imbert dorothee (20 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 268 pages. A wide ranging look at the title topic. Features text by Dorothee Imbert. Includes illustrations and information on Henri Duchene Achille Duchene, J.C.N Forestier, Pierre-Emile Legrain, Gabriel Guevrekian, Le Corbusier, and others. A clean and tight very near fine copy in cloth boards and in a near fine dust jacket.

Zustand: New.

Zustand: New. Num Pages: 388 pages, illustrations. BIC Classification: JFCV; JFSG. Category: (P) Professional & Vocational. Dimension: 280 x 368 x 27. Weight in Grams: 1482. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 374 pages. 10.75x9.00x1.00 inches. In Stock.

Zustand: New. xv 277 16 of lates 161 Illus., Map.

Hardcover. Zustand: Brand New. 360 pages. 10.20x7.20x0.90 inches. In Stock.

27,5x21 cm. XV, (1), 268 pp. Richly illustrated. Publisher's cloth, dust-jacket. A very good copy.

Hardcover. Dust Jacket Included. 4to. pp. xv, 268. 8 double-sided colour plates & many text illus. biblio. index. cloth. dw. First Edition.

Zustand: New. Examines the career of Belgian landscape architect Jean Canneel-Claes (1909-1989), establishing his place in the modernist movement. This title examines the social context and the aesthetic and theoretical influences that shaped Canneel's work. Num Pages: 360 pages, 161 illustrations. BIC Classification: AGB; BGF. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 178 x 23. Weight in Grams: 953. . 2009. First Edition, 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 360 pages. 10.20x7.20x0.90 inches. In Stock.

Zustand: New. The first biography and study of the work of Belgian landscape architect Jean Canneel-Claes, a significant but somewhat overlooked figure in the history of European modernism. In tracing his contributions, Imbert restores Canneel as a major figure in the de.

Buch. Zustand: Neu. Neuware - In Between Garden and City, Dorothée Imbert examines the career of Belgian landscape architect Jean Canneel-Claes (1909-1989), firmly establishing his place in the modernist movement. Canneel's theoretical positions and innovative designs sought to align the emergent landscape profession with architecture and urbanism while demonstrating its potential to address the needs of modern society. Canneel studied at La Cambre (Belgium's equivalent to the Bauhaus) under landscape urbanist Louis van der Swaelmen and graduated as the school's first landscape architect in 1931. Dedicated to connecting architecture and garden design, he commissioned a house from Le Corbusier and collaborated with prominent Belgian modernist architects Louis Herman De Koninck, Huib Hoste, and Victor Bourgeois. Seeing the garden as part of a larger design environment, Canneel expanded the scale of his interventions to urban greening and the planning of cities. In 1938, Canneel joined forces with Christopher Tunnard to found the International Association of Modernist Garden Architects and further the cause of landscape modernism across Europe. Two years later, Canneel applied his theory of the functionalist garden to postwar reconstruction with designs for cemeteries, sports grounds, and town squares. Imbert examines the social context and the aesthetic and theoretical influences that shaped Canneel's work. She positions him as a major figure at the confluence of art, architecture, and urbanism in the early twentieth century and opens new avenues for understanding the relationship of modernism to gardens, nature, and the city.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st printing (1997). 193pp. SIGNED and INSCRIBED by the landscape architect Garrett Eckbo on half-title in black ink to British landscape gardeners Guy Cooper and Gordon Taylor. VG+/VG+ copy, now preserved in archival jacket protector. Signed by Author(s).

Yale University Press, New Haven 1993. 4to. 268 pages. illustrated with photos and drawings in b/w. Original full cloth in dust wrapper. Backstrip mildly sunned. Small ghost of sellotape to front endpaper. Very good-/very good-.

xv, 268pp incl plans, drawings, lengthy notes, detailed bibliog etc plus 17 full page colour plates. Cloth, 29x22. Fine copy in like dust wrapper. Comprehensive study of these 'architectonic' gardens, with chapters on Le Corbusier, Guevrekian, Lurcat et al and on gardens at the 1925 Exposition. Thoroughly researched and well produced.

Zustand: Gut. XV; 268 S.; zahlr. Illustr. (vorw. s/w); 28,5 cm. Gutes Exemplar; geringfügige Gebrauchsspuren; Vortitelblatt mit kl. priv. Widmung. - Englisch. - The modernist garden, which flourished in France between the 1910s and 1930s, vividly mirrored the geometries and cubist aesthetics familiar to the decorative and fine arts of the period. Created by architects and artists, these gardens were often conceived as tableaux in which plants played a role only as pigment or texture. This handsomely illustrated book by Dorothee Imbert presents for the first time-in word and image-a comprehensive study of these arresting architectonic gardens. Drawing on archives and photo collections in several countries, the author shows how designers used new materials and vocabularies to challenge gravity and a preconceived idea of nature and garden as a symbiotic system. She analyzes the innovative and highly formal garden designs at the 1925 Paris Exposition of Modern Decorative and Industrial Arts: Robert Mallet-Stevens's sunken lawn beds with four perfectly identical trees of concrete planes; Gabriel Guevrekian's triangular garden in which time and motion were expressed by the revolution of a glass sphere, water jets, and the optical vibration of complementary color planes; and the garden of interior designer and bookbinder Pierre-Emile Legrain, where lawn resembled Moroccan leather, and flower beds the gilding of a book cover. In addition to examining architectonic garden strategies, the author discusses Le Corbusier's vision of landscape as a naturalistic foil to modernist architecture. This definitive study of the modern French garden adds significantly to our understanding of landscape architecture in this century. . (Verlagstext) // INHALT : PREFACE ----- ACKNOWLEDGMENTS ----- HENRI DUCHENE; ACHILLE DUCHENE ----- A RETURN TO FORMALISM ----- J.C.N. FORESTIER ----- PLANTS & PLANNING ----- GARDENS AT THE EXPOSITION ----- JARDIN REGULIER; JARDIN D'ARCHITECTURE ----- ANDRE VERA; PAUL VERA; JEAN-CHARLES MOREUX ----- MODERNITY & TRADITION ----- (u.a.m.) ISBN 0300047169 Sprache: Deutsch Gewicht in Gramm: 1400 Originalleinen mit farb. illustr. Orig.-Schutzumschlag.

INHALT: Preface; Marc Treib: The Social Art of Landscape Design; Dorothée Imbert; The Art of Social Landscape Design; Garrett Eckbo; Afterword; Julius Shulman; A Vignette; Chronology; Bibliography; Index. Text auf Englisch. Bibl.-Exemplar mit Schildern und Stempeln. Recht guter Zustand Sprache: Deutsch Gewicht in Gramm: 950 XI + 193 S., 135 s/w Abbildungen und Skizzen, 26 x 18 cm, Leinenband mit geprägtem Rückentitel.