determine the best possible chess move. AI has been closely intertwined with everyone?s existence for much longer than we realize. Just think of the smartphone, the search engines on the internet, the translation software, even washing machines use AI to increase efficiency, to save energy,? Certain AI applications detect fake news and disinformation. When Carl De Keyzer was about to travel to Russia in 2021 as a kind of revisiting of Homo Sovieticus (1989) and had received the official permission to do so, had already arranged his tickets, visa and guide, tensions quickly rose and tanks were suddenly amassed at the border. Fortunately, De Keyzer decided not to travel there after an attempt that had already been postponed due to Covid, because war broke out shortly after. With Putin?s Dream, Carl De Keyzer shows us in an innovative way that remains true to his oeuvre and his artistic personality, how photography and AI can form and become a symbiosis. Although AI is used and the photographer?s gaze is absorbed by the algorithmic data of the computer, De Keyzer remains the designer, the builder and the user of AI. He directs, decides, creates and makes choices based on the computer images, as befits an artist who works with available material and new technology. He not only feeds the machine with his own images (such as from Zona, 2003), with photographs of previous projects for which he traveled abroad, he ultimately adjusts AI by, for example, teaching the system to think asymmetrically. This is how AI learns from what De Keyzer decides and does as a photographer. The power and the essence of documentary photography, which De Keyzer has been associated with for decades and in which he is a grandmaster, is like hyperrealism: collecting and revealing (the truth of) the reality that the photographer was confronted with at a certain time in the given circumstances, without staging, as a kind of statement against fake news. But now the computer has become the camera as a journey through the virtual that Carl De Keyzer can make in his living room, so to speak, without having to travel and while he can visit locations repeatedly on the screen. Independent of time and circumstance, the image/imagination is created. A new reality emerges, while at the same time that reality reveals what may be unfolding in Putin?s head as a fictional story. War, power and politics (common threads in De Keyzer?s oeuvre) are propaganda and are directed, manipulated, and play with the (un)reality and eroticism. They are guilty of spreading incorrect messages. Even in war there is often a kind of unreality in all the horror. In Putin?s Dream, Carl De Keyzer takes us into the horror and unreality of this fairytale, aesthetic seductiveness, which often borders on perfection and contemporary cinematography of an image. We see, as it were, perfect people ? with white teeth, beautiful blond hair, blue eyes ? in flawlessly composed settings, as every dictator might want. We get a suggestion of how Putin wants to see the victory in and from Russia, how he dreams his Russia. Not only in the past and present, but also in the future. At the same time, De Keyzer?s critical, ironic view is omnipresent. There are not only the counterattack in Crimea, but also the gay community, the penthouses in Moscow, the private yachts and parties, the postcards of an idealized Kremlin,? Of a reality that simultaneously exists there and is nonetheless non-existent. Like the beauty of another world, no matter how gruesome the subject. Paul Valéry stated in his notebooks (Cahiers), which were published in 1973 and 1974, that works of art that were created with the greatest compulsion to regulate are also the works that require and provide the greatest freedom of mind. Just as important as coincidence, as the artist?s idea, is the making of the choice, the feeling of the look and the thoughts, linked to the consciousness for a specific moment. More specifically, art is a means of making the invisible real. And that is precisely what Carl De Keyzer does in Putin?s Dream. Inge Braeckman 0 g.
FONS ROGGEMAN Eenheid van Leven en Werk
Buynder, Ernest Van, Braeckman, Inge, Boyens, Piet, Leeuwen, Flora van
Sprache: Niederländisch
Verlag: Snoeck, 2014, 2014
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In den WarenkorbUitvoerig geïllustreerd in kleur en zwart-wit. Prima exemplaar.
- Softcover
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Zustand: gut. COLLECTIE IRMA & JULES DHONDT-DHAENENS. EEN VOORSTELLING In deutscher Sprache. pages.
- Hardcover
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Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 303 | Sprache: multilingual | Produktart: Bücher | Keine Beschreibung verfügbar.
