imao (19 Ergebnisse)

Tankobon Hardcover. Zustand: Brand New. Japanese language. 10.08x7.01x0.31 inches. In Stock.

Mook. Zustand: Brand New. Japanese language. 9.76x7.01x0.32 inches. In Stock.

Loose Leaf. Zustand: New. Reproduction. Original title: ??????? (J?roku rakan zu gassaku)|Collaborative Painting of Sixteen Arhats German: Kollaborative Malerei von Sechzehn Arhats French: (J?roku rakan zu gassaku) Spanish: (J?roku rakan zu gassaku) Pintura colaborativa de Dieciséis Arhats High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (late 1870s?early 1880s). Professionally printed on premium fine-art paper (Photo Rag Bright White) in size A5. The motif is printed with a white border (museum-style presentation). No.

Tankobon Softcover. Zustand: Brand New. Japanese language. 7.40x5.20x1.34 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 8.19x5.75x0.94 inches. In Stock.

Paperback. Zustand: Very Good. [London]: The Trustees of the British Museum, 1984. [24] pp. 29.5 x 22.5 cm. Illustrated stiff paper wrappers printed in dark sage green with white lettering to cover. Sunning to covers along spine and along head of front cover, with some rubbing to spine and extremities of covers. Small creases to corners of rear cover. Tiny bumps to corners of text block. Interior is clean and unmarked. Binding sound with no rusting or corrosion to staples. . Soft Cover. Very Good.

Loose Leaf. Zustand: New. Reproduction. Original title: ??????? (J?roku rakan zu gassaku)|Collaborative Painting of Sixteen Arhats German: Kollaborative Malerei von Sechzehn Arhats French: (J?roku rakan zu gassaku) Spanish: (J?roku rakan zu gassaku) Pintura colaborativa de Dieciséis Arhats High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (late 1870s?early 1880s). Professionally printed on premium fine-art paper (Photo Rag 308, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Softcover. Zustand: Very Good. Inscribed and dated 1986, by Mitsu Masa on front endpaper. 96 pp.; 4to; white wrappers; full page reproductions of the artwork, chiefly in black & white; text mainly in Japanese, some French; captions in Japanese and French. Bottom edge crimped near foot of spine, cresed lower leading corner; with a stain on edge not affecting pages.

Loose Leaf. Zustand: New. Reproduction. Original title: ??????? (J?roku rakan zu gassaku)|Collaborative Painting of Sixteen Arhats German: Kollaborative Malerei von Sechzehn Arhats French: (J?roku rakan zu gassaku) Spanish: (J?roku rakan zu gassaku) Pintura colaborativa de Dieciséis Arhats High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (late 1870s?early 1880s). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Paperback. Zustand: Brand New. 256 pages. 9.50x6.50x0.58 inches. In Stock.

Soft cover. Zustand: Very Good. 1st Edition. Taipei: Art Book Company, 1979. Four volume set. Small quartos. Soft covers in a slipcase. All volumes in near fine condition except for the volume titled "Winter," which bears an ex library sticker on the heel of the spine but contains no other library markings save for a number in pencil on the last end paper. The slipcase has a couple of bumps and is very good. Overall a nice set.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 336 | Sprache: Spanisch | Produktart: Bücher | Guía practica para el entrenador o instructor de artes marciales, una estupenda obra para el estudio y la consulta de las materias necesarias para el desarrollo de la docencia. Se desarrolla el entrenamiento, programación y técnica deportiva, valores y ética en las artes marciales, psicología y pedagogía, primeros auxilios, arbitraje etc.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 264 | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 264 | Sprache: Spanisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Format Oban (36,5 x 25,5 cm Blattgröße - Bild nur wenig kleiner). Sehr guter Druck in frischen Farben. Aus der ersten Auflage des Werkes mit japanischer Blatt-Numerierung. Sprache: de.

Format jeweils ca. 21 x 30 cm. Hinter Schrägschnittpassepartout mit Schwarzkern und hinter Glas in einem Wurzelholzrahmen (ca. 28,5 x 37,5 cm) gefaßt, nicht ausgerahmt. Der sichtbare Bildbereich makellos. Eher ungewöhnlicher Holzschnitt Keinens, der in erster Linie mit Vogeldarstellungen zu Ruhm gekommen war. Zeigt eine Gruppe japanischer Makaken (Muttertier mit mehreren Jungen), die sich allesamt auf einem weit über eine Wasserfläche herabhängenden Ast eines Nadelbaumes tummeln und den typischen sozialen Geschäften heranwachsender Makaken nachgehen: neugierig die Welt entdecken, miteinander rumtollen, sich von Mutti lausen lassen. Eher ungewöhnlicher Holzschnitt Keinens, der in erster Linie mit Vogeldarstellungen zu Ruhm gekommen war. Zeigt eine Gruppe japanischer Makaken (Muttertier mit mehreren Jungen), die sich allesamt auf einem weit über eine Wasserfläche herabhängenden Ast eines Nadelbaumes tummeln und den typischen sozialen Geschäften heranwachsender Makaken nachgehen: neugierig die Welt entdecken, miteinander rumtollen, sich von Mutti lausen lassen. 2000 g.

Edition : First Edition, Bound in contemporary blue thick paper covers., Imao Keinen (1845 - 1923) was born in Kyoto and studied various traditional Japanese art styles, including 'ukiyo e', meaning 'floating world', classical Japanese painting, calligraphy and printmaking. The upheaval of the transitional phase between the Edo and Meiji periods around 1868 resulted in bankruptcy of the family business forcing him to make a living as textile designer. Keinen founded his own studio and established himself as a painter and printmaker; later serving as professor at the Kyoto Prefectural School of Painting in the 1880?s. In 1904, he was appointed member of the Imperial Household?s Art Committee, and in 1919, of the Imperial Art Academy. Keinen specialized in and taught kacho ga; he is known for his four-part or volume album on birds and flowers known as the ?Keinen Kacho Gafu?, published in Kyoto between 1891 and 1892, the parts named after the four seasons. Known little in the West, the work demonstrates the height of the Shin Hanga movement. The prints are made from woodblocks in manifold colour. The present set is part of the album in hand-colour. , Size : folio (368x248mm), The hand-painted album includes 32 woodblock plates depicting of birds in their natural seasonal settings and habitats, surrounded by flowers and often blossoms, such as depictions of a Parakeet on flowering branch; Siberian Ruby Throat on peach blossoms; Calliope Calliope also known as Luscinia Calliope; black bird on Wisteria twig; bird on a rose branch with bamboo; Brambling; Starlings, Day Lily; Morning Sparrows and young Peony; Chestnut Bunting; cranes on pine; flock of sparrows on a rose bush; Golden Pheasant; Long Tail Tit on Forsythia; Noble Orchid and Swallow; Canary; Eurasian Skylark; plum blossom and white-bellied green pigeon; Rufous-Tailed Robin; Rooster and Hen; Rustic Bunting most or all from the Spring Album. Signed woodblock prints, References : Faith; not Freer, BMC, Mansell In very good condition; plates are clean and crisp.

Tokyo ca. [1915-20's], Shima Art Co. Color woodblock print, 19.3 x 26 cm., excellent condition, artist's signature in block with his red cinnabar hanko [chop/seal], pristine ! FIRST & ONLY RARE EDITION . *** **** *** . . A LOVELY COLOR WOODBLOCK PRINT BY THE MASTER . . . KEINEN KACHO GAFU: KEINEN'S BIRDS & FLOWERS . . . LOUISE BROWN HAS STATED OF KEINEN'S WORKS:'. . . "Perhaps the most beautiful work of this kind . . ever printed in Japan." * A tender autumn season scene depicting a bird [sparrow?] perched on a sprig of leaves turning colors. In pastels of pale green violet, brown, blue, gray and pink, black and apricot. . *** THE ARTIST, IMAO KEINEN [1845-1924]: . He was a celebrated, prize-winning Kyoto artist. He studied under Umegawa and a later pupil of Suzuki Hyakunen. See Roberts below. . *** The print was lightly tipped to a mat, which stated: . "Imported Japanese Print made from cherry wood blocks on mulberry paper Published by Shima Art Co., New York-Tokyo." . Together with a label also on the mat: "Imported Oriental Woodblock Prints Made by Hand on Genuine Rice Paper from Cherry Woodblocks." . The print will come loosely laid into this mat, showing provenance. On the verso of the print is a very small, discreet stamp: "Made in Japan," typical of prints exported around 1895-1920's. . *** Color scans are posted to our website. . *** REFERENCES: . L. Roberts: DICTIONARY OF JAPANESE ARTISTS, p.53-54, for biographical information. . *** References below list or discuss other prints by Keinen which contribute to the overall knowledge and insight to this print and its subject: . * Harley H. Bartlett & Hide Shohara: JAPANESE BOTANY DURING THE PERIOD OF WOOD-BLOCK PRINTING, p.239-240, exhibit 99, figure 91. * C. Mitchell: THE ILLUSTRATED BOOKS OF THE NANGA, MARUYAMA, SHIJO AND OTHER RELATED SCHOOLS OF JAPAN: A Bibliography: pages 354-355. * L. Brown: BLOCK PRINTING AND BOOK ILLUSTRATION IN JAPAN, states: "Perhaps the most beautiful work of this kind ever printed in Japan." Page 201. * [SMITH, Lawrence]. et al.: FLOWERS AND BIRDS FROM IMAO KEINEN'S ALBUMS. * IMAO, Keinen. : KEINEN KACHO GAFU: Haru, Natsu, Aki, Fuyu. KEINEN'S BIRD AND FLOWER ILLUSTRATIONS: SPRING, SUMMER, AUTUMN, WINTER, Taipei 1979. . *.

[Kyoto 1887, Nishimura]. A color woodblock print, vertical format, sheet: 24 x 37 cm., print: 22.5 x 32 cm., excellent registry, impression, no flaws, bright, clean & solid copy, #16 in top right margin, verso clean. * RARE FIRST EDITION * . *** **** *** . . . A STUNNING IMAGE OF THE FINGERED CITRON & A BIRD . . . EXECUTED IN SUPERB, SUBTLE PASTELS . . . ONE OF THE RAREST EXAMPLES IN THE SERIES . * The full set was issued in 4 volumes: Haru [Spring], Natsu [Summer], Aki [Autumn], Fuyu [Winter]. Each page shows a lovely composition of birds in natural floral & botanical settings, including fruit trees and water examples. The double-page examples are grand size [2 Oban] prints, 46 x 32 cm. Stunningly large examples ! . This print was extracted from that set. It shows a sparrow [?] perched on a branch of the "Fingered Citron [citrus medica var. sarcodactylis], a plant in full bloom with one superb ripe fruit, and another immature green fruit. . This plant has been revered since time immoral by the Chinese, Vietnamese & Koreans, among others in Asia and S.E. Asia. . It usually fruits around the Chinese Lunar New Year, and is coveted for display, invoking "Good Luck" for the New Year. This fruit is auspiciously place on the altar with fruit, food, wine offerings to the ancestors. Without this fruit, the altar is incomplete, and will probably yield nothing but "Bad Luck" for the New Year ! It is highly part of the Asian suspicion norm. . *** THE ARTIST, IMAO KEENAN [1845-1924]: . He was a Japanese painter and print designer of the late 19th and early 20th centuries, part of the Shin-hangar ["New Prints"]movement. In 1904 he was appointed as an Imperial Household Artist. . He was a celebrated, prize-winning Kyoto artist. He studied under Megara and a later pupil of Suzuki Hyakunen. See Roberts below. . NOTE OF INTEREST ABOUT THIS PRINT SERIES: Commonly the below statement was inside of the front covers: "Imported Japanese Print made from cherry wood blocks on mulberry paper Published by Shima Art Co., New York-Tokyo." And a label: "Imported Oriental Woodblock Prints Made by Hand on Genuine Rice Paper from Cherry Woodblocks." . The above is strictly an example of what is found in the original volume covers, this is not found on the print, for your information only. . *** Color photos are posted to our website. . *** CONDITION: This is in superb condition, with excellent impression and registry, printed in subdued pastels, except for the throat of the bird which has the only outstanding color of oxidized red-brown, after 100 years of aging and gaining a lovely patina. . The verso is blank, no marks, by and large a superb example without any detractions. . Seldom found on the market, this particular print remains of of the most sought after in the whole series. It is coveted and eagerly displayed on or above the altar. . Far and above the average example, superb, finely executed. About as good as it can get ! . *** REFERENCES: . en-wikipedia-org/wiki/Imao_Keinen * L. Roberts: DICTIONARY OF JAPANESE ARTISTS, p.53-54, for biographical information. . *** The references below list or discuss other prints by Keinen which contribute to the overall knowledge and insight to this print and its subject: . * Harley H. Bartlett & Hide Shohara: JAPANESE BOTANY DURING THE PERIOD OF WOOD-BLOCK PRINTING, p.239-240, exhibit 99, figure 91. * C. Mitchell: THE ILLUSTRATED BOOKS OF THE NANGA, MARUYAMA, SHIJO AND OTHER RELATED SCHOOLS OF JAPAN: A Bibliography: pages 354-355. * L. Brown: BLOCK PRINTING AND BOOK ILLUSTRATION IN JAPAN, states: "Perhaps the most beautiful work of this kind ever printed in Japan." Page 201. * [SMITH, Lawrence]. et al.: FLOWERS AND BIRDS FROM IMAO KEINEN'S ALBUMS. * IMAO, Keinen. : KEINEN KACHO GAFU: Haru, Natsu, Aki, Fuyu. KEINEN'S BIRD AND FLOWER ILLUSTRATIONS: SPRING, SUMMER, AUTUMN, WINTER, Taipei 1979. . * Visit our website for copies of the above reference books. . *.