impressionism (11 Ergebnisse)

Paperback. Zustand: Very Good. Signed by author on half title page, Minor shelf wear, binding tight, pages clean and unmarked. Illustrated in black and white. North Americans have had little opportunity to come to know the Italian Ottocento painters. Their beautiful works adorn museums and major art galleries, particularly in Italy, but many are still in private collections and largely inaccessible to the public. This little cameo intends, however modestly, to introduce a few of these painters to a new appreciative audience. Signed by Author.

OLwd. mit OUmschl., Zustand: in gutem Zustand. (s. Foto). 303 S. with 46 colour plates and 400 black - and - white illustrations. OLwd. mit OUmschl., in gutem Zustand. (s. Foto). Sprache: eng.

Geneva/ Seattle, Richard Burton Publishers/ University of Washington Press, 1986, 2nd ed., 509,(2) pag., richly illustrated, original cloth with dustjacket, quarto (as new).

Poster. Zustand: Near Fine. 35" x 23.5". Poster. Image of Van Gough's Terrasse de Café le Soir, 1888, on the recto, text printed in black below the Van Gough painting on white glossy poster paper. Light surface wear to the recto and verso.

Poster. Zustand: Very Good. 36.5" x 24.5". Poster. A portion of Dance at Le moulin de la Galette by Pierre-Auguste Renoir printed on the poster, the caption printed in brown and green below the painting on a cream background. Two tears and a corner crease on the left side of the poster, light surface wear otherwise.

Mit zahlr. Abbildungen. 4to. Opbd. mit Schutzumschlag. Tadelloses, neuwertiges Exemplar.

Paris., Societe Francaise de Promotion Artistque., 1994. 4to. French Periodical . In good condition.

4pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded once. Addressed to 'J. H. Lorrimer [sic] Esq'. He begins emphatically: 'Dear Lorrimer [sic] | I wish to state clearly, that I do not Exhibit in the Paris Exn. next year and that you are not to try to get any Picture of mine to send there.!!! | I think it necessary to write this, after yesterday's over-much talk on my part I think. My "ruminations and denunciations" may have led me into being less explicit than I ought to have been, and espescially [sic] that part where I expressed indifference as to pictures out of my possession, and where I might not be able to have control.' He was 'so glad' to see Lorimer that he 'may have thought too little of the business that brought you, it was Pat Adams mention of Chamberlains pictures &c. that made me think of this after you left'. He ends in the hope that Lorrimer 'got home all right'.

E.Briefkarte (4 Zeilen in Tinte) mit eigenhändiger Unterschrift signiert - Ihrem Wunsche entsprechend zeichne ich in Verehrung, Ihr ergebener H. ZÜGEL - mit Farbreproportraitfoto (nach einem Gemälde) unter rostbraunes Passepartout (4 to) gerahmt.

Eigenhändiger Brief mit Ort,Datum, Unterschrift München, 2.2.1916 3 SS. 8° , schön in schwarzer Tinte, an den als Leutnant beim Militär befindlichen Maler MAX HOFMANN (1873-1937) mit Neuigkeiten u. dem Wunsch, daß er recht bald den Säbel mit dem Pinsel tauschen möge (dito zum gleichen Preis : Eigenhändiger Brief (3 SS. 8°) mit Ort, Datum, Unterschrift München, 3.4.1916 , an denselben, hat sich für ihn eingesetzt.) (dito zum gleichen Preis : Postkarte (Vordruck) an die Schriftleitung der KUNST in MÜNCHEN mit Ort, Datum, Unterschrift in Tinte signiert, mit der Veröffentlichung seines Werkes SCHAFE MIT MÄDCHEN (Glaspalast 1924) einverstanden. Murrhardt, 21.VI.1924).